Title: |
The Prima Donna Waltz |
Artist: |
Baxter, George (Lewes, 1804 - London, 1867) |
Date: |
1851 |
Medium: |
Original Baxter Print on Letterpress |
Source: |
Jullien's Keepsake, Signed by Jullien. |
Note: |
George Baxter: The most famous of Victorian England's
colour printmakers, George Baxter began his career as an apprentice engraver
in his native city of Lewes. He moved to London in 1827 and established
his own engraving business there two years later. Experiments with colour
printing began shortly thereafter but none were published until 1834,
when Baxter first produced modestly coloured frontis-piece engravings
for books. From the early 1840's, however, George Baxter created and published
individual colour prints of outstanding complexity and detail until the
day he closed his business in 1860. |
|
George Baxter invented a complicated process where both
metal plates and wood blocks were engraved and used in succession to construct
a multitude of shades and hues within each colour. Sometimes as many as
twenty blocks would be printed for the same composition! As well, Baxter
employed actual oil colours for his engravings rather than the customary
printing inks. |
|
As one can determine by closely examining this original
Baxter print, his complicated and painstaking technique produced spectacular
art, and, as a result of his success in this artistic medium he was dogged
throughout his working life by both imitators and outright forgers. Therefore
as early as 1835 Baxter obtained a patent for his process, but such legal
efforts did little to curtail competitors such as Mansell, Le Blond and
others. |
|
To identify Baxter's original art from those of his imitators
is not difficult. Firstly, George Baxter was a meticulous craftsman and
both the subtlety of his printing and the amazing range of his colouration
were far superior to the others. Secondly, the patent (while it did not
prevent competitors from copying the image) prevented others from using
either Baxter's name or address on their productions. Thus the large majority
of Baxter forgeries contain no name nor address. |
Raisonne: |
A. Ball and M. Martin, The Price Guide to Baxter Prints,
Antique Collectors' Club, Suffolk, 1983 (2nd. ed.) |
|
Catalogue # 147 (music Cover Edition) Note: The original
musical score for the waltz is included as well as the biography of Julien
in the Grove Dictionary of Music. |
Size: |
5 1/2 X 3 1/4 (Sizes in inches are approximate,
height preceding width of plate-mark or image.) |
|
Framed and Matted with 100% Archival Materials |
Condition: |
Printed on mid nineteenth century wove paper and with full
margins as published by Jullien at his Regent Street office in 1851. Several
very slight foxing marks exist in the margins. Else this original
of The Prima Donna Waltz is in very good condition throughout. Signed
boldly in the lower right margin by the composer, Louis Jullien who was
one of the most interesting and important figures of the nineteenth century
music. |
Price: |
Sold - The price is no longer available. |
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