Title: |
La Tisserande (The Weaver) |
Artist: |
Bonvin, Francois (Paris, 1817 - Saint-Germain-en-Laye, 1887) |
Date: |
1861 |
Medium: |
Original Etching |
Note: |
“The Realism of Bonvin's scenes document proof of his own times. In retrospect,
his works are sometimes read as the forerunner to Impressionism, as he
studied directly from nature by painting modern reality. It is Gabriel
Weisberg who said about Francois Bonvin, 'He painted what he saw, and lived
what he painted.'” *
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One of France's major artists of the nineteenth century, Francois Bonvin
was forced to quit school at the age of twelve and find employment with
the Paris 'Prefecture de police' due to a family loss of fortune. This
however did not prevent him from following his first passion and most of
his few spare hours were spent at the Louvre studying the great Dutch and
Flemish master painters. Solely self-taught, Francois Bonvin exhibited his first
painting in Paris in 1847. |
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Francois Bonvin was among the vanguard of French painters to recognize the artistic
possibilities of original etching and produced his initial work in this
medium around 1858. Early in his career, Francois Bonvin's art drew upon the stylistic
techniques of the Flemish and Dutch old masters, but by the time he turned
to etching the artist was increasingly concerned with the intimacy of interior
scenes and the play of light and shade within it. This is clearly seen
in one of his finest etchings, La Tisserande (The Weaver), where the bright light from
outside the window contrasts sharply with the humble, darkened interior and the woman at the loom. The Fine Arts Museum of San Francisco includes an impression of "La Tisserande" in it permanent collection, Accession Number, 1963.30.31608. |
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Francois Bonvin's etchings and paintings from this period gained for him the unofficial
title, “le nouveau Chardin”. To be classified with the absolute master
of interior scenes was indeed lofty praise and, in 1870, Bonvin was awarded
the Legion d'Honneur. |
|
As early as 1850 Bonvin, along with Gustave Courbet, was regarded as
a leading artist of the Realist group. He was one of the first and finest
artists to dedicate his paintings and etchings to the lives of the working
poor. |
Reference: |
Henri Beraldi, Les Graveurs du XIX Siecle, Paris, Librairie Conquet,
1886, Vol II, pages, 163-164. #3.- Premiere Suite de Dix Eaux-Fortes Par Franciois Bonvin, Peintre*. Paris et Londres, 1861 et 1871 (Chez Cadart). Couverture Gravee, #7. La Tisserande, 1861. |
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* Rochelle Behrens, Francois Bonvin, http://www.arthistory.upenn.edu/ashmolean/Bonvin/Bonvin_entry.html |
Size: |
8 1/2 X 5 3/8 (Sizes in inches are approximate, height preceding width of plate-mark or image.) |
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Matted with 100% Archival Materials |
Buy Now |
Price: $365.00 US |
Condition: |
Printed upon fine, hand-made, laid paper and with full margins. Signed
in the plate by Bonvin to the lower left. A strong, finely printed impression
and in good condition throughout. La Tisserande (The Weaver) represents a superb example
of the famous Realist art of Francois Bonvin. |
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