George Cruikshank

Anglo - Parisian Salutations or, Practice par Excellence!

George Cruikshank - Anglo - Parisian Salutations or, Practice par Excellence!: Not long after Napoleon's defeat at Waterloo inter Continental travel became quite widespread. With the resumption of peace fascination with foreign culture reached a peak and members of both the emerging middle class and the upper class devoted themselves to learning languages. Thus in this delightful George Cruikshank etching, two English visitors adorned in the latest fashions in Paris practice their skills outside the 'Hotel des Fermes' --"Commong porty wous Munseer? -- O Oui -- il est un tres belle jour!.".

'Anglo - Parisian Salutations or, Practice par Excellence!' is an original etching by George Cruikshank and published initially in 1816. This impression was published by Thomas McLean for the second and final edition printed in 1835. It is one of a number of Cruikshank's commentaries upon relations among English, French and German language and culture in the early nineteenth century.

Anglo - Parisian Salutationsby by George Cruikshank

Anglo - Parisian Salutations or, Practice par Excellence!

View other original etchings by George Cruikshank.

George Cruikshank (London, 1792 - 1878)
#	Image	Title & Artist	Medium	Date	-
01.-		A Party of Pleasure by George Cruikshank designed by Captain Frederick Marryat	Original Etching	August, 01 1835	Sold
02.-		A Swarm of English Bees Hiving in the Imperial Carriage!! by George Cruikshank	Original Etching	1816 (Second and Final Edition, 1835)
03.-		Anglo - Gallic Salutations in London - or, Practice makes Perfect by George Cruikshank	Original Etching	1816 (Second and Final Edition, 1835)
04.-		Anglo - Parisian Salutations or, Practice par Excellence! by George Cruikshank	Original Etching	1816 (Second and Final Edition, 1835)
05.-		Humming-Birds -- or a Dandy Trio by George Cruikshank	Original Etching	c. 1820 (Second and Final Edition, 1835)	Sold
06.-		Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess by George Cruikshank	Original Etching	1816 (Second and Final Edition, 1835)
07.-		Monstrosities of 1819 and 1820 by George Cruikshank	Original Etching	1819 and 1820 (Second and Final Edition, 1835)	Sold
08.-		Monstrosities of 1822 by George Cruikshank	Original Etching	1822 (Second and Final Edition, 1835)	Sold
09.-		The "Bloomers" in Hyde Park, or an Extraordinary Exhibition for 1852 by George Cruikshank	Original Etching	1852 (First State of Two)
10.-		The Advantages of Travel; -or- 'A Little Learning is a Dangerous Thing' (Plate I) & (Plate II) by George Cruikshank	A Set of Two Original Etchings	1834 (Second and Final Edition, 1835)
11.-		The Good Effects of Carbonic Gas by George Cruikshank	Original Hand-Coloured Etching	December 10, 1807 (First and Only Edition)
12.-		Very Unpleasant Weather, or the Old Saying Verified, 'Raining Cats, Dogs and Pitchforks' by George Cruikshank	Original Hand-Coloured Etching	1820 (Second and Final Edition, 1835)	Sold

View other original etchings by Issac Robert Cruikshank.

Isaac Robert Cruikshank (London, 1789 - 1856)
#	Image	Title & Artist	Medium	Date	-
01.-		Dandy Fainting - or - an Ekquisite in Fits by Isaac Robert Cruikshank	Original Etching	1822 (Second and Final Edition, 1835)	Sold
02.-		Household Troops, or a Sketch of a Few, of the Principal Trustworthy and Confidential Domestics of Worthy and Confiding Families by Isaac Robert Cruikshank	Original Etching	1827 (Second and Final Edition, 1835)
03.-		Monstrosities of 1827 by Isaac Robert Cruikshank	Original Etching	1827 (Second and Final Edition, 1835)	Sold

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Title:	Anglo - Parisian Salutations or, Practice par Excellence!
Artist:	Cruikshank, George (London, 1792 - 1878)
Date:	1816 (Second and Final Edition, 1835)
Medium:	Original Etching
Publisher:	Thomas McLean, Haymarket
Note:	George Cruikshank: The name of George Cruikshank deserves to stand beside those of William Hogarth, Thomas Rowlandson and James Gillray as representing the greatest satirical artists from the Golden Age of this art form. As a child he learned etching techniques from his father, Isaac Cruikshank (1762-1811), a fine satirical artist in his own right. George Cruikshank published his first etching at the age of twelve. During the second and third decades of the nineteenth century he created works of art which equaled the etchings of Gillray and Rowlandson in their technical abilities, but which perhaps surpassed either of these masters in their pure and wonderful humour. More than any other artist of satire, George Cruikshank was at his best when the target was -- as in this fine example -- culture, fashion and society. George Cruikshank also worked in collaboration with his brother, Isaac Robert Cruikshank (1789-1856), another fine caricaturist and satirical artist.
	As the conservative Victorian era began (1837) most forms of satirical art grew to be unfashionable. George Cruikshank thus turned his talents to the illustrated book. Some of the greatest volumes from these later times, including Dickens's Oliver Twist, bear testimony to the lifelong creativity of his art.
	In 1835 the London publisher, Thomas McLean, acquired a number of the most popular plates of both George and Robert Cruikshank and reprinted them with his address for a second and final edition which was titled, Cruikshankiana. Anglo - Parisian Salutations or, Practice par Excellence! hails from this edition.
	Anglo - Parisian Salutations or, Practice par Excellence! is one of a number of George Cruikshank commentaries upon relations among English, French and German language and culture in the early nineteenth century. This delightful etching depicts two English visitors adorned in the latest fashions in Paris practice their skills outside the 'Hotel des Fermes' --"Commong porty wous Munseer? -- O Oui -- il est un tres belle jour!."
Raisonne:	Albert M. Cohn, George Cruikshank, A Catalogue Raisonne, Bookman's Journal, London, 1924 (Reprinted, 1971). Catalogue #888, Second State of Two.
Size:	10 1/4 X 14 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Matted with 100% Archival Materials
Buy Now	Price: $375.00 US
Condition:	Printed on early nineteenth century wove paper and large, full margins as published by Thomas McLean in 1835. Containing several slight, restored tears far away from the actual plate-mark, else in very good condition throughout. Anglo - Parisian Salutations or Practice - par Excellence stands as a prime, original example of the famous satirical art of George Cruikshank.
Subject:	George Cruikshank, original etching, Anglo - Parisian Salutations or Practice - par Excellence , satirical art, inter Continental travel, latest fashions in Paris, nineteenth century.
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