John Sell Cotman - Howden Church Yorkshire

Howden Church, Yorkshire

In this John Sell Cotman etching, the ruins of Howden Church dominate the entire plate, dwarfing the three spectators and their resting horses at the base. Howden Church, Yorkshire is clearly one of Cotman's most famous etchings. "Howden Church, Yorkshire" is an original etching created by the early 19th century British landscape and architectural artist, John Sell Cotman. This original impression was printed in London by Henry Bohn in 1838. It is one of the 26 plates from the portfolio entitled, "Miscellaneous Etchings of Architectural Antiquities of Yorkshire".

Howden Church, Yorkshire

View other original etchings by John Sell Cotman.

John Sell Cotman (Norwich, 1782 - London, 1842) "Miscellaneous Etchings of Architectural Antiquities of Yorkshire"
#	Image	Title & Artist	Medium	Date	Info	-
01-		Howden Church, Yorkshire by the British artist, John Sell Cotman	Original Etching	1811 (2nd Ed, 1838)	Signed, dated and titled in the plate by John Sell Cotman. A. E. Popham, Catalogue #2, Second and Final State as published in London by Henry Bohn in .	Sold
02.-		Kirkham Priory, York by the British artist, John Sell Cotman	Original Etching	1811 (2nd Ed, 1838)	Signed, dated and titled in the plate by John Sell Cotman. A. E. Popham, Catalogue #11, Second and Final State as published in London by Bohn.
03.-		Rivaulx Abbey, Door Way to the Refectory by the British artist, John Sell Cotman	Original Etching	1811 (2nd Ed, 1838)	Signed, dated and titled in the plate by John Sell Cotman. A. E. Popham, Catalogue #12, Second and Final State as published in London by Bohn.	Sold
04.-		Rivaulx Abbey, Yorkshire by the British artist, John Sell Cotman	Original Etching	1811 (2nd Ed, 1838)	Signed, dated and titled in the plate by John Sell Cotman. A. E. Popham, Catalogue #10, Second and Final State as published in London by Bohn.

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Title:	Howden Church, Yorkshire
Artist:	Cotman, John Sell (Norwich, 1782 - London, 1842)
Date:	1811 (Second and Final Edition, 1838)
Medium:	Original Etching
Publisher:	Henry Bohn, London
Note:	"Landscape and architecture are to many of John Sell Cotman's etchings what particular sites and gardens have always been to the planning of country houses. Now and then a great piece of architecture occupies nearly the whole surface area of a plate, as is the case of Castle Rising Castle, Norfolk. Then we have reason to think of those portraitists who gain impressiveness by making a fine head too big for the canvas. Howden Church, Yorkshire, in Cotman's art -- a lovely ruin charmed with architectural music -- is a modified portrait of the same genre." *
	One of the greatest influences upon the course of early nineteenth century English landscape art was the Norwich School and its Society of Artists. From 1805 to 1834 two gifted Norwich landscape painters gained prominent national reputations, John Crome and John Sell Cotman. Interestingly both artists extensively explored an all but forgotten artistic media -- etching. Their great art in this field helped pave the way for the work of the painter-etchers of the latter nineteenth century.
	Born in Norwich, John Sell Cotman was educated at the Grammar School. His first 'education ' in the arts took place in 1798 when he moved to London and worked as a colourist of engravings for Ackermann's Repository of Arts. Two years later he exhibited his first drawings and watercolours at the Royal Academy and, in 1801, he joined the Sketching Society which included such members as Thomas Girtin, John Varley and Paul Sandby Munn.
	From 1802 to 1805 John Sell Cotman visited Yorkshire on three tours. The watercolours he created on these occasions served as the genesis for his first published portfolio of etchings entitled, Miscellaneous Etchings of Architectural Antiquities of Yorkshire (1811). Cotman returned to Norwich in 1806 and became President of the Norwich Society of Artists several years later.
	Howden Church, Yorkshire is one of the 26 plates which constitute the Miscellaneous Etchings .... First published installments in 1811 a second edition of these etchings was printed in London by Henry Bohn in 1838. This original etching, printed on stiff wove paper, hails from the second and final edition. Like Cotman's watercolours from this period these etchings are revolutionary in their presentation of isolated motifs and their superb delineation of pattern and form. The ruins of Howden Church dominate the entire plate, dwarfing the three spectators and their resting horses at the base. Howden Church, Yorkshire is clearly one of John Sell Cotman's largest and most famous etchings.
	During the following years, John Sell Cotman produced some of the greatest watercolours in the history of British art. He also continued creating sets of architectural and landscape etchings among which are, Architectural Antiquities of Norfolk (1812-1817), Architectural Antiquities of Normandy (1822) and Liber Studiorum (1838).
Raisonne:	A. E. Popham, "Etchings of John Sell Cotman", Print Collector's Quarterly, 9, 1922, pp. 237 - 273. Catalogue #2, Second and Final State as published in London in 1838 by Henry Bohn.
Reference:	* Walter Shaw Sparrow, A Book of British Etching from Francis Barlow to Francis Seymour Haden, London, John Lane, 1926, p. 162.
Source:	Miscellaneous Etchings of Architectural Antiquities in Yorkshire
Size:	15 X 10 5/8 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Framed and Matted with 100% Archival Materials
	View larger Framed Image

Condition:	Printed upon heavy wove paper and with large, full margins as published in London in 1838. Signed, dated and titled in the plate by the artist to the lower left margin. A finely printed impression and in excellent condition throughout. Howden Church, Yorkshire represents a superb, original example of the famous etched art of John Sell Cotman.
Price:	Sold - The price is no longer available.
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