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Buff & Buff Instrument Shop's original color lithograph entitled, Precision Theodolites, was created to advertise one of America's finest nineteenth century inventions, the American Transiting Theodolite. More commonly called the Transit, it was first built by George Louis Buff (1837-1923) shortly after the end of the Civil War. Theodolites had been in use in Europe for many years but George Buff significantly improved the accuracy of the instrument by adding a transiting telescope, a central compass, double horizontal verniers and a vertical vernier. The end result was the creation of the world's most precise surveying and engineering instrument which remained unchallenged until the advent of digital technology in the 1970's. |
Title: | Precision Theodolites (Transit) |
Publisher: | Buff & Buff Instrument Shops, Boston |
Date: | c. 1898 - 1910 |
Medium: | Original Color Lithograph |
Note: | The Buff & Buff Manufacturing Company: George Louis Buff (1837-1923) was born and raised in Giessen, Germany. He immigrated to New York in 1864 and invented the transiting theodolite two years later. His business partner was Christian Louis Berger and in 1871 they opened their manufacturing company in Boston. The partnership of Buff and Berger was very successful in producing transits and other instruments and remained intact until 1898. At this time the partnership was dissolved and the newly created firms of C. L. Berger & Sons Manufacturing Company and Buff & Buff Manufacturing Company went into direct competition with one another. Buff's factory was located in the Boston suburb of Jamaica Plain. The company remained in business until 1982. |
An original lithograph printed in six colors, Precision Theodolites was created to advertise one of America's finest nineteenth century inventions, the American Transiting Theodolite. More commonly called the Transit. Theodolites had been in use in Europe for many years but George Buff significantly improved the accuracy of the instrument by adding a transiting telescope, a central compass, double horizontal verniers and a vertical vernier. The end result was the creation of the world's most precise surveying and engineering instrument which remained unchallenged until the advent of digital technology in the 1970's. This original lithographic poster probably dates from the first decade of the twentieth century. It wonderfully renders both the complexity and beauty of this important surveying instrument. The Davistown Museum in Maine includes both an impression of Precision Theodolites and a Buff & Buff transit in its permanent collection. | |
The Buff and Berger transit is the subject of Milton Estabrook's article, "The Transit, an American Instrument". He writes, "It is difficult to overstate the importance of the transit to the development of the United States. All of the large engineering projects were laid out and levelled and in fact the lands the creations were built on were surveyed with these instruments. Bridges, tunnels, skyscrapers, runways and even the building the space shuttle was built in was laid out with the use of a transit. Seldom in history has a single device had such an enormous impact on a nation. These instruments exemplify the zenith of the instrument maker's profession and are an art form in and of themselves. They required mastery of a number of disciplines such as: metallurgy, physics, optics, mathematics and extreme precision in machining metals." * |
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Quotation: | Milton Estabrook, "The Transit: An American Instrument", www.davistownmuseum.org/bioBuff.html |
UnMatted | |
Size: | 19 1/2 X 12 (Sizes in inches are approximate, height preceding width of plate-mark or image.) |
Buy Now | Price: $225.00 US |
Condition: | Printed on thick wove paper and with full margins as published in Boston by Buff & Buff Instrument Shops around the above date. Bearing the title and publisher's address along the lower margin. A small repaired tear (bottom margin) not intruding into the imagae, else a finely printed impression with full, unfaded colors and in excellent condition throughout. Precision Theodolites represents a striking and important original example of American instrument history. |
Subject: | George Louis Buff (1837-1923), original color Lithograph, Precision Theodolite (Transit), Christian Louis Berger, Buff & Buff Manufacturing Company, the American Transiting Theodolite, American instrument history, Buff & Buff Instrument Shops, surveying and engineering instruments. |
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Original Color Lithograph by Buff & Buff Instrument Shops, Boston.
Precision Theodolites (Transit) |
View Other Original Advertising Art.
Advertising Art | ||||||
Image | Last Name | Title & Printer & Advertiser | Medium | Date | Notes | - |
Barnet | Gallerie Documents By Will Barnet | Original Silk-Screen Poster | 1980 | Exhibition Poster for Barnet's graphic art at the Galerie Documents, Paris | Sold | |
Buff | Precision Theodolites (Transit) by Buff & Buff Manufacturing Company, Boston | Original Lithographic Poster | c. 1898 - 1910 | Lithographic Advertising Poster for Buff & Buff Manufacturing Co., Boston | ||
Courier | Captain Webb's Seal & Sea Lion Band by the Courier Company | Original Lithographic Poster Printed in Colour with Letterpress | 1895 | Advertising for Circus Poster. Published by The Courier Company | Sold | |
Edwards | The Century "April" by George Wharton Edwards | Original Lithographic Poster with Letterpress | April, 1895 | From the Collection of Ned Arden Flood: Century Magazine Lithographic Poster. | Sold | |
Edwards | The Century "May" by George Wharton Edwards | Original Lithographic Poster with Letterpress | May, 1895 | From the Collection of Ned Arden Flood: Century Magazine Lithographic Poster. | Sold | |
Edwards | The Century February Midwinter Number by George Wharton Edwards | Original Lithographic Poster with Letterpress | February, 1895 | From the Collection of Ned Arden Flood: Century Magazine Lithographic Poster. | ||
Edwards | The Century For March by George Wharton Edwards | Original Lithographic Poster with Letterpress | March, 1895 | From the Collection of Ned Arden Flood: Century Magazine Lithographic Poster. | ||
FAMS | The Reds of the Midi: An Episode of the French Revolution by Monogram: FAMS - AEB | Original Lithographic Poster Printed in Colour with Letterpress | 1896 | From the Collection of Ned Arden Flood: Lithographic Poster For the book, The Reds of the Midi. | ||
Grasset | Napoleon in Egypt by Eugene-Samuel Grasset, 'Eugene Grasset' | Original Lithographic Poster with Letterpress | 1895 | From the Collection of Ned Arden Flood: Century Magazine Lithographic Poster. | Sold | |
Hazenplug | Living Posters by Frank Hazenplug | Original Colour Lithograph | 1897 | Published for 'Les Maitres de l'Affiche, Paris', Imprimerie Chaix, Paris | Sold | |
Hellue | Edmund Sagot: Estampes & Affiches Illustrees by Paul Cesar Hellue, 'Paul Hellue' | Original Lithographic Poster with Letterpress | 1899 | Published by Edmund Sagot, Paris, and printed by Chaix, Rue Bergere No. 20, Paris | Sold |
Hoen | Affection: Original 19th Century American Advertising art by A. Hoen & Company | Original Lithograph Printed in Color | c. 1880 | Lithographic Advertising Label | ||
Hoen | Harlequin: Original 19th Century American Advertising art by A. Hoen & Company | Original Lithograph Printed in Color | c. 1870 | Lithographic Advertising Label | Sold | |
Hoen | Josephine (Advertiser: M. & C., New York) by A. Hoen & Company | Original Lithograph Printed in Color | c. 1890 | Lithographic Advertising Label | ||
Hoen | Juno (Advertiser: T. C. Williams Company, Richmond, U.S.A.) by A. Hoen & Company | Original Lithograph Printed in Color | c. 1870 | Lithographic Advertising Label | ||
Hoen | Oneida (Advertiser: Joseph D. Evans & Company) by A. Hoen & Company | Original Lithograph Printed in Color | c. 1890 | Lithographic Advertising Label | ||
Hoen | The Imperial Ruby - Birds Eye (Advertiser: T. C. Williams, Richmond, Virginia U.S.A.) by A. Hoen & Company | Original Lithograph Printed in Color | c. 1890 | Lithographic Advertising Label | ||
Hoen | Winner Plug Tobacco (Advertiser: British-American Tobacco Company, Petersburg, Virginia) by A. Hoen & Company | Original Lithograph Printed in Color | c. 1890 | Lithographic Advertising Label | ||
Janes | Black Russian Cigarettes by Violeta Janes | Original Oil Watercolour | c. 1935 | Advertising Art | Sold | |
Janes | Hints for Holidays, 1938 by Violeta Janes | Original Pastel | 1938 | Travel Advertising Art | Sold | |
Kneisel | A Medical Wonder by Joseph Philip Kneisel | Original Watercolor and Gouache Drawing | June, 15 1940 | Advertising Art for King Features Syndicate | Sold | |
Leyendecker | A Book of Progressive Prints: Being a Lithographic Reproduction in Nine Printings of a Painting by J. C. Leyendecker, Lithographed by A. J. Jonas of the Staff of Latham Litho & Printing Company by Leyendecker, Joseph Christian 'J. C. Leyendecker | A Complete Set of 18 Original Lithographs From the Initial Separation Proof to the Final, Full Color Poster. | April-May, 1918 | Latham Litho & Printing Co., Brooklyn, New York., Lithographer: A. J. Jonas | ||
Maclin | Maclin-Zimmer-McGill Tobacco Company by Maclin-Zimmer-McGill, Petersburg, Virgina | Original Lithograph Printed in Colour | c. 1870 | Lithographic Advertising Label | Sold |
Mantelli | Mme. Mantelli, Late Prima Donna of (the) Metropolitan Opera House, New York. Direction of J. Saunders Gordon, 1905 - 1906 American Tour for Mme. Eugenia Mantelli | Original Watercolor | c. 1905 | Lithographic Opera House Advertising Art | ||
Marcus | Olympic by Marcia Marcus | Original Lithograph | 1974 | Advertising Poster commissioned for the 1974 Olympic Games | ||
McAlpin | British Navy Chewing Tobacco Leads the World by the McAlpin Tobacco Company, Toronto, Ontario | Original Colour Lithograph (Chromolithograph) on Board | c. 1911 - 1912 | McAlpin Tobacco Company, Toronto, Ontario, printed by The Hough Lithographic Company, Toronto | ||
Misti | Georges Besancon: Ingenieur-Aeronaute by Misti (Ferdinand Mifliez) | Original Lithographic Poster Printed in Colour | 1898 | Published by La Critique and printed by Paillard & Cie., Paris | ||
Poynter | At Low Tide (Pears Soap Company, London) by Sir Edward Poynter | Original Lithograph Printed in Colours | 1914 | Advertising Poster for the Pears Soap Company, London | Sold | |
Red Cross | At The Window for The American Red Cross | Original Watercolour | c. 1945 - 1950 | Advertising Art for the American Red Cross | Sold | |
Rhead | The Century Christmas Number by Louis John Rhead, 'Louis Rhead' | Original Lithographic Poster Printed in Colour with Letterpress | 1894 | From the Collection of Ned Arden Flood: Century Magazine Lithographic Poster. | ||
Ripart | Bieres Laubenheimer (Laubenheimer Beer) by Georges Ripart | Original Art Nouveau Lithographic Poster with Letterpress | c. 1900 - 1925 | Lithographic Advertising Poster for the French brewery, Brasserie Laubenheimer | ||
Schumacher | New Books by William Emile Schumacher, 'William Schumacher' | Original Lithographic Poster Printed in Colour with Letterpress | 1896 | From the Collection of Ned Arden Flood: Century Magazine Lithographic Poster. | ||
Tomchuk | Art 81 Washington by Marjorie Tomchuk | Original Embossed Colour Screen Print | 1981 | Poster for Washington's 1981 Exhibition of Art | ||
Willette | L'Enfant Prodigue by Adolphe-Leon Willette 'Adolphe Willette' | Original Lithographic Poster | 1890 | Lithographic Advertising Theater Poster | ||
Wood | Satin Skin Powder by Albert F. Wood, Detroit, Michigan | Original Lithographic Poster with Letterpress | 1903 | Early 20th century lithographic advertising poster published by Calvert Lithographing Company, Detroit, Michigan. | Sold |
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