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| Charles Joshua Chaplin's original lithograph, Nymphe bocagere (Woodland Nymph) is based upon a painting by Philippe Auguste Jeanron. The British Museum in London includes an impression of this original lithograph in its permanent collection. Its impression, however, bears the title, Nymphe Couchee (Nymph Lying Down), along the lower margin, also, the museum has dated that impression, 1852. As well, the name of the publisher has changed to “Marchant, Edit. Alliance des Arts, rue de Rivoli, 140.” This original lithograph is an earlier impression and bears the publisher's name, "L'Artiste" the title, "Nymphe bocagere", the artists' names, "Chaplin d'apres Jeanron", & the printer's details, "Imp. Bertauts, Paris" along the upper and lower margins as commissioned and published in 1851 by L'Artiiste, France's foremost nineteenth century publisher of artistic lithographs since its inception in 1831. The British Museum impression may be viewed on their site under the Museum Number, 1889,0608.589. Nymphe bocagere (Woodland Nymph) is a fine original example of the lithographic art created by the French artists, Charles Joshua Chaplin & Philippe Auguste Jeanron. |
| Title: | Nymphe bocagere (Woodland Nymph) |
| Lithographer: | Chaplin, Charles Joshua 'Charles J. Chaplin' (Les Andelys, Eure, France, 1825 - Paris, 1891) |
| Designer: | Jeanron, Philippe Auguste (Boulogne, 1808 - Paris, 1877) |
| Date: | 1851 |
| Medium: | Original Lithograph |
| Publisher: | L'Artiste, Paris |
| Printer: | Bertauts, Paris |
| Source: | L'Artiste, Paris (V Serie, Tome V) |
| Note: | Charles Joshua Chaplin 'Charles J. Chaplin': The son of an English father and French mother, Charles Joshua Chaplin chose France as his permanent home, eventually becoming a citizen in 1886. He began his formal art education in Paris in 1840 at both the Ecole des Beaux-Arts and at the studio of Michel Martin Drolling. Charles J. Chaplin first exhibited his art at the Salon de Paris in 1845 and during the following years his art appeared in major annual exhibitions in France, England and the United States. |
Nymphe bocagere (Woodland Nymph) dates from Charles Chaplin's early Realist and Romantic period, which took place from approximately 1846 to 1852. His work from this period includes portraits and landscapes, most notably of the countryside of Auvergne. He also created several lithographs based upon the designs of contemporary French artists. Such is the case with this beautiful lithograph. |
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| By 1855 Charles J. Chaplin had turned from Realism and Naturalism to more elegant, almost sumptuous techniques that made many compare his work to the great eighteenth century painter, Francois Boucher. Like Boucher, Chaplin made his fine reputation mostly on his ability to depict feminine grace and beauty. | |
| Two of the greatest admirers of Chaplin's art were Napoleon III and his wife, Empress Eugenie. As such he was employed in 1860 to decorate the rooms of the Tuileries, and afterwards, the rooms of the Empress in the Elysee and the Hotel Musard. | |
| Charles Joshua Chaplin served as a Professor at the Ecole des Beaux-Arts and also conducted art classes for women in his studio. In the latter regard his students included Mary Cassatt and Louise Abbema. | |
| Charles Chaplin was appointed Chevalier of the Legion d'Honneur in 1879. Today his fine paintings and prints are included in public collections in Paris, Rouen, Bordeaux, Reims and Bayonne, and internationally in such museums as the Hermitage, Saint Petersburg, and the Metropolitan Museum of Art, New York. | |
Philippe Auguste Jeanron: A French painter, printmaker, journalist, critic and director, Philippe Auguste Jeanron came to Paris in 1828 and studied art under both Sigalon and Souchon. Shortly thereafter he began to exhibit his art at the annual shows at the Paris Salon and won his first medal there in 1833. A friend of both Charles Jacques and Jean-Francois Millet, the landscape art of Philippe Jeanron also figured prominently in exhibitions of the Barbizon School. |
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| From 1848 to 1850 Philippe Auguste Jeanron served as the Director of the National Museums, including the Louvre. Later he served as Director of the Academy at Marseilles. The paintings of Philippe Auguste Jeanron are today housed in public collections in Caen, Marseilles, Paris, Lille, Boulogne, Chartres, Aix and elsewhere. | |
| Nymphe bocagere (Woodland Nymph): Charles Joshua Chaplin's original lithograph, Nymphe bocagere (Woodland Nymph) is based upon a painting by Philippe Auguste Jeanron. The British Museum in London includes an impression of this original lithograph in its permanent collection. Its impression, however, bears the title, Nymphe Couchee (Nymph Lying Down), along the lower margin, also, the museum has dated that impression, 1852. As well, the name of the publisher has changed to "Marchant, Edit. Alliance des Arts, rue de Rivoli, 140." This original lithograph is an earlier impression published in 1851 by L’Artiste, perhaps the most prominent publisher of original lithographs during this period. The British Museum impression may be viewed on their site under the Museum Number, 1889,0608.589. | |
| An original lithograph, Nymphe bocagere (Woodland Nymph), bears the publisher's name, "L'Artiste" along the upper margin, and the title, “Nymphe bocagere”, the artists' names, "Chaplin d'apres Jeanron", & the printer's details, "Imp. Bertauts, Paris" along the lower margin as commissioned and published in 1851 by L'Artiiste, France's foremost nineteenth century publisher of artistic lithographs, etchings, & engravings since its inception in 1831. See: L’Artiste, Revue de Paris, V Serie, Tome V, Paris Aux Bureaux de L'Artiste, Quai Voltaire, 5 M DCCCLI (1851). Nymphe bocagere is listed under the table Des Matieres, Juin, Juillet, Aout, Septembre, Octobre, Novembre, December 1851, pg. 2, Gravures, Septieme Livraison' as Nymphe Bocagere, lithographie. de M. Ch. Chaplin, d'apres M. Jeanron. For Nymphe bocagere, on page 112 of this issue, the editor writes; "Nymphe bocagere vue de face. Celle-la aussi serait digne du marbre. Si Clesinger passait par la, il ne la manquerait pas. Jeanron et Chaplin ont rendu, avec beaucoup de charme et de grace, la chastete ondoyante du contour. * Le Directeur: Ferdinand Chretien". A loose translation of the text reads, (Woodland Nymphe front view. It is also worthy of marble. If Clesinger (the sculptor, Auguste Clesinger), went by, he would not fail to stop. Jeanron and Chaplin created it with lots of charm and grace, the chastity, the undulating contour. *Director: Ferdinand Chretien). The Gallica, Biblioteca Nationale de France includes an impression of this original lithograph in its permanent collection. It may be viewed on their site under the Museum Number, 1851 (SER5, T5). | |
| L'Artiste, Paris (1831 - 1904): The Paris art journal, L'Artiste was one of the most-long lasting literary reviews encompassing the visual arts, literature, and music. It is considered by many a most important historical record of French art of the nineteenth century. Founded and directed by Achille Ricourt, this art journal published its first issue in February of 1831, under the title of, "L'Artiste. Journal de la Litterature et des Beaux-Arts" at the address, Rue de Seine-Saint-Germain, 39. Its first vignette, created by Tony Johannot depicted a painter, a sculptor, a writer and a musician accompanied by two women singing. During its long publishing history, the journal was edited by Achille Ricourt (founder/director), Arsene Houssaye (first editor in chief), a post that was also held by, Edouard Houssaye, Auguste de Vaucelle, Theophile Gautier, and others. Each volume consisted of reproductive and most importantly, original prints in the medium of lithography, etching, engraving, and other graphic mediums created by contemporary French artists such as, Paul Delaroche, Tony Johannot, Celestin-Francois Nanteuil, Francois Jules Collignon, Jules Dupre, Hector Martin, Charles Joshua Chaplin, Paul Gavarni, Auguste Delatre, Armand Hubert Simon Leleux, Charles Francois Daubigny, E. Delacroix, Theodore Valerio and many other important artists of the times. "Nymphe bocagere" by Charles J. Chaplin is a striking example of the lithographic art commissioned by L'Artiste in 1851. L'Artiste published art reviews and literary works by art critics and writers such as, Pierre Jules Theophile Gautier, Charles Baudelaire, Honore de Balzac, A. Houssaye, A. Dumas, and others. L'Artiste later absorbed the "Revue de Paris", another important French literary magazine founded by Louis Desire Vernon in 1829. By the time of its demise in 1904, L'Artiste had published a total of seventy two issues. | |
| Bertauts, Publishing & Printing Firm (c. 1830's - c. 1970's): The renowned French lithographic publisher and printer, Bertauts was considered one of the finest printers in Europe during the mid-nineteenth century. According to the Beaus-Arts – de la Lithographie et des Imprimeurs, Bertauts began printing lithographs after 1826 and established his lithographic firm in 1836. During the 1830's and into the 1870's, original lithographs printed by Bertauts appeared in such publications as, "L'Artiste, Paris" (1831-1904), "Album du Salon" (1839-1844), "Les Beaux-Arts" (1843-1844), "Les Artistes Contemporains", (1845 - 1853), "Les Artistes Anciens et Modernes, Paris" (1850 - 1862), "Animaux et Paysages d'Apres Nature" (1858), the "Gazette des beaux arts" (1859-1939), "Souvenirs d' Artistes" (1860-1876), and other major 19th century art journals of the time. Nymphe bocagere (Woodland Nymph) was printed by Bertauts in Paris for L'Artiste in 1851. | |
| Size: | 12 5/8 X 9 1/2 (Sizes in inches are approximate, height preceding width of plate-mark or image.) |
| Framed and Matted with 100% Archival Materials | |
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| Buy Now | Price: $325.00 US |
| Condition: | Printed upon nineteenth century wove paper and with full margins as published in Paris by L'Artiste in 1851. Bearing the publisher's name, "L'Artiste", along the upper margin and the title, “Nymphe bocagere”, the artists' names, "Chaplin d'apres Jeanron", & the printer's details, "Imp. Bertauts, Paris" along the lower margin. Containing overall toning and staining (most noticeable in the margins) as a result of an earlier, acidic matting, else in fair condition throughout. Nymphe bocagere (Woodland Nymph) represents a prime, original example of the fine art of Charles Joshua Chaplin and of Philippe Auguste Jeanron. |
| Subject: | Charles Joshua Chaplin, Charles Chaplin , Philippe Auguste Jeanron, Philippe Jeanron, Nymphe bocagere (Woodland Nymph), Nymphe Couchee (Nymph Lying Down), original lithograph, feminine grace and beauty, friend of both Charles Jacques and Jean-Francois Millet, Director of the National Museums, including the Louvre. |
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Original Lithograph by the French artist, Charles Joshua Chaplin 'Charles J. Chaplin' after Philippe Auguste Jeanron
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| Nymphe bocagere (Woodland Nymph) |
View other original works of art by Charles Joshua Chaplin 'Charles J. Chaplin'.
| Charles Joshua Chaplin 'Charles J. Chaplin' (Les Andelys, Eure, France, 1825 - Paris, 1891) | ||||||
| # | Image | Title & Artist | Medium | Date | Notes | |
| 01.- |  |
Le Soir dans les Bruyeres (Evening in the Moors) by Charles Joshua Chaplin | Original Lithograph | 1849 | Bearing the publisher's blindstamp and name, "L'Artiste", the text, "Salon 1849", the title, the artist's name, "Ch. Chaplin pinx", & the printer's details, "Imp. Bertauts, Paris" along the upper & lower margins. | |
| 02.- |  |
Nymphe bocagere (Woodland Nymph) by Charles Joshua Chaplin designed by Philippe Auguste Jeanron | Original Lithograph | 1851 | Bearing the publisher's name, "L'Artiste", the title, the artists' names, "Chaplin d'apres Jeanron", & the printer's details, "Imp. Bertauts, Paris" along the upper & lower margin. | |
View other original works of art published by "L'Artiste, Paris".
| L'Artiste, Paris | ||||||||
| # | Image | Title & Artist | Artist Info | Medium | Date | Notes | - | |
| 01.- |  |
Avant L'Orage, Paysage (Before the Storm, Landscape) by Francois Jules Collignon | Francois Jules Collignon 'F. J. Collignon' (Paris, c. 1800 - 1850) | Original Lithograph | 1844 | Signed by Francois Jules Collignon in the stone to the lower left and bearing the publisher's blindstamp and name, "L'Artiste", the text, "Salon de 1844", the artist's name, "F. Jules Collignon pinx. et del.", & the printer's details, "Peequereau imp." along the upper & lower margins. | Sold | |
| 02.- |  |
Bords de la Somme, Picardie (Banks of the Somme, Picardy) by Jules Dupre | Jules Dupre (Nantes, 1811 - L'Isle-Adam, 1889) | Original Lithograph | 1836 | Signed in the stone to the lower left with Jules Dupre's 'J. D.' monogramme and bearing the publisher's name, "L'Artiste", the artist's name, "Jules Dupre", the title, & the printer's details, "Lith. de Bernard et Frey." along the upper & lower margins. | Sold | |
| 03.- |  |
Gorges d’Apremont Gorges of Apremont by Hector Martin | Hector Martin (France. c. 1825 -1846) | Original Lithograph | 1846 | bearing the publisher's name, "L'Artiste", the title, the artist's name, "H. Martin pinx. et lith.", & the printer's details "Imp. Bertauts, Paris" along the upper & lower margins . | ||
| 04.- | |
Le Soir dans les Bruyeres (Evening in the Moors) by Charles Joshua Chaplin | Charles Joshua Chaplin (Les Andelys, Eure, France, 1825 - Paris, 1891) | Original Lithograph | 1849 | Bearing the publisher's blindstamp and name, "L'Artiste", the text, "Salon 1849", the title, the artist's name, "Ch. Chaplin pinx", & the printer's details, "Imp. Bertauts, Paris" along the upper & lower margins. | ||
| 05.- |  |
Les Femmes Artistes, Madame E. de B. (Women Artists, Mrs. E. de B., wife of Charles Edouard de Beaumont) by Paul Gavarni | Gavarni, 'Hippolyte Guillaume Suplice Chavalier', 'Paul Gavarni' (Paris, 1804 - Auteuil, 1866) | Original Lithograph | 1856 | Bearing the full publisher's name, "L'Artiste", the title, the artist's name, "Gavarni", & the printer's details, "Imp. Bertauts, r. Cadet, II" along the upper & lower margins. | ||
| 06.- |  |
Metairie Bourbonnaise (Small Farm, Bourbonnaise) by Hector Martin | Hector Martin (France. c. 1825 -1846) | Original Lithograph | 1848 | Bearing the publisher's name, "L'Artiste", the title, the artist's name, "Hector Martin", & the printer's details "Imp. Bertauts, Paris" along the upper & lower margins. | ||
| 07.- | |
Nymphe bocagere (Woodland Nymph) by Charles Joshua Chaplin designed by Philippe Auguste Jean | Charles Joshua Chaplin (Les Andelys, Eure, France, 1825 - Paris, 1891) designed by Philippe Auguste Jeanron (Boulogne, 1808 - Paris, 1877) | Original Lithograph | 1851 | Bearing the publisher's name, "L'Artiste", the title, the artists' names, "Chaplin d'apres Jeanron", & the printer's details, "Imp. Bertauts, Paris" along the upper & lower margin. | ||
| 08.- |  |
Pecheur Champenois (Fisherman of Champagne) by Hector Martin | Hector Martin (France. c. 1825 -1846) | Original Lithograph | 1848 | bearing the publisher's name, "L'Artiste" in the upper margin and the title, the artist's name, "Hector Martin", & the printer's details "Imp. Bertauts, r. st. Marc 14" along the lower margin. | ||
| 09.- |  |
Soir d'Automne (Autumn Evening) by Auguste Delatre | Auguste Delatre (Paris, 1822 - 1907) | Original Etching and Drypoint with Plate Tone | 1859 | Signed and dated in the plate by Auguste Delatre and bearing the artist's name, "Aug. Delatre pinx. et sc", title, & the printer's details "Imp. Aug. Delatre"in the lower margin. | Sold | |
| 10.- |  |
Souvenir de Hollande (Remembrance of Holland) by Theodore Valerio | Theodore Valerio (Herserange, France, 1819 - Vichy, 1879) | Original Lithograph | 1844 | Signed and dated in the stone by Theodore Valerio to the lower right and bearing the publisher's name, "L'Artiste", the title, the artist's name, "Valerio pinx. et lith.", & the printer's details, "Imprime par Auguste Bry a Paris" along the lower margin. | ||
| 11.- |  |
Zingari, Lombardie Venitienne (Gypsies, Lombardy-Venetia) by Armand Leleux | Armand Hubert Simon Leleux 'Armand Leleux' (Paris, 1818 - 1885) | Original Lithograph | 1845 | Bearing the publisher's name, "L'Artiste", the text, "Salon de 1845", the title, the artist's name, "Armand Leleux pinx.", & the printer's details, "Imp. Bertauts" along the upper and lower margins. | ||
View other original works of art by the 19th century publisher / printer Bertauts, Paris.
| Bertauts, Paris | ||||||||||
| # | Artist Last Name | Image | Artist & Title | Medium | Date | Artist Information | Notes | - | ||
| 01.- | Baron |  |
Jeux d'enfants (Children's Games) by Henri Charles Antoine Baron 'Henri Baron' | Original Lithograph | 1853 | Henri Charles Antoine Baron 'Henri Baron' (Besancon, 1816 - Geneva, 1885) | Les Artistes Anciens et Modernes, Bertauts, Paris, "Imp. Bertauts, r. Cadet, II, Paris". | |||
| 02.- | Baron |  |
La Musique (Music) by Henri Charles Antoine Baron 'Henri Baron' | Original Lithograph | 1854 | Henri Charles Antoine Baron 'Henri Baron' (Besancon, 1816 - Geneva, 1885) | Les Artistes Anciens et Modernes, Bertauts, Paris, "Imp. Bertauts, r. Cadet, Paris". | |||
| 03.- | Bodmer |  |
Marcassins (Young Wild Boars) by Karl Bodmer | Original Tinted Lithograph | 1858 | Karl Bodmer (Riesbach, Switzerland, 1809 - France, 1893) | Animaux et Paysages d'apres Nature, Goupil & Cie., Paris, "Imp. Bertauts, r. Cadet, Paris". | |||
| 04.- | Bodmer |  |
Sangliers dans une Mare (Wild Boars in a Pond) by Karl Bodmer | Original Tinted Lithograph | 1858 | Karl Bodmer (Riesbach, Switzerland, 1809 - France, 1893) | Animaux et Paysages d'apres Nature, Goupil & Cie., Paris, "Imp. Bertauts, r. Cadet, Paris". | Sold | ||
| 05.- | Boulanger |  |
Attaque du Lion by Louis Boulanger | Original Tinted Lithograph | c. 1830 (Souvenirs d'Artistes edition) | Louis Boulanger (Vercelli, 1806 - Dijon, 1867) | Souvenirs d'Artistes, "Imp. Bertauts, r. Cadet, Paris". | |||
| 06.- | Chaplin | |
Nymphe bocagere (Woodland Nymph) by Charles Joshua Chaplin designed by Philippe Auguste Jeanron | Original Lithograph | 1851 | Charles Joshua Chaplin (Les Andelys, Eure, France, 1825 - Paris, 1891) after Philippe Auguste Jeanron (Boulogne, 1808 - Paris, 1877) | L'Artiste, Paris, "Imp. Bertauts, Paris". | |||
| 07.- | Chaplin | |
Le Soir dans les Bruyeres (Evening in the Moors) by Charles Joshua Chaplin | Original Lithograph | 1849 | Charles Joshua Chaplin (Les Andelys, Eure, France, 1825 - Paris, 1891) | L'Artiste, Paris (Salon 1849), "Imp. Bertauts, Paris". | |||
| 08.- | Dauzats |  |
Portes de Fer Les Soldats atteignent la second muraille (Gates of Iron The Soldiers Reach the Second Wall) by Adrien Dauzats | Original Lithograph | 1841 | Adrien Dauzats (Bordeaux, 1804 - Paris, 1868) | Salon de 1841, Challamel edit. 4. R. de L'Abbaye. F.S.' G.', Paris, Maison du Roi, "Imp. Petit & Bertauts". | |||
| 09.- | Francais |  |
Un Chemin (A Road) by Francois-Louis Francais | Original Lithograph | 1842 | Francois-Louis Francais (Plombieres (Vosges), 1814 - Paris, 1897) | Salon de 1842, Challamel edit. 4. R. de L'Abbaye. (S.' G.'), "Paris, Imp. Bertauts". | |||
| 10.- | Gavarni |  |
Gulnare (Mlle. Melanie Waldor) by Paul Gavarni | Original Lithograph | 1843 | Paul Gavarni, 'Hippolyte Guillaume Suplice Chavalier' (Paris, 1804 - Auteuil, 1866) | Les Beaux-Arts, Paris, L. Curmer, 49, Rue de Richelieu, "Imp. Bertauts" | Sold | ||
| 11.- | Gavarni | |
Les Femmes Artistes, Madame E. de B. (Women Artists, Mrs. E. de B., wife of Charles Edouard de Beaumont) by Paul Gavarni | Original Lithograph | 1856 | Paul Gavarni, 'Hippolyte Guillaume Suplice Chavalier' (Paris, 1804 - Auteuil, 1866) | L'Artiste, "Imp. Bertauts". | |||
| 12.- | Laurens |  |
Puits Breton (Breton Well) by Jules Laurens designed by Charles de Tournemine | Original Lithograph | c. 1850 - 1853 | Jules-Joseph-Augustin Laurens 'Jules Laurens' (Carpentras, 1825 - Paris, 1901) after Charles Emile Vacher de Tournemine 'Charles de Tournemine' (Toulon, 1814 – 1873) | Les Artistes Contemporains, Paris, "Imp. Bertauts, r. Cadet, Paris". | |||
| 13.- | Leleux | |
Zingari, Lombardie Venitienne (Gypsies, Lombardy-Venetia) by Armand Leleux | Original Lithograph | 1845 | Armand Hubert Simon Leleux 'Armand Leleux' (Paris, 1818 - 1885) | L’Artiste, Paris, (Salon de 1845), "Imp. Bertauts". | |||
| 14.- | Leroux |  |
L'Embuscade (The Ambush) by Eugene Leroux 'Eugene Le Roux' | Original Lithograph | 1843 | Eugene Leroux "Eugene Le Roux' (Caen, 1807 or 1811 – Paris, 1863) | Les Beaux-Arts, "Imp. Bertauts, r. St. Marc, 14". | |||
| 15.- | Leroux |  |
Le Singe au Miroir (The Monkey at the Mirror) by Eugene Leroux 'Eugene Le Roux' | Original Lithograph | 1850 | Eugene Leroux "Eugene Le Roux' (Caen, 1807 or 1811 – Paris, 1863) after Alexandre Gabriel Decamps (Paris, 1803 - Fontainebleau, 1860) | Les Artistes Anciens et Modernes, "Imp. Bertauts". | |||
| 16.- | Martin | |
Gorges d’Apremont Gorges of Apremont by Hector Martin | Original Lithograph | 1846 | Hector Martin (France. c. 1825 -1846) | L'Artiste, "Imp. Bertauts, Paris" | |||
| 17.- | Martin | |
Metairie Bourbonnaise (Small Farm, Bourbonnaise) by Hector Martin | Original Lithograph | 1848 | Hector Martin (France. c. 1825 -1846) | L'Artiste, "Imp. Bertauts, Paris". | |||
| 18.- | Martin | |
Pecheur Champenois (Fisherman of Champagne) by Hector Martin | Original Lithograph | 1848 | Hector Martin (France. c. 1825 -1846) | L'Artiste, "Imp. Bertauts, r. st. Marc 14". | |||
| 19.- | Mouilleron |  |
Jeune homme jouant de la basse (Young Man Playing the Cello) by Adolphe Mouilleron after a design by Jean Louis Ernest Meissonier | Original Lithograph | 1842 | Adolphe Mouilleron (Paris, 1820 – 1881) after Jean Louis Ernest Meissonier (Lyons, 1815 - Poissy, 1891) | Salon de 1842, Challamel edit. 4. R. de L'Abbaye. (S.' G.'), "Paris, Imp. Bertauts". | Sold | ||
| 20.- | Mouilleron |  |
L'Orage (The Storm) by Adolphe Mouilleron | Original Lithograph | 1844 | Adolphe Mouilleron (Paris, 1820 – 1881) | Les Beaux-Arts, Paris, Leon Curmer, 49 Rue Richelieu, Paris, "Imp. Bertauts | |||
| 21.- | Nanteuil |  |
Une Source (A Source, Particularly of a Stream or River) by Celestin-Francois Nanteuil | Original Lithograph | 1842 | Celestin-Francois Nanteuil (Rome, 1813 - Bourron-Marlotte, 1873) | Salon de 1842, Challamel edit. 4. R. de L'Abbaye. (S.' G.'), "Paris, Imp. Bertauts". | |||
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