Title: |
Ireland and Russia Pavilions (Glasgow International Exhibition) |
Artist: |
Bone, Sir David Muirhead (Glasgow, 1876 - Oxford, 1953) |
Date: |
1901 |
Medium: |
Original Etching & Drypoint |
Publisher |
T & R Annan & Sons, Glasgow |
Source: |
Glasgow Exhibition Set |
Note: |
"The fame of Muirhead Bone is more international than that of any British etcher except Whistler." * |
|
Sir David Muirhead Bone: One of eight children, Sir
David Muirhead Bone was born and raised in a Glasgow suburb. First trained
in the profession of architect, Bone's early aptitude for art quickly
rose to the fore. Although he attended some classes at the Glasgow School
of Art, David Muirhead Bone was almost entirely self-taught. His first etchings
and drypoints date from 1898 and were mostly experimental in nature. Within
just two years, however, he had established himself as a premier British
etcher. One writer relates, "Many of Bone's finest works belong to his
first ten years ... In the art of drypoint, David Muirhead Bone did not, from his first
attempts, take long to achieve a mastery which it was well-nigh impossible
to improve upon, certainly not as a technical process." * |
|
The year 1901 marks a pivotal point in the art of David
Muirhead Bone. It was in this year that he moved to London and had his first one
man exhibition at the Carfax Gallery. It was also in 1901 that his set
of ten etchings (of which this is one) of the Glasgow Exhibition were
published by Annan in a sole, limited edition of ninety impressions. These
beautiful etchings, each strengthened by the artist with extensive drypoint,
clearly show Bone's brilliant analysis of structure and solidity -- concerns
which would have such a large influence upon the shaping of twentieth
century British art. Within the areas of form, line and perspective these
etchings are simply superb masterworks from one of Britain's greatest
twentieth century artists. |
|
A word should be said concerning the scarcity of most David Muirhead Bone
etchings and drypoints, including this original example entitled,
"Ireland and Russia Pavilions" from the "Glasgow International Exhibition" set.
Muirhead Bone was a purist who would not steel-face his plates for printing large
editions. Because most of his intaglio prints contain considerable drypointing
(which wears very quickly under the pressure of printing) few of his prints
exist in editions of over one hundred. Thus the majority of Muirhead Bone's
etchings and drypoints are very difficult to acquire. |
|
The Glasgow Exhibition Set: Glasgow's ambitious International
Exhibition of 1901 ran for six months and drew over eleven and a half
million visitors to the event. Major attractions included elaborate exhibition
halls, gardens from around the world, tea and coffee houses and fanciful
pavilions from many countries and continents. A new civic art gallery
was also built for the exhibition. |
|
While the Exhibition was still in progress the British publisher,
Annan, commissioned Scotland's most promising young artist, David Muirhead
Bone, to create a series of ten etchings to commemorate the event. For
his ten etchings and drypoints David Muirhead Bone chose to depict views of the Main
Gate to the exhibition, the newly built Art Gallery, as well as views
of some of the principal pavilions, theaters and gardens. Each etching
was signed in the plate by Bone and printed on large sheets of laid, 'Van
Gelder Zonin' paper in a limited edition of ninety impressions. |
Reference: |
* Kenneth M. Guichard, British Etchers: 1850-1940,
London, Robin Garton Books, 1981, pp. 27 & 28. |
Raisonne: |
Campbell Dodgson, Etchings and Drypoints by Muirhead Bone 1898 - 1907, London, 1909. |
|
Catalogue # 105, First and only State, as published in 1901 in the limited edition of ninety impressions . |
Size: |
6 X 8 3/4 (Sizes in inches are approximate, height preceding width of plate-mark or image.) |
|
Matted with 100% Archival Materials |
Condition: |
Printed upon hand-made, laid paper with the 'Van Gelder
Zonin' watermark and with large, full margins as published by T & R Annan & Sons, Glasgow in 1901 for the Glasgow Exhibition Set in
the limited edition of ninety impressions. Signed in the plate,
as always. "Ireland and Russia Pavilions: Glasgow International Exhibitions"
is a beautiful, early impression with full drypointing and in excellent
condition throughout. This original etching and drypoint engraving represents
a superb and scarce example of the famous art of Sir David Muirhead Bone. |
Price: |
Sold - The price is no longer available. |
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