Yoshu Chikanobu

A Lady in Waiting Hands The Noh Mask to an Actor in The Chiyoda Palace Before The Performance of, 'Chikuboshima'

Yoshu Chikanobu's original Japanese woodcut, A Lady in Waiting Hands The Noh Mask to an Actor in The Chiyoda Palace Before The Performance of, 'Chikuboshima' - The God of The Island of Chikubu' is printed upon mid nineteenth century mulberry paper with full margins as published by Fukuda Hatsujiro on October 1895 for the series, Chiyoda Inner Palace (Chiyoda no Ooku). The recognized artist of the Japanese aristocracy, Chikanobu was creating a splendid series of triptychs devoted to the elegant pastimes of the Japanese court throughout the late nineteenth and early twentieth centuries, such as this original triptych. These triptychs have become famous not only for their striking artistic qualities (note, for instance, the radical manner in which Yoshu Chikanobu employs spatial concepts in this work) but for their technical complexities of printing. The Metropolitan Museum of Art includes an impression of this original triptych in its permanent collection.

Original Japanese Woodcut (Triptych) by the Japanese artist, Yoshu Chikanobu.

A Lady in Waiting Hands The Noh Mask to an Actor in The Chiyoda Palace Before The Performance of, 'Chikuboshima - The God of The Island of Chikubu'

View other original Japanese Woodcuts by Yoshu Chikanobu.

Yoshu Chikanobu (1838 - 1912)
#	Image	Title & Artist	Date	Medium	Notes	-
01.-		A Lady in Waiting Hands The Noh Mask to an Actor by Yoshu Chikanobu	October 1895	Original Woodcut (Triptych)	Published by Fukuda Hatsujiro for the Series: Chiyoda Inner Palace (Chiyoda no Ooku)	Sold
02.-		A Young Girl Learning A Song of Enlightenment by Yoshu Chikanobu	November 05, 1883	Original Woodcut	Published by Zaida for the Series: Kaika Kyoiku mari uta (Songs of Enlightenment & Education)	Sold
03.-		Battle between Saigo Takamori's Samurai Rebels and Meiji Government Troops at Kagoshima by Yoshu Chikanobu	1877	Original Woodcut (Diptych)	Series: Kagoshima senki (Chronicles of the War against Kagoshima)
04.-		Shimousa. Iwahashi no yuki. Kiuchi Sogoro (Snow at Iwahashi in Shimousa Province. Kiuchi Sogoro departing for Edo) by Yoshu Chikanobu	1884	Original Woodcut	Published by Kobayashi Tetsujiro in Setsugekka 'Setsu-gekka' (Snow, Moon and Flowers)
05.-		Sino-Japanese War Chronicle (A Heroic Scene from the War with China) by Yoshu Chikanobu	1895	Original Woodcut (Triptych)	Published by Maki Kinnosuke, Signed Yoshu Chikanobu (right panel)	Sold
06.-		Three Characters in a Kabuki Drama by Yoshu Chikanobu	c. 1880	Original Woodcut (Triptych)	Published by Matsushita Heibei

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Title:	A Lady in Waiting Hands The Noh Mask to an Actor in The Chiyoda Palace Before The Performance of, 'Chikuboshima' (The God of The Island of Chikubu)
Artist:	Chikanobu, Yoshu (Japan, 1838 - 1912)
Date:	October 1895
Medium:	Original Japanese Woodcut (Triptych)
Publisher:	Fukuda Hatsujiro
Series:	Chiyoda Inner Palace (Chiyoda no Ooku)
Note:	Yoshu Chikanobu: As little as forty years ago, 'purists' of Japanese art rejected the woodcuts of the Meiji period (1868 - 1912) as being garish and unrefined. The introduction of Western dies and styles (c. 1865) created bold designs began to dominate the Japanese woodcut. Far from ruining traditional Japanese art, Meiji artists injected a new life into the genre by amalgamating Japanese and Western forms and styles. The greatest masters of this era -- Yoshitoshi, Kunichika and Chikanobu -- thus created a number of strikingly unique images and contemporary scholarship now favorably compares their work with the art of earlier nineteenth century designers.
	A leading Japanese woodcut artist of the Meiji period, Yoshu Chikanobu studied under Kunichika (1835 - 1900). Kunichika devoted himself to the actor print and his designs were much more traditional than any other Meiji artist. Conversely, Yoshu Chikanobu showed little interest in the accepted actor portrayals and was much more revolutionary in his colouring and design techniques. His primary interest lay in genre depictions, leading him both to scenes of contemporary Japanese events and the study of historical and courtly customs. He was, in fact, the recognized artist of the Japanese aristocracy and as such his actor scenes dealt with the 'Noh' theatre, the drama of the nobility such as this original woodcut, entitled, A Lady-In-Waiting Hands the Noh Mask to An Actor in The Chiyoda Palace Before The Performance of, 'Chikuboshima (The God of The Island of Chikubu).
	Yoshu Chikanobu produced many fine woodcuts dealing with scenes from the Noh Theatre, and with the pleasures of the noble courts, such is the case with, A Lady-In-Waiting Hands the Noh Mask to An Actor in The Chiyoda Palace Before The Performance of, 'Chikuboshima (The God of The Island of Chikubu). His art is remarkable for his bold design elements and beautiful printing techniques. This is clearly evident in this original Japanese woodcut. With the exception of Yoshitoshi, his style was perhaps more individualistic than any other Japanese woodcut artist of the times. During 1895-1896, Chikanobu created the series, entitled, "Chiyoda Inner Palace (Chiyoda no Ooku)" and another in 1897, "Chiyoda Outer Palace (Chiyoda no on-omote)", both portraying life before the Meiji Restoration of 1868 within Chiyoda (Edo) Castle, later re-named Tokyo Castle. The Metropolitan Museum of Art includes an impression of this original triptych in its permanent collection, Accession Number JP3532.
Size:	Oban (Triptych) (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Framed and Matted with 100% Archival Materials
Condition:	Printed late upon nineteenth century Japanese paper and with full margins as published by Fukuda Hatsujiro in 1895 for the series, Chiyoda Inner Palace (Chiyoda no Ooku). This is an extraordinary printing and is in excellent condition throughout. The modulations and the Tonal shifts in the browns and reds, as well as the blind printing on the white collar of the woman's dress are beautifully portrayed. Finally, attention should be drawn to the stunning use of the box from which the mask was drawn. Only a printing in superb condition would maintain these delicate particles. Altogether, this original woodcut is one of Chikanobu's fines and most dramatic designs.
Price:	Sold - The price is no longer available.
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