Francois Bonvin

La Succession Le Camus (The Succession of Le Camus)

Francois Bonvin created this original etching as a frontispiece to illustrate Champfleury's novel "La Succession Le Camus: Miseres de la Vie Domestique" (The Succession of Camus: Miseries of Domestic Life), published in Paris in 1860. This original impression is printed upon hand-made, laid paper and with full margins as published in Paris at the date stated and is signed and dated in the plate by Bonvin to the lower left. It is a fine, original example of the etched art created by the French artist, Francois Bonvin.

La Succession Le Camus: Miseres de la Vie Domestique (The Succession of Camus: Miseries of Domestic Life)

View other original works of art by Francois Bonvin.

Francois Bonvin (Paris, 1817 - Saint-Germain-en-Laye, 1887)
#	Image	Title & Artist	Medium	Date	Notes	-
01-		La Tisserande (The Weaver) by Francois Bonvin	Original Etching	1861	Signed in the plate by Francois Bonvin.
02.-		La Succession Le Camus: Miseres de la Vie Domestique (The Succession of Camus: Miseries of Domestic Life) by Francois Bonvin	Original Etching	1860	Signed and dated in the plate by Francois Bonvin.
03.-		La Sortie de Cave (At the Cellar Door) by Francois Bonvin	Original Etching	1868	Signed and dated in the plate by Francois Bonvin.	Sold

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Title:	La Succession Le Camus: Miseres de la Vie Domestique (The Succession of Camus: Miseries of Domestic Life)
Artist:	Bonvin, Francois (Paris, 1817 - Saint-Germain-en-Laye, 1887)
Date:	1860
Medium:	Original Etching
Publisher:	Auguste Delatre, Paris
Note:	“The Realism of Bonvin's scenes document proof of his own times. In retrospect, his works are sometimes read as the forerunner to Impressionism, as he studied directly from nature by painting modern reality. It is Gabriel Weisberg who said about Francois Bonvin, 'He painted what he saw, and lived what he painted.'” *
	One of France's major artists of the nineteenth century, Francois Bonvin was forced to quit school at the age of twelve and find employment with the Paris 'Prefecture de police' due to a family loss of fortune. This however did not prevent him from following his first passion and most of his few spare hours were spent at the Louvre studying the great Dutch and Flemish master painters. Solely self-taught, Francois Bonvin exhibited his first painting in Paris in 1847.
	Francois Bonvin was among the vanguard of French painters to recognize the artistic possibilities of original etching and produced his initial work in this medium around 1858. Early in his career, Francois Bonvin's art drew upon the stylistic techniques of the Flemish and Dutch old masters, but by the time he turned to etching the artist was increasingly concerned with the intimacy of interior scenes and the play of light and shade within it. Such is the case with La Succession Le Camus, where the contrasts of light and shade in this interior scene are paramount. Francois Bonvin created this etching to illustrate Champfleury's book of the same title, published in Paris in 1860.
	Francois Bonvin's etchings and paintings from this period gained for him the unofficial title, “le nouveau Chardin”. To be classified with the absolute master of interior scenes was indeed lofty praise and, in 1870, Bonvin was awarded the Legion d'Honneur.
	As early as 1850 Francois Bonvin, along with Gustave Courbet, was regarded as a leading artist of the Realist group. He was one of the first and finest artists to dedicate his paintings and etchings to the lives of the working poor.
	Auguste Delatre: Recognized as the most gifted printer-etcher of his era, Auguste Delatre's influence upon the course of creative etching was significant. The artists who requested him to print their impressions reads like a 'Who's Who' of nineteenth century art. Corot, Appian, Whistler, Meryon, Manet, Seymour Haden, Ribot, Daubigny, Rops, Jacque, Bracquemond and Francois Bonvin all pressed for his advice and skills. In their collaborative efforts.
	"La Succession Le Camus" is an original etching created by Francois Bonvin as the frontispiece design for the novel "La Succession Le Camus" written by Champfleury, See: "Oeuvres Nouvelles de Champfleury - la Succession Le Camus", frontispiece dessine et grave par Francois Bonvin, Paris, Poulet-Malassis et de Broise, Libraires-Editeurs, 9 Rue des Beaux-Arts, 1860.
Reference:	Henri Beraldi, Les Graveurs du XIX Siecle, Paris, Librairie Conquet, 1886, Vol II, pages, 163-164, 54.- "Le vieux Lecamus, pour la Succession Lecamus", de Champfleury, (Pulet-Malassis edit.)
:	* Rochelle Behrens, Francois Bonvin, http://www.arthistory.upenn.edu/ashmolean/Bonvin/Bonvin_entry.html
Size:	6 1/4 X 4 1/4 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Matted with 100% Archival Materials
Buy Now	Price: $225.00 US
Condition:	Printed upon hand-made, laid paper and with full margins as published in Paris in 1860. Signed and dated in the plate by Bonvin to the lower left. Containing a vertical fold mark in the left margin (about one half inch from the actual image else a strongly printed impression and in good condition throughout. La Succession Le Camus (The Succession of Le Camus) represents a fine, original example of the famous Realist art of Francois Bonvin.
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