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Aglaus Bouvenne's original etching, Ex Libris Charles Asselineau has long supplied scholars with an enigma. The motto reads, "La Femme Qui N'est Pas La Colombe Et Le Roseau Est Un Monstre" -- 'The woman who is not both the dove and the reed is a monster'. The meaning behind this puzzling phrase remains to this day unknown. Perhaps the answer lies in a passage of one of the books written by the plate's owner, Charles Asselineau, or in the poetry of his close friend, Charles Baudelaire. The symbolism most commonly associated with the dove is spirituality, purity, love or the soul, and with the reed, fragility or flexibility. In any case a person lacking in most of these qualities might certainly be a monster. This is a most compelling, original example of the ex libris art created by the French artist, Aglaus Bouvenne. |
Title: | Ex Libris Charles Asselineau (La Femme Qui N'est Pas La Colombe Et Le Roseau Est Un Monstre) |
Artist: | Bouvenne, Aglaus (Paris, 1829 - Levallois-Perret, 1903) |
Date: | c. 1870 |
Medium: | Original Etching with Plate Tone |
Note: | Aglaus Bouvenne: An artist and arts author, Aglaus Bouvenne was a pupil of Narcisse Diaz. He first exhibited his art at the Paris Salon in 1872 but was most active in the area of creating ex libris etchings. Among his best known designs for ex libris art are those for Alexis Martin (1868), Victor Hugo (1870), Theophile Gautier (1872), Champfleury (1874), Octave Uzanne (1882), Edouard Castellon (1882), the Countess of Noe (1888) and Charles Asselineau (undated). Bouvenne's personal bookplate was designed and etched by Felix Bracquemond (1833-1914) in 1875. Aglaus Bouvenne was a member of the Council Societe Francaise. |
Aglaus Bouvenne was the author of a number of notable books, such as, Theodore Chasseriau: Souvenirs et Indiscretions, Victor Hugo: Ses Portraits et ses Charges, and Les Monnogrammes Historiques d'apres les Monuments Originaux. He also penned biographical catalogues on the art of Bonnington and Lemud and on the etchings of Charles Meryon. | |
A Biographical Note: Charles Francois Alexandre Asselineau (Paris, 1820 - Chatelguyon, 1874) was a writer, bibliophile and the first biographer of Baudelaire. He initially studied medicine but quickly turned to literature. His books include The Double Life (1858), Bibliophile Hell (1860) and Andre Boulle, Cabinetmaker to Louis XIV (1872). | |
Charles Asselineau first met Charles Baudelaire (1821-1867) in 1845. Becoming a close friend he was instrumental in publishing some of Baudelaire's prose and poetry, including Les Fleurs du mal (1857). Asselineau wrote, Charles Baudelaire, His Life and Work, in 1869. | |
A Note on Ex Libris Art: Ex-Libris woodcuts, wood engravings and etchings have their beginnings as far back as the mid fifteenth century. Their function was initially quite utilitarian as plates used to signify the ownership of books. As private libraries and their owners gained more wealth and prestige, however, so did their ex-libris bookplates. Pictorial imagery became as important as the wording and the finished work of art often came to stand as an owner’s claim to fame. Before long famous artists were commissioned by wealthy collectors to create their ex libris designs and during the centuries such great talents as Durer, Holbein, Manet, Toulouse-Lautrec and Rockwell Kent all contributed significantly to this great genre. | |
The golden era for ex-libris art was during the twentieth century, most particularly in the Art Deco decade of the 1930’s. Collecting of ex-libris etchings, engravings and wood engravings reached such a height at this time that many artists devoted themselves almost exclusively to this field. | |
Size: | 5 1/2 X 3 3/4 (Sizes in inches are approximate, height preceding width of plate-mark or image.) |
Framed and Matted with 100% Archival Materials | |
Buy Now | Price: $295.00 US |
Condition: | Printed upon 19th century hand-made, mulberry paper and with full margins as created around 1870. Tipped onto a slightly larger sheet of laid paper, probably for inclusion into an album. Signed by the artist within the plate to the lower right. Ex Libris Charles Asselineau is in pristine condition throughout and represents a most compelling, original example of the ex libris art of Aglaus Bouvenne. |
Subject: | Aglaus Bouvenne, Ex Libris Charles Asselineau, Original Etching with plate tone, 19th century ex libris art, Charles Baudelaire (1821-1867), "La Femme Qui N'est Pas La Colombe Et Le Roseau Est Un Monstre" -- 'The woman who is not both the dove and the reed is a monster', Theodore Chasseriau: Souvenirs et Indiscretions. |
Important Information: | The artist biographies, research and or information pertaining to all the original works of art posted on our pages has been written and designed by Greg & Connie Peters exclusively for our site, (www.artoftheprint.com). Please visit us regularly to view the latest artworks offered for sale. We will soon be posting an update of our most recent research and include the biographical and historical information pertaining to our next collection of original works of art created by artists throughout the centuries. We hope you found the information you were looking for and that it has been beneficial. Our Gallery, (Art of the Print / www.artoftheprint.com) guarantees the authenticity of every work of art we sell 100%. Full documentation and certification is provided. We offer a wide selection of international fine art dating from the early Renaissance to the contemporary art period. |
Original Etching with Plate Tone by the French artist, Aglaus Bouvenne.
Ex Libris Charles Asselineau (La Femme Qui N'est Pas La Colombe Et Le Roseau Est Un Monstre) |
View other original works of art by Adrian Feint.
Aglaus Bouvenne (Paris, 1829 - Levallois-Perret, 1903) | ||||||
# | Image | Title & Artist | Medium | Date | Notes | - |
01.- | Ex Libris Charles Asselineau (La Femme Qui N'est Pas La Colombe Et Le Roseau Est Un Monstre) by Aglaus Bouvenne | Original Etching with Plate Tone | c. 1870 | Signed by Aglaus Bouvenne within the plate to the lower right. | ||
02.- | Ex Libris de Madame la Comtesse de Noe by Aglaus Bouvenne | Original Etching | 1888 | Signed by Aglaus Bouvenne within the plate to the lower left. |
View other Original Ex-Libris Works of Art offered for sale in our gallery (Art of the Print / www.artoftheprint.com).
Ex-Libris Art | |||||
Image | Title & Artist | Artist Info | Medium | Date | - |
Bookplate of Mark Holstein (Bucking Holstein Bull) by Arthur Allen Lewis | Arthur Allen Lewis (Mobile, Alabama, 1873 - New York City, 1957) | Original Color Woodcut | 1927 | Sold | |
Ex-Libris Carlo d'Alessio (Young Women Bathing, Satyr Playing his Syrinx) by Vitezslav Fleissig | Vitezslav Fleissig (Prague, 1892 - 1955) | Original Engraving & Soft Ground Etching | 1949 | ||
Ex-Libris Charles Asselineau (La Femme Qui N'est Pas La Colombe Et Le Roseau Est Un Monstre) by Aglaus Bouvenne | Aglaus Bouvenne (Paris, 1829 - Levallois-Perret, 1903) | Original Etching with Plate Tone | c. 1870 | ||
Ex-Libris de Madame la Comtesse de Noe by Aglaus Bouvenne | Aglaus Bouvenne (Paris, 1829 - Levallois-Perret, 1903) | Original Etching | 1888 | ||
Ex-Libris Design (Woman with Conch Shell, & a Falling Star) by Frank Ivo van Damme | Frank-Ivo Van Damme (Belgium, 20th century) | Original Linocut | c. 1970 | Sold | |
Ex-Libris Diamond (An Eagle, Wings Spread, Hovers over the Globe within a Diamond Cloud) by Valentin Le Campion | Valentin Le Campion (Born, Russia, 1903 - Died, Paris 1952) | Original Wood Engraving | c. 1930 - 1940 | ||
Ex-Libris Diamond (Tropical Island, Palm Trees, a Volcano & Lies) by Adrian Feint | Adrian Feint (Narrandera, New South Wales, 1894 - Sydney, 1971) | Original Wood Engraving | c. 1930 | ||
Ex-Libris Dr. A. L. (Dance of Death) by Vitezslav Fleissig | Vitezslav Fleissig (Prague, 1892 - 1955) | Original Etching | 1948 | ||
Ex-Libris Dr. Luigi Airoldi (Sorceress, Crystal Ball, & Chinese Dragon) by Enrico Vannuccini | Enrico Vannuccini (Barullo di Cortona, 1900 - Griante, Italy, 1990) | Original Etching | 1948 | ||
Ex-Libris Elizabeth (Young Woman Viewing a Rose in an Open Book) by Valentin Le Campion | Valentin Le Campion (Born, Russia, 1903 - Died, Paris 1952) | Original Wood Engraving | c. 1935 | ||
Ex Libris Elizabeth Watson Diamond (Alpine Chateau, Mountaineering) by Vitezslav Fleissig | Vitezslav Fleissig (Prague, 1892 - 1955) | Original Etching | c. 1948 or 1949 | ||
Ex-Libris Elizabeth Watson Diamond (Chinese Winter Landscape) by John Hudson Elwell | John Hudson Elwell (Marblehead, Massachusetts, 1878 – 1955) | Original Engraving | c. 1930 | ||
Ex-Libris Elizabeth Watson Diamond (Landscape with Tree & Swirling Prints) by Adrian Feint | Adrian Feint (Narrandera, New South Wales, 1894 - Sydney, 1971) | Original Wood Engraving | 1938 | ||
Ex-Libris Elizabeth Watson Diamond (Women Holding up a Globe - Black Ink) by Valentin Le Campion | Valentin Le Campion (Born, Russia, 1903 - Died, Paris 1952) | Original Wood Engraving | c. 1935 | Sold | |
Ex-Libris Elizabeth Watson Diamond (Women Holding up a Globe - Red Ink) by Valentin Le Campion | Valentin Le Campion (Moscow, 1903 - Plessis-Robinson (Paris), 1952) | Original Wood Engraving | c.1935 | ||
Ex-Libris Emil Eerme (Forest Landscape) by Karoly Andrusko | Karoly Andrusko (Zentan, Hungary, B. 1915) | Original Woodcut | 1970 | ||
Ex-Libris Eroticis Lars C. Stolt (Embracing Figures in Silhouette) by Ladislav Rusek | Ladislav Rusek (Czech Republic, Born, Olomouce) | Original Linocut | 1973 | Sold | |
Ex-Libris: Franz J. Kaiser (Director of the Dairy Ministry, Vienna) by Alfred Cossmann | Alfred Cossmann (Gratz, 1870 - Vienna, 1951) | Original Engraving | 1905 |
Ex-Libris George Allan Hancock (Oceanographic Research Vessel, Velero) by James Webb | James Webb (U.S.A., Active, 1920 - 1940) | Original Engraving | 1932 | Sold | |
Ex-Libris Giorgio Balbi (Sognare -- 'Dream') by Giulio Cisari | Giulio Cisari (Como, 1892 - Milan, 1979) | Original Wood Engraving | c. 1935 - 1940 | ||
Ex-Libris Harvey Simmonds (Caltha, Ranunculaceae) by Clare Leighton | Clare Leighton (London, 1899 - Woodbury, Connecticut, 1989) | Original Wood Engraving | 1956 | ||
Ex-Libris Hnizdovsky (Tree) by Jacques Hnizdovsky | Jacques Hnizdovsky (Pylypche, Ukraine, 1915 - New York City, 1985) | Original Woodcut | 1972 | Sold | |
Ex-Libris J. Edouard Diamond (Dutch Scenes, Bridge over Canal in Amsterdam, Gabled Buildings, a Windmill, & Sailboats) by Valentin Le Campion | Valentin Le Campion (Born, Russia, 1903 - Died, Paris 1952) | Original Wood Engraving | c. 1930 | ||
Ex-Libris J. Edouard Diamond (Woman at a Spring) by Leslie Victor Smith (Monogramme: L. V. S) | Leslie Victor Smith 'Monogramme L. V. S.' (Simcoe, Ontario, Canada, 1880 - Toronto?, 1952) | Original Etching | 1939 | ||
Ex-Libris Jack Diamond & Elizabeth Diamond (Jack & the Queen of Diamonds Playing Cards) by Kalman Kubinyi | Kalman Kubinyi (Cleveland, 1906 - Stockbridge, Massachusetts, 1973) | Two Original Linocuts | c.1935 - 1940 | ||
Ex-Libris Julio C. Salvatierra 'Nostalgia de Mallorca (Majorca)' by Carlos Puntis Nebot | Carlos Puntis Nebot (Palma de Mallorca (Spain), 1912 – 2001) | Original Wood Engraving | c. 1950 | ||
Ex-Libris Library of Betsie Diamond (Pan Playing his Syrinx) by John William Jameson | John William Jameson ( Chicago, 1882 - 1939) | Original Etching | 1938 | ||
Ex-Libris Luigi Filippo Bolaffio (Study of a Woman) by Vitezslav Fleissig | Vitezslav Fleissig (Prague, 1892 - 1955) | Original Soft Ground Etching | 1949 | ||
Ex-Libris Luigi Filippo Bolaffio: Memoriam Michel Fingesten by Vitezslav Fleissig | Vitezslav Fleissig (Prague, 1892 - 1955) | Original Etching | 1950 | Sold | |
Ex Libris Mansueto Fenini (Venustas Lux 'Beautiful Light') by Vitezslav Fleissig | Vitezslav Fleissig (Prague, 1892 - 1955) | Original Soft Ground Etching | 1949 | ||
Ex-Libris Moses H. Grossman (Fly Fishing in a Mountain Stream) by Henri Berengier | Henri Berengier (Marseille, 1880 - ?) | Original Etching | c. 1925 | ||
Ex-Libris Pepita Palle (Mi Agrada Molt Viatjar) by Mark Fernand Severin | Mark Fernand Severin (Brussels, 1906 - 1987) | Original Wood Engraving | 1968 | ||
Ex-Libris Sara Eugenia Blake (Still Life, Drawing Pad, & Art Supplies) by Alexandre Coll Blanch | Alexandre Coll Blanch (Barcelona, 1898 - 1975) | Original Etching | c. 1950 | ||
Ex-Libris Sara Eugenia Blake (The Old State House, Boston) by Sara Eugenia Blake | Sara Eugenia Blake (Boston, 1886 - 1973) | Original Engraving & Etching | c. 1920 - 1930 | ||
Ex-Libris Sidney David Gamble (View of China) by an Unknown Artist Monogram | Unknown Artist Monogram (20th century) | Original Engraving & Etching | 1923 | Sold | |
Ex Libris Stasys Pilka (We Are Such Stuff as Dreams Are) by Vytautas Osvaldas Virkau | Vytautas Osvaldas Virkau (Siauliai, Lithuania, Born, 1930) | Original Wood Engraving | 1975 | ||
Ex-Libris Varga Karoly (Castle of Sumeg) by Antal Fery | Antal Fery (Szerencs, Hungary, 1908 - Budapest, 1993) | Original Woodcut | 1976 | ||
Ex-Libris Vitolis Vengris by Vincas Kisarauskas | Vincas Kisarauskas (Augmenai (Radviliskis), Lithuania, 1934 – New York, 1988) | Original Color Linocut | c. 1971 - 1972 | Sold | |
VI Congreso Europeo de Ex-Libris, Barcelona (Angel & Medieval Scriveners) by Antoni Gelabert i Casas | Antoni Gelabert i Casas (Barcelona, Spain, 1911 - 1980) | Original Color Woodcut | 1958 |
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