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George Cruikshank's set of two original etchings titled "The Advantages of Travel; - or - 'A Little Learning is a Dangerous Thing'" satirizes both French and English tourists and how, in a very small period of exposure to a foreign climate, they manage to perfectly maul a language. In the first etching George Cruikshank created for "The Advantages of Travel..." a native of Paris has just arrived from England and is greeted by a friend; "Comment se porte mon amie? - Moi - I am jost come from de England - Aha you vas jost come from de England! Den how you like de Bif? - Le Bif rote is charmant a Londres! Yase dat is vrai - bote je prepare le Rum-Tek! - Le Rum-Tek! vat is de Rum Tek? - Voyez vous - it is toujours de Bif Tek - mais-bote-day-call it Rum tek -ba-cause day pote de Rum in de Sauce." In the second and final etching George Cruikshank created for "The Advantages of Travel..." the tables have turned, with two Londoners discussing the merits of French cooking; "Ah Jack - How are ye? - Devilish well- just crost the water - been to Paris! - Well & how did ye like the Cooking? - Confounded good - 'pon my soul - Liked their Harrico-Blong- best -- What's Harrico Blong? - What's Harrico Blong! Why you know what Harrico - is don't ye? - To be sure - It's mutton chops & carrots & turnips -- with wedgables -- Very well then! That's it & Blong -you know's the name of the first Cook as made it. -- Oh - aye ---- so it is ---I remember now !!" These two original George Cruikshank etchings are printed upon early nineteenth century wove paper and with large, full margins as published by Thomas McLean, Haymarket in 1835. |
Title: | The Advantages of Travel; -or- 'A Little Learning is a Dangerous Thing' (Plate I) & (Plate I) |
Artist: | Cruikshank, George (London, 1792 - 1878) |
Date: | 1834 (Second and Final Edition, 1835) |
Medium: | A Set of Two Original Etchings |
Publisher: | Thomas McLean, Haymarket |
Note: | George Cruikshank: The name of George Cruikshank deserves to stand beside those of William Hogarth, Thomas Rowlandson and James Gillray as representing the greatest satirical artists from the Golden Age of this art form. As a child he learned etching techniques from his father, Isaac Cruikshank (1762-1811), a fine satirical artist in his own right. George Cruikshank published his first etching at the age of twelve. During the second and third decades of the nineteenth century he created works of art which equaled the etchings of Gillray and Rowlandson in their technical abilities, but which perhaps surpassed either of these masters in their pure and wonderful humour. More than any other artist of satire, George Cruikshank was at his best when the target was -- as in this fine example -- culture, fashion and society. George Cruikshank also worked in collaboration with his brother, Isaac Robert Cruikshank (1789-1856), another fine caricaturist and satirical artist. |
As the conservative Victorian era began (1837) most forms of satirical art grew to be unfashionable. George Cruikshank thus turned his talents to the illustrated book. Some of the greatest volumes from these later times, including Dickens's "Oliver Twist", bear testimony to the lifelong creativity of his art. | |
In 1835 the London publisher, Thomas McLean, acquired a number of the most popular plates of both George and Robert Cruikshank and reprinted them with his address for a second and final edition which was titled, "Cruikshankiana". This pair of original etchings hails from this edition. | |
"The Advantages of Travel; - or - 'A Little Learning is a Dangerous Thing'" is one of a number of George Cruikshank commentaries upon relations between the English and French cultures in the early nineteenth century. Not long after Napoleon's defeat at Waterloo inter-Continental travel became quite widespread. With the resumption of peace both French and English fascination with each others cultures reached a peak. Members of both the emerging middle class and the upper class devoted themselves to exploring life on the other side of the English Channel, often with comical results. | |
Raisonne: | Albert M. Cohn, George Cruikshank: A Catalogue Raisonne, London, Bookman’s Journal, 1924 (Reprinted, 1971). Catalogue #869-1 and #869-2, Second States of Two. |
Size: | (Plate One: 10 3/4 X 14) & (Plate Two: 11 X 15)(Sizes in inches are approximate, height preceding width of plate-mark or image.) |
Matted with 100% Archival Materials | |
Buy Now | Price: $695.00 US (For the Set of Two Original Etchings) |
Condition: | This pair of original etchings is printed on early nineteenth century wove paper and with large, full margins as published by Thomas McLean in 1835. Containing several restored tears far away from the actual plate-marks, else in good condition throughout. "The Advantages of Travel; - or - 'A Little Learning is a Dangerous Thing'" represents a prime, original example of the famous satirical art of George Cruikshank. |
Subject: | George Cruikshank , original etchings, satirical artists , The Advantages of Travel; - or - 'A Little Learning is a Dangerous Thing' Caricature tourists, French and English languages. |
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A Set of Two Original Etchings by The British Satirical artist, George Cruikshank.
The Advantages of Travel; -or- 'A Little Learning is a Dangerous Thing' (Plate I) | The Advantages of Travel; -or- 'A Little Learning is a Dangerous Thing' (Plate II) |
View other original etchings by George Cruikshank.
View other original etchings by Issac Robert Cruikshank.
Isaac Robert Cruikshank (London, 1789 - 1856) | |||||
# | Image | Title & Artist | Medium | Date | - |
01.- | Dandy Fainting - or - an Ekquisite in Fits by Isaac Robert Cruikshank | Original Etching | 1822 (Second and Final Edition, 1835) | Sold | |
02.- | Household Troops, or a Sketch of a Few, of the Principal Trustworthy and Confidential Domestics of Worthy and Confiding Families by Isaac Robert Cruikshank | Original Etching | 1827 (Second and Final Edition, 1835) | ||
03.- | Monstrosities of 1827 by Isaac Robert Cruikshank | Original Etching | 1827 (Second and Final Edition, 1835) | Sold |
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