Title: |
Femme de Profil (Woman in Profile) |
Artist: |
Berthon, Paul Emile 'Paul Berthon' (Chartrettes, 1872 - Paris, 1909) |
Date: |
1898 |
Medium: |
Original Colour Lithograph |
Publisher: |
Les Maitres de l'Affiche, Paris |
Printer: |
Imprimerie Chaix, Paris |
Note: |
Paul Emile Berthon 'Paul Berthon': Along with the art of Alfons
Mucha, the lithographs of Paul Berthon stand at the centre of our interpretation
of Art Nouveau grace and beauty. Despite his very short life it is impossible
not to rank Berthon among the greatest masters of this entire turn-of-the-century
movement. |
|
Paul Berthon first studied as a painter in Villefranche
before coming to Paris in 1893. There he enrolled at the Ecole Normale
d'Enseignement de Dessin, receiving lessons from Luc-Oliver Merson. Yet
the greatest influence upon Paul Berthon came from his teacher of Decorative
Arts, Eugene Grasset (1841-1917). Grasset's impact upon the early formation
of the Art Nouveau movement had been vast and both Berthon and Mucha acknowledged
him as the single greatest influence upon their art. Paul Berthon's early lithographs
(dated up to 1896) often show stylistic elements comparable to Grasset.
As his style developed, however, Paul Berthon began using the autumnal pastel
coloured palette and the strongly defined lines and patterns that have
made his art so famous. Other key elements in Paul Berthon's art were his study
of Japanese woodcuts and his attention to the art of the natural world
-- particularly its flora and fauna -- where he utilized the arts of medieval
France as exemplars. |
|
The graphic oeuvre of Paul Berthon consists of ninety-four
original lithographs. Femme de Profil dates from 1898. Almost two-thirds
of Berthon's original lithographs (Femme de Profil included) are what
the artist termed, "Panneaux Decoratifs". Unlike most Art Nouveau posters,
Paul Berthon's panneaux decoratifs included no advertising and no letterpress.
They were meant to stand alone as significant works of art in their own
right. |
|
Les Maitres: Les Maitres issued 240 lithographs in
a reproductive format. Femme de Profil, most fortunately, was not one
of them. It, along with 15 other lithographs, were specially commissioned
for the series during the five year period, and are the only true works
of original art made for the publication. Along with Paul Berthon, other artists
who contributed original lithographs were Steinlen, Willette, Ibels, Leandre,
de Feure and Cheret. These original lithographs were offered as special
plates available only to subscribers and thus printed in small editions. |
Raisonne: |
Victor Arwas, Berthon & Grasset, Academy Editions,
London and Paris, 1978. (Note: Femme de Profil is illustrated on p. 102.) |
|
Catalogue # 26. First and only State as published by Les
Maitres de L'Affiche, Paris, 1898. |
Size: |
12 1/2 X 9 1/2 (Sizes in inches are approximate, height preceding width of plate-mark or image.) |
|
Framed and Matted with 100% Archival Materials |
|
View larger Framed Image |
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|
Condition: |
Printed upon heavy wove paper as published for 'Les Maitres'
in 1898. Signed in the stone by Paul Berthon (lower left corner) and bearing
the 'Les Maitres' blindstamp in the lower right corner. Also along the
extreme lower left margin the words "Les Maitres de l'Affiche/ Imprimerie
Chaix" are printed. Marginal tears exist within the margins with several
approaching but not entering the border of the image, else a magnificent
impression and in fine condition throughout. With its graceful lines and
beautiful tonal values, Femme de Profil stands not only as a great example
of the art of Paul Berthon but as probably the finest original lithograph
bearing the blindstamp of Les Maitres de l'Affiche. |
Price: |
Sold - The price is no longer available. |
Important Information: |
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