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Francis Bedford's original color lithograph, "Faenza Ware plate" was printed and published by the British publisher, Day & Son in 1858 as part of a series entitled, "Art Treasures of the United Kingdom". This Faenza Ware plate was exhibited at the Manchester Exhibition that same year as part of the British collection. The text printed in the left upper margin of this original lithograph reads; “Ceramic Art”, & to the right “Plate 5”. The artist’s name “F. Bedford, Lith.”, the name “J. B. Waring. Dirext.”, and the printer’s details, “Day & Son, Lithrs. to the Queen” are all printed in the lower margin. There is also a description for the plate illustrated in this original lithograph, it reads; "Faenza Ware Plate, From the Soulages Collection". Francis Bedford's lithograph is a striking, original example of the early English color lithographs by Day & Son and the art created by the British artist, Francis Bedford. |
Title: | Faenza Ware Plate |
Artist: | Bedford, Francis (London, 1816 - 1894) |
Date: | 1858 |
Medium: | Original Lithograph Printed in Colour |
Publisher: | Day & Son, London |
Source: | Art Treasures of the United Kingdom |
Note: | Francis Bedford: Born in London in 1816, Francis Bedford was undoubtedly an exceptional artist in lithography and early photography. Francis Bedford is important on two artistic levels; firstly, as an early, accomplished color lithographer and, secondly, as a pioneer of landscape and architectural photography. He was also an architect and thus many of his plates in both media deal with this subject. Francis Bedford's first published lithograph dates from 1840 and his first photograph from 1855. Francis Bedford was a founding member of the Photographic Society (1853) and was elected Vice-president of the London Photographic Society (1861). |
Francis Bedford's finest lithographs will be found in such publications as "Art Treasures of the United Kingdom" (1858), "The Churches of York" (1843), "Industrial Arts of the Nineteenth Century at the Great Exhibition" (1853), "The Grammar of Ornament" (1856), and "The Treasury of Ornamental Art" (1858). His original photographs are included in such works as "The Sunbeam" (1856), "The Photographic Art Annual" (1859), "Ruined Abbeys and Castles of Great Britain" (1864), and "Photographic Pictures made by Mr. Francis Bedford during the Tour in the East, in which he Accompanied The Prince of Wales". The Francis Bedford Topographical Photographs Collection is today housed in the Birmingham Central Library. "Faenza Ware Plate" hails from the (1858) "Art Treasures of the United Kingdom". | |
Day & Son, London: Some of the most ambitious and accomplished printmaking projects of the Victorian era were launched by the lithographic publishers, Day & Son. The firm began in the mid 1820's under the title of 'Day & Hague' and assumed its more familiar name in 1845. Throughout their early years they printed and published lithographs dealing with a wide range of subjects, such as, hunting scenes, genre depictions and topographical views. In the late 1840's, however, Day & Son came to the forefront as a pioneer of the recently discovered medium of the color lithograph; that is, printing lithographs in color by utilizing a series of meticulously registered tint and color stones. Each color and hue required an individual printing. A complex color lithograph, like "Faenza Ware Plate", was created by using at least twelve separate printings. Thus, apart from the obvious beauty of the original work of art, it represents an important example of one of the most demanding of art techniques. Day & Son was so accomplished in this field that the firm was appointed, 'Royal Lithographers to Queen Victoria'. | |
This original lithograph entitled, "Faenza Ware Plate" was printed and published in 1858 as part of a series entitled, "Art Treasures of the United Kingdom". The series concentrated upon the finest examples of Medieval and Renaissance enamels, ceramics, porcelains and stoneware in British collections, such as the Faenza Ware Plate illustrated in this original lithograph. All these pieces were exhibited at the Manchester Exhibition of 1858. Day &. Son was already well established as the leading colour printmaker for the depiction of objects d'art, as five years earlier they had been entrusted with the colour lithographs of the art at the great Crystal Palace Exhibition. The brilliant lithographer for this original work of art was Francis Bedford. | |
Both artistically and historically, the lithographic art of Day & son is of great importance. It's amazing to consider that a colour lithograph of such perfect clarity, detail and complex range of colouration was created at such an early date. | |
The text printed in the left upper margin of this original Francis Bedford lithograph reads; “Ceramic Art”, & to the right “Plate 5”. The artist’s name “F. Bedford, Lith.”, the name “J. B. Waring. Dirext.”, and the printer’s details, “Day & Son, Lithrs. to the Queen” are all printed in the lower margin. There is also a description for the plate illustrated in this original lithograph, it reads; "Faenza Ware Plate, From the Soulages Collection". | |
Size: | 11 1/2 X 8 1/4 (Sizes in inches are approximate, height preceding width of plate-mark or image.) |
Matted with 100% Archival Materials | |
Buy Now | Price: $235.00 US |
Condition: | Printed on mid nineteenth century wove paper and with full margins as published in London by Day & Son in 1858. This original lithograph entitled, "Faenza Ware Plate" is a fine with striking, unfaded colours and in excellent condition throughout. This lithograph represents an early and important example of colour printing techniques, the early English color lithographs by Day & Son and the art of Francis Bedford. |
Important Information: | The artist biographies, research and or information pertaining to all the original works of art posted on our pages has been written and designed by Greg & Connie Peters exclusively for our site, (www.artoftheprint.com). Please visit us regularly to view the latest artworks offered for sale. We will soon be posting an update of our most recent research and include the biographical and historical information pertaining to our next collection of original works of art created by artists throughout the centuries. We hope you found the information you were looking for and that it has been beneficial. Our Gallery, (Art of the Print / www.artoftheprint.com) guarantees the authenticity of every work of art we sell 100%. Full documentation and certification is provided. We offer a wide selection of international fine art dating from the early Renaissance to the contemporary art period. |
Original lithograph by the British artist, Francis Bedford.
Faenza Ware Plate (Art Treasures of the United Kingdom) |
View other original works of art by the British artist, Francis Bedford.
Francis Bedford (London, 1816 - 1894) | |||||||
# | Image | Title & Artist | Medium | Date | Source | - | |
01.- | A Limoges Enamel Plaque, Early Sixteenth Century by Francis Bedford | Original Lithograph | 1858 | Art Treasures of the United Kingdom | |||
02.- | Altar and Reredos Designed By The Late A. W. Pugin, Carved In Stone By Myers Of London, And Fitted-Up By Hardman Of Birmingham lithography by Francis Bedford | Original Lithograph | 1853 | Industrial Arts of the Nineteenth Century at the Great Exhibition | |||
03.- | Early Limoges Enamel, 12th or 13th Century by Francis Bedford | Original Lithograph | 1858 | Art Treasures of the United Kingdom | |||
04.- | Faenza Ware Plate by Francis Bedford | Original Lithograph | 1858 | Art Treasures of the United Kingdom | |||
05.- | Flemish Ewer, Jug and Stoneware, 16th Century by Francis Bedford | Original Lithograph | 1858 | Art Treasures of the United Kingdom | Sold | ||
06.- | Fountain in Iron, Andre of Paris by Francis Bedford | Original Lithograph | 1852 | Industrial Arts of the Nineteenth Century at the Great Exhibition | |||
07.- | Portrait of Princess Elizabeth, in Enamel by Limousin by Francis Bedford | Original Lithograph | 1858 | Art Treasures of the United Kingdom | Sold |
View other original works of art by Day & Son 'Royal Lithographers the Queen'.
Day & Son 'Royal Lithographers to Queen Victoria' | ||||||||
# | Image | Title & Artist | Artist Info | Medium | Date | Source | - | |
Ackermann, London | ||||||||
01.- | Moon Rise in The Valley of Cairn Gorm by Michel Bouquet | Michel Bouquet (Lorient, 1807 - Paris, 1890) | Original Lithograph | 1849 | Ackermann, London | Sold | ||
Industrial Arts of the Nineteenth Century at the Great Exhibition | ||||||||
01.- | Altar and Reredos Designed By The Late A. W. Pugin, Carved In Stone By Myers Of London, And Fitted-Up By Hardman Of Birmingham lithography by Francis Bedford | Francis Bedford (London, 1816 - 1894) | Original Lithograph | 1853 | Industrial Arts of the Nineteenth Century at the Great Exhibition | Sold | ||
02.- | Fountain in Iron, Andre of Paris by Francis Bedford | Francis Bedford (London, 1816 - 1894) | Original Lithograph | 1852 | Industrial Arts of the Nineteenth Century at the Great Exhibition | |||
03.- | Ornamental Cover of a Colour Box designed by Sliegh for Ackermann & Company | J. Sliegh, (British, active, 19th century) | Original Lithograph | 1852 | Industrial Arts of the Nineteenth Century at the Great Exhibition | |||
04.- | Portion of a Shield in Silver by Vechte, for Hunt and Roskell of London by John Alfred Vinter | Vinter, John Alfred (London, 1828 - 1905) | Original Lithograph | 1852 | Industrial Arts of the Nineteenth Century at the Great Exhibition | |||
Passages from Modern English Poets | ||||||||
01.- | Sea Beach - Norfolk Fisherman on the Look Out (The Fisherman) by Frederick Bacon Barwell | Frederick Bacon Barwell (London, c. 1831 - 1922) | Original Etching | 1861-62 | Passages from Modern English Poets | |||
02.- | Hagar and Ishmael by Joseph Clark | Joseph Clark (Cerne Abbas (Dorset), 1834 - Ramsgate, 1926) | Original Etching | 1861-62 | Passages from Modern English Poets | |||
03.- | The May Wreath by William Gale | William Gale (London, 1823 - 1909) | Original Etching | 1861 | Passages from Modern English Poets | |||
04.- | Scene of the Plague in London, 1665 by Charles Samuel Keene | Charles Samuel Keene (Hornsea, 1823 - London, 1891 | Original Etching | 1861-62 | Passages from Modern English Poets | |||
05.- | Sisters of Mercy by Matthew James Lawless | Matthew James Lawless (Dublin, 1837 - Bayswater, 1864) | Original Etching | 1859 | Passages from Modern English Poets | |||
06.- | The Little Shipwrights by Matthew James Lawless | Matthew James Lawless (Dublin, 1837 - Bayswater, 1864) | Original Etching | 1859-62 | Passages from Modern English Poets | |||
07.- | The Cornfield by Arthur James Lewis | Arthur James Lewis 'Arthur Lewis' (London, 1824 - 1901) | Original Etching | 1861-62 | Passages from Modern English Poets | |||
08.- | Summer Indolence by John Everett Millais | John Everett Millais (Southampton, 1829 - London, 1896) | Original Etching | 1861-62 | Passages from Modern English Poets | |||
09.- | Moonlight by Henry Moore | Henry Moore (York, 1831 - Margate, 1895) | Original Etching | 1861-62 | Passages from Modern English Poets | |||
10.- | The Last Gleam of Day by John Wright Oakes | John Wright Oakes (Middlewich (Cheshire), 1820 - London, 1887) | Original Drypoint & Etching | 1859-62 | Passages from Modern English Poets | |||
11.- | The Rainbow by Sir Francis Powell | Sir Francis Powell (Pendleton, 1833 - Dunoon, Scotland, 1914) | Original Etching | 1861-62 | Passages from Modern English Poets | |||
12.- | St. Valentine's Day by Charles Rossiter | Charles Rossiter (London, 1827 - 1897) | Original Etching | 1861-62 | Passages from Modern English Poets | |||
13.- | Nearing Home by Walter Severn | Walter Severn (Frascati (near Rome), 1830 - London, 1904) | Original Etching | 1861-62 | Passages from Modern English Poets | |||
14.- | Supping on Horrors by Frederick Smallfield | Frederick Smallfield (London, 1829 - 1915) | Original Etching | 1861-62 | Passages from Modern English Poets | |||
15.- | The Shoe-Black by Frederick Smallfield | Frederick Smallfield (London, 1829 - 1915) | Original Etching | 1861-62 | Passages from Modern English Poets | |||
16.- | Winter Revels by Frederick Smallfield | Frederick Smallfield (London, 1829 - 1915) | Original Etching | 1861-62 | Passages from Modern English Poets | |||
17.- | War and Glory by Sir John Tenniel | Sir John Tenniel (London, 1820 - 1914) | Original Etching | 1861-62 | Passages from Modern English Poets | |||
18.- | Study of a Head by Henry Clarence Whaite | Henry Clarence Whaite (Manchester, 1828 - Conwy Valley, Wales, 1912) | Original Etching | 1861-62 | Passages from Modern English Poets | |||
19.- | Sketching by James McNeill Whistler | James Abbott McNeill Whistler (Lowell, MA, 1834 - London, 1903) | Original Etching | 1861-62 | Passages from Modern English Poets | |||
20.- | The Punt by James McNeill Whistler | James Abbott McNeill Whistler (Lowell, MA, 1834 - London, 1903) | Original Etching | 1861-62 | Passages from Modern English Poets | |||
Vanity Fair | ||||||||
01.- | Vice - Admiral Caillard by Jean Baptiste Guth | Jean Baptiste Guth (Bayonne, London, died, 1921) | Original Lithograph | 1905 | Vanity Fair | |||
02.- | Various Vanity Fair Prints (Collection of 40 Original Lithographs) | Miscellaneous Vanity Fair Portraits (Collection of Forty) | Original Lithographs | 1875 to 1903 | Vanity Fair | |||
03.- | Madam Sarah Bernhardt by a Vanity Fair artist, Monogramme: 'K' | Monogramme: 'K' | Original Lithograph | 1912 | Vanity Fair | Sold | ||
04.- | The Lord Chief Justice of England (Lord Alverstone) by a Vanity Fair artist, Monogramme: 'W. H.' | Monogramme: 'W. H.' | Original Lithograph | 1913 | Vanity Fair | |||
05.- | Albert Seymour by Carlo Pellegrini Known as 'Ape' | Carlo Pellegrini 'Ape' (Capua, Italy, 1839 - London, 1889) | Original Lithograph | 1877 | Vanity Fair | |||
06.- | The Lord Chief Baron (The Right Honourable Sir Fitz Roy Edward Kelly) by a Vanity Fair artist | Vanity Fair artist | Original Lithograph | 1871 | Vanity Fair | |||
07.- | A Professor (Mr. James Edwin Thorold Rogers) by Sir Leslie Ward 'Spy' | Sir Leslie Ward, 'Spy' (London, 1851 - 1922) | Original Lithograph | 1884 | Vanity Fair | Sold | ||
08.- | H. A. C. (The Earl of Denbigh) by Sir Leslie Ward 'Spy' | Sir Leslie Ward, 'Spy' (London, 1851 - 1922) | Original Lithograph | 1894 | Vanity Fair | |||
09.- | The Admiral (Sir James Dairymple Horn Elphinstone, M. P.) by Sir Leslie Ward 'Spy' | Sir Leslie Ward, 'Spy' (London, 1851 - 1922) | Original Lithograph | 1878 | Vanity Fair | |||
10.- | Turf Devotee - The Right Honourable Lord Hothfield by Sir Leslie Ward 'Spy' | Sir Leslie Ward, 'Spy' (London, 1851 - 1922) | Original Lithograph | 1889 | Vanity Fair |
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