Title: |
La Sortie de Cave (At the Cellar Door) |
Artist: |
Bonvin, Francois (Paris, 1817 - Saint-Germain-en-Laye, 1887) |
Date: |
1868 |
Medium: |
Original Etching |
Edition: |
Proof Impression before letters. |
Note: |
Francois Bonvin: One of France's finest artists
of the19th century, Francois Bonvin was forced to quit school at the age
of twelve and find employment with the Paris 'Prefecture de police' due
to a family loss of fortune. This however did not prevent him from following
his first passion and most of his few spare hours were spent at the Louvre
studying the great Dutch and Flemish master painters. Solely self-taught,
Bonvin exhibited his first painting in Paris in 1847. |
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Francois Bonvin was among the vanguard of French painters to recognize the artistic possibilities of original etching and produced his initial work in this medium around 1858. Early in his career, Francois Bonvin's art drew upon the stylistic techniques of the Flemish and Dutch old masters, but by the time he turned to etching the artist was increasingly concerned with the intimacy of interior scenes and the play of light and shade within it. This is clearly seen in one of his finest etchings, La Sortie de Cave. It like many of his other etchings deal with the poor folk of Brittany. The Sterling and Francine Clark Art Institute Museum includes an impression of this original etching in its permanent collection, Accession Number: 1976.2. |
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Bonvin's etchings and paintings from this period gained for
him the unofficial title, "le nouveau Chardin". To be classified
with the absolute master of interior scenes was indeed lofty praise and,
in 1870, Bonvin was awarded France's highest decoration, the Legion d'Honneur. |
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One should take note that this impression of Francois Bonvin's La Sortie de Cave (At the Cellar Door) is a proof before the title was added along the lower margin
for the publication of the first state. This means that it was among the first handful of impressions taken from the plate and thus contains the finest tonal values and lines. La Sortie de Cave was reprinted by Cadart for the l'Lustration Nouvelle in 1874. That impression contains the title, artist name and publication information in the lower margin. |
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La Sortie de Cave was also published in 1874 for his series entitled, "L'Illustration Nouvelle" published and editied by its founder, Alfred Cadart. However, the 1874 impression includes plate # (254) in the upper right margin, just above the plate-mark, as well as the title "La Sortie de Cave", the artist's name "Bonvin pinx et sc." and and publisher's details A. Cadart Edit Imp., 56. Bard. Haussmann, Paris." in the lower margin. |
Reference: |
Henri Beraldi, Les Graveurs du XIX Siecle, Paris, Librairie Conquet,
1886, Vol II, pages, 163-164. #3.- Premiere Suite de Dix Eaux-Fortes Par Franciois Bonvin, Peintre*. Paris et Londres, 1861 et 1871 (Chez Cadart). Couverture Gravee, #10. La Sortie de cave (une Cuisiniere), 1868. |
Size: |
10 1/2 X 7 3/4 (Sizes in inches are approximate, height
preceding width of plate-mark or image.) |
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Framed and Matted with 100% Archival Materials |
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View larger Framed Image |
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Condition: |
Printed upon fine, hand-made, laid paper with full margins and bearing a watermark date of 1865. Signed and dated in the plate by Bonvin. A luminous proof impression and in near excellent condition throughout. This original etching entitled, La Sortie de Cave (At the Cellar Door) represents a superb example of the famous art of Francois Bonvin. |
Price: |
Sold - The price is no longer available. |
Important Information: |
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