Francesco Bartolozzi and Pellegrino Tibaldi - My Son Attend Unto My Wisdom

Original Stipple Engraving and Etching by Francesco Bartolozzi designed by Pellegrino Tibaldi.

Juvenis auscultans Seni de Divinis Admoneti / My Son Attend unto My Wisdom and Low Thine Ear to My Understanding. Proverbs Ch. V.

View other original engravings & etchings by Francesco Bartolozzi.

Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815)
#	Image	Title & Artists	Medium	Date	Engraver	Designer	Notes	-
01-		Abraham Entertaining Three Angels by Francesco Bartolozzi designed by Ludovico Carracci	Original Etching	1797	Francesco Bartolozzi	Ludovico Carracci	John Chamberlaine, London, inscribed; "From the Original Drawing by Lud. Carracci, "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "Abraham entertaining three Angels", "Genesis Chap. 18th V. 1st &c", In His Majesty's Collection" and the publication line, "Publish'd as the Act directs Jan.y 18. 1797 by I. Chamberlaine Brompton Row Middlesex'."
02.-		Country Girl's Head by Francesco Bartolozzi designed by Leonardo da Vinci	Original Stipple Engraving in Sepia	1806	Francesco Bartolozzi	Leonardo da Vinci	John Chamberlaine, London, inscribed; "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi Sculpt.", "In His Majesty's Collection", and the publication line, "Published as the Act directs, Octr. 10. 1806, by I. Chamberlaine, Scotland Yard"; and numbered 'Pl. XIV'.	Sold
03.-		'Dante' Five Grotesque Heads by Francesco Bartolozzi designed by Leonardo da Vinci	Original Etching	1806	Francesco Bartolozzi	Leonardo da Vinci	John Chamberlaine, London, inscribed; "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi Sculpt.", "Dante", "In His Majesty's Collection", and the publication line, "Published as the Act directs by I. Chamberlaine, Scotland Yard, Octr. 10, 1806.".	Sold
04.-		Design for a Cannon Foundry by Francesco Bartolozzi designed by Leonardo da Vinci	Original Etching	1796	Francesco Bartolozzi	Leonardo da Vinci	John Chamberlaine, London, inscribed; "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "In His Majesty's Collection", and the publication line, "Published as the Act directs, May 13. 1796, by I. Chamberlaine".	Sold
05.-		Florizel & Autolicus, exchange garments (Shakespeare: Winter's Tale, Act, IV, Scene II), by Francesco Bartolozzi and Benjamin Duterrow designed by Henry William Bunbury	Original Stipple Engraving and Etching	1794	Francesco Bartolozzi	Henry William Bunbury	Thomas Macklin, Poets Gallery, Fleet St., London, William Bunbury's 'Shakespeare', inscribed, "Florizel & Autolicus, exchange garments", "Duterrow sculpt.", "F. Bartolozzi R. A. directed.", "H. Bunbury Esq. delt.", and the publication line, "London, Publish'd May 24th, 1794, by Thos'. Macklin, Poets Gallery, Fleet St."	Sold
06.-		Jacob's Vision by Francesco Bartolozzi designed by Ludovico Carracci	Original Etching	1797	Francesco Bartolozzi	Ludovico Carracci	John Chamberlaine, London, inscribed; "From the Original Drawing by Lud. Carracci, "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "Abraham entertaining three Angels", "Genesis Chap. 18th V. 1st &c", In His Majesty's Collection", and the publication line, "Publish'd as the Act directs Jan.y 18. 1797 by I. Chamberlaine Brompton Row Middlesex'."
07.-		Large Head of a Man by Francesco Bartolozzi designed by Leonardo da Vinci	Original Stipple Engraving	1796	Francesco Bartolozzi	Leonardo da Vinci	John Chamberlaine, London, inscribed; "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "In His Majesty's Collection", and the publication line, "Published as the Act directs, March 1.1796 by I. Chamberlaine".	Sold
08.-		Love and Fortune by Francesco Bartolozzi designed by Giovanni Battista Cipriani	Original Hand-Coloured Etching & Stipple Engraving	1800	Francesco Bartolozzi	Giovanni Battista Cipriani	Inscribed, lower left: "Cipriani Inv.", lower right: "Fr. Bartolozzi Sculp." & titled lower center: "Love & Fortune" within the image as published by Rudolph Ackermann	Sold
09.-		My Son Attend unto My Wisdom by Francesco Bartolozzi designed by Pellegrino Tibaldi	Original Etching	1767	Francesco Bartolozzi	Pellegrino Tibaldi	Inscribed: Lower left: "Pellegrino Tibaldi del.", lower right: "F. Bartolozzi Londini Sculpsit". and titled, in the lower center: "Juvenis auscultans Seni de Divinis Admoneti / My Son Attend unto My Wisdom and Low Thine Ear to My Understanding. Proverbs Ch. V.,"	Sold
10.-		Old Man's Head by Francesco Bartolozzi designed by Annibale Carracci	Original Soft Ground Etching in Sepia	1796	Francesco Bartolozzi	Annibale Carracci	John Chamberlaine, London, inscribed; "From the Original Drawing by Annibale Carracci, "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "In His Majesty's Collection", and the publication line, "Publish'd as the Act directs by I. Chamberlaine Ap.l 11 1796."
11.-		Prospero Disarming Ferdinand (Shakespeare: The Tempest, Act I, Scene II), by Francesco Bartolozzi designed by Henry William Bunbury	Original Stipple Engraving and Etching	1793	Francesco Bartolozzi	Henry William Bunbury	Thomas Macklin, Poets Gallery, Fleet St., London, William Bunbury's 'Shakespeare', inscribed, "Prospero Disarming Ferdinand", "Vide Act 1, Sc. 2, Tempest", "F. Bartolozzi Esqr. Sculpt.", "H. Bunbury Esq. del."& the publication line, "London, Publish'd June 20, 1793, by Thos'. Macklin, Poets Gallery, Fleet St."	Sold
12.-		Self-Portrait of Annibale Carracci by Francesco Bartolozzi designed by Annibale Carracci	Original Soft Ground Etching	1796	Francesco Bartolozzi	Annibale Carracci	John Chamberlaine, London, inscribed; "From the Original Drawing by An. Carracci, "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "Portrait of An. Caracci.", "In His Majesty's Collection", and the publication line, "Publish'd as the Act directs May 13.1796 by I. Chamberlaine Brompton Middx.'."
13.-		Self-Portrait of Leonardo da Vinci by Francesco Bartolozzi designed by Leonardo da Vinci	Original Stipple Engraving in Sepia	1795	Francesco Bartolozzi	Leonardo da Vinci	John Chamberlaine, London, inscribed; "Leonardo - Vinci", "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "In His Majesty's Collection", and and the publication line, "Published as the Act directs, Sept. 1, 1795, by I. Chamberlaine".	Sold
14.-		Shrimps! by Francesco Bartolozzi designed by William Hogarth	Original Stipple Engraving	1782	Francesco Bartolozzi	William Hogarth	Jane Hogarth, Leicester Fields, inscribed, "W. Hogarth Pinx.", "F. Bartolozzi Sculp." & titled, "Shrimps!", "Engrav'd from an Original Scetch in Oil by Hogarth in the Possession of Mrs. Hogarth", and the publisher's details, "Pulish'd March 25th, 1782, by Jane Hogarth & R-d Livesay, Leicester Fields".	Sold
15.-		Sleeping Baby by Francesco Bartolozzi designed by Giovanni Francesco Barbieri (Guercino)	Original Etching & Stipple Engraving	1764	Francesco Bartolozzi	Giovanni Francesco Barbieri (Guercino)	Inscribed, lower left: Guercino Inv.", and with the engraver's name lower right: "F. Bartolozzi Sulpt."	Sold
16.-		The Fair by Francesco Bartolozzi designed by Francis Wheatley	Original Hand-Coloured Stipple Engraving	1789	Francesco Bartolozzi	Francis Wheatley	Inscribed, lower left: "F. Wheatley Painter", Lower right: "F. Bartolozzi Engraver", titled lower center: "The Fair", and containing the publisher's address below the title: "Published According to the Act of Parliament 25th Nov. 1789 ..."	Sold
17.-		The Muscular System by Francesco Bartolozzi designed by Leonardo da Vinci	Original Etching	1796	Francesco Bartolozzi	Leonardo da Vinci	John Chamberlaine, London, inscribed; "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "In His Majesty's Collection", and the publication line, "Published as the Act directs, Apr. 27, 1796, by I. Chamberlaine"".	Sold
18.-		The Skeletal System by Francesco Bartolozzi designed by Leonardo da Vinci	Original Etching	1795	Francesco Bartolozzi	Leonardo da Vinci	John Chamberlaine, London, inscribed; "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "In His Majesty's Collection", and the publication line, "Published as the Act directs, August 15th 1795 by I. Chamberlaine".	Sold
19.-		Twelfth Night. Act V, Scene I. (The Street. Duke, Viola, Antonio, Officers, Olivia, Priest & Attendants.) by Francesco Bartolozzi designed by William Hamilton	Original Stipple and Line Engraving (Open Letter Proof )	1797	Francesco Bartolozzi	William Hamilton	John Boydel, London, 'Shakespeare Gallery', inscribed; "Shakspeare. Twelfth Night. Act V, Scene I. The Street. Duke, Viola, Antonio, Officers, Olivia, Priest & Attendants. Publish'd Sept. 29, 1797, by J & J. Boydell, at the Shakspeare Gallery, Pall Mall; & No. 90, Cheapside. Engraved by F. Bartolozzi R. A. Painted by Wm. Hamilton R. A. "
20.-		Young Man's Head by Francesco Bartolozzi designed by Annibale Carracci	Original Stipple Engraving in Sepia	1807	Francesco Bartolozzi	Annibale Carracci	John Chamberlaine, London, inscribed; "From the Original Drawing by Annibal Carracci, "Eng. by F. Bartolozzi R.A. Historical Engraver to his Majesty", and the publication line, "Publish'd as the Act directs April. 15. 1807 by J. Chamberlaine Scotland Yard"; and numbered 'Pl. IX'.

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Title:	Juvenis auscultans Seni de Divinis Admoneti / My Son Attend unto My Wisdom and Low Thine Ear to My Understanding. Proverbs Ch. V.
Engraver:	Bartolozzi, Francesco (Florence, Italy, 1727 - Lisbon, Portugal, 1815)
Designer:	Tibaldi, Pellegrino (Italy, 1527-1596)
Date:	1767
Medium:	Original Etching
Note:	Francesco Bartolozzi: Born in Florence, Italy in 1727, Francesco Bartolozzi is undoubtedly England’s most famous stipple engraver of the late eighteenth century. He studied under the Florentine artists, Ignazio Hugford (1703 – 1775) and Giovanni Domenico Ferretti (1692 – 1778). In 1748 Bartolozzi went to Venice and worked for the engraver and print dealer Joseph Wagner (1706 – 1786) where he began his career engraving plates after the Italian masters. Then in 1764 Francesco Bartolozzi was invited by the King of England, King George III (1738 – 1820) to come to London to engrave the drawings of Guercino ‘Giovanni Francesco Barbieri’ (1591 – 1666), Pellegrino Tibaldi (1527 – 1596) and other Italian artists in the Royal Collection at Windsor Castle. Shortly after, he was appointed ‘Engraver to the King’. In 1768, Bartolozzi received the honour of being the first engraver to gain full membership into the prestigious Royal Academy. In 1802, and after nearly forty years in London, Bartolozzi was offered the prominent position as the director of the National Academy in Lisbon. He remained in Lisbon until his death in 1815.
	A new printmaking technique had recently come to the fore in England at this time, and, although Bartolozzi made no claim as to its invention, his name is forever linked with the 'Stipple' engraving. Briefly, a stipple engraving is created by using masses of flicks and dots rather than solid lines, making it more of a tonal composition. More than any other artist, Bartolozzi mastered this subtle medium.
	Francesco Bartolozzi quickly recognized that this very demanding method of original printmaking was best suited for decorative works and portraits as well as scenes displaying flesh tones. He thus set up his famous London workshop which published renderings of either sentimental or mythological subjects, with such well known painters as Francis Wheatley (1747 - 1801), Angelica Kauffmann (1741 - 1807), Giovanni Battista Cipriani (1727 - 1785) and Lady Diana Beauclerk (1734 - 1808) specifically creating designs for him to engrave. Bartolozzi's success with the stipple was enormous. He was one of the first engravers granted a full membership to the Royal Academy, and in the last decades of the eighteenth century, a large following of English and transplanted Italian students sat in his studio to learn his techniques. His students included such fine artists as Luigi Schiavonetti (1765 - 1810), Peltro William Tomkins (1760 - 1840), and Benedetto Pastorini (1741 – 1839).(Some of his students later engraved the popular Cries of London series.) Stippling, however, was destined to live a very short life. It was extremely laborious and time consuming and soon gave way to the more convenient and mass-produced forms of printmaking in the nineteenth century.
	Pellegrino Tibaldi (Italy, 1527-1596): My Son Attend unto My Wisdom and Low Thine Ear to My Understanding is based upon a design created by the was a 16th century Italian Manerist artist, Pellegrino Tibaldi. He is also listed as Pellegrino di Tibaldo. An of this original etching entitled, My Son Attend unto My Wisdom and Low Thine Ear to My Understanding is included in the permanent collection of the British Meseum, Registration number, 1868,0808.2757, and the Museum of Fine Arts Boston, Accession Number M14557.
Size:	17 7/8 X 13 5/8 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Matted with 100% Archival Materials
Condition:	Printed on early wove paper and with full margins as published in London in 1767. Inscribed: Lower left: "Pellegrino Tibaldi del.", lower right: "F. Bartolozzi Londini Sculpsit". and titled, in the lower center: "Juvenis auscultans Seni de Divinis Admoneti / My Son Attend unto My Wisdom and Low Thine Ear to My Understanding. Proverbs Ch. V.," Containing the centre crease, as always. It is a fine early and in excellent condition throughout. This magnificent, large etching and engraving stands as a prime example of the famous art of Francesco Bartolozzi.
Price:	Sold - The price is no longer available.
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Francesco Bartolozzi & Pellegrino Tibaldi

My Son Attend unto My Wisdom and Low Thine Ear to My Understanding