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Francesco Bartolozzi & Annibale Carracci

Francesco Bartolozzi and Annibale Carracci - Self-Portrait of Annibale Carracci

Self-Portrait of Annibale Carracci, 'In His Majesty's Collection'

Francesco Bartolozzi's original soft ground etching, "Self-Portrait of Annibale Carracci, 'In His Majesty's Collection'" was etched in 1796 for John Chamberlaine's "Engravings from the Original Designs of Annibale, Agostino and Ludovico Carracci, in his Majesty's Collection". It is based upon a self-portrait drawing created by the Bolognese artist, Annibale Carracci in his early youth housed in the Windsor Castle Royal Collection. This is printed upon late 18th century wove paper with full margins, and bearing the text; "From the Original Drawing by An. Carracci, "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "Portrait of An. Caracci.", "In His Majesty's Collection" and the publication line, "Publish'd as the Act directs May 13.1796 by I. Chamberlaine Brompton Middx.'." under the image. "Self-Portrait of Annibale Carracci" was etched by Francesco Bartolozzi in the soft ground medium. A complicated method of printmaking, soft ground was often used to simulate the effect of drawing. With the invention and widespread application of lithography in the early nineteenth century, the soft ground became all but extinct. This is an outstanding original example of the art by the Italian / British artist, Francesco Bartolozzi and the art of Annibale Carracci.
 
Title: Self-Portrait of Annibale Carracci, 'In His Majesty's Collection'
Engraver: Bartolozzi, Francesco (Florence, Italy, 1727 - Lisbon, Portugal, 1815)
Designer: Carracci, Annibale (Bologna, 1560 - Rome, 1609)
Date: 1796
Medium: Original Soft Ground Etching
Publisher: John Chamberlaine, London
Note: Francesco Bartolozzi: Born in Florence, Italy in 1727, Francesco Bartolozzi is undoubtedly England’s most famous stipple engraver of the late eighteenth century. He studied under the Florentine artists, Ignazio Hugford (1703 – 1775) and Giovanni Domenico Ferretti (1692 – 1778). In 1748 Bartolozzi went to Venice and worked for the engraver and print dealer Joseph Wagner (1706 – 1786) where he began his career engraving plates after the Italian masters. Then in 1764 Francesco Bartolozzi was invited by the King of England, King George III (1738 – 1820) to come to London to engrave the drawings of Guercino ‘Giovanni Francesco Barbieri’ (1591 – 1666), Pellegrino Tibaldi (1527 – 1596) and other Italian artists in the Royal Collection at Windsor Castle. Shortly after, he was appointed ‘Engraver to the King’. In 1768, Bartolozzi received the honour of being the first engraver to gain full membership into the prestigious Royal Academy. In 1802, and after nearly forty years in London, Bartolozzi was offered the prominent position as the director of the National Academy in Lisbon. He remained in Lisbon until his death in 1815.
  A new printmaking technique had recently come to the fore in England at this time and, although Francesco Bartolozzi made no claim to its invention, his name is forever linked with the 'stipple' engraving. Briefly, a stipple engraving is created by using masses of flicks or dots rather than solid lines, making it a more tonal composition. More than any other artist, Francesco Bartolozzi mastered this subtle medium.
  Francesco Bartolozzi quickly recognized that this very demanding method of original printmaking was best suited for decorative works and portraits as well as scenes displaying flesh tones. He thus set up his famous London workshop which published renderings of either sentimental or mythological subjects, with such well known painters as Francis Wheatley (1747 - 1801), Angelica Kauffmann (1741 - 1807), Giovanni Battista Cipriani (1727 - 1785) and Lady Diana Beauclerk (1734 - 1808) specifically creating designs for him to engrave. Bartolozzi's success with the stipple was enormous. He was one of the first engravers granted a full membership to the Royal Academy, and in the last decades of the eighteenth century, a large following of English and transplanted Italian students sat in his studio to learn his techniques. His students included such fine artists as Luigi Schiavonetti (1765 - 1810), Peltro William Tomkins (1760 - 1840), and Benedetto Pastorini (1741 – 1839).(Some of his students later engraved the popular Cries of London series.) Stippling, however, was destined to live a very short life. It was extremely laborious and time consuming and soon gave way to the more convenient and mass-produced forms of printmaking in the nineteenth century.
  Besides stipples, Francesco Bartolozzi was also a master of etching in both hard and soft grounds. A complicated method of printmaking, soft ground was often used to simulate the effect of drawing. With the invention and widespread application of lithography in the early nineteenth century, the soft ground became all but extinct. "Self-Portrait of Annibale Carracci, 'In His Majesty's Collection'" was etched by Francesco Bartolozzi in the soft ground medium. "Self-Portrait of Annibale Caracci" is based upon a self-portrait drawing created by the Bolognese artist, Annibale Carracci in his early youth housed in the Windsor Castle Royal Collection. It bears the text; "From the Original Drawing by An. Carracci, "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "Portrait of An. Caracci.", "In His Majesty's Collection" and the publication line, "Publish'd as the Act directs May 13.1796 by I. Chamberlaine Brompton Middx.'." under the image. This is a large and impressive example of Francesco Bartolozzi's mastery of the soft ground technique.
  Annibale Carracci: The Bolognese brothers, Annibale Carracci (Bologne, 1560 - Rome, 1609) and Agostino Carracci (Bologna, 1557 - Parme, 1602) and their cousin Ludovico Carracci (Bologna, 1555 - 1619), were prominent figures that stood in opposition to the prevailing Mannerism of late 16th century Italian painting. After studying art under his uncle in Parma, Annibale Carracci first worked in Venice and Bologna.
  In the early 1580’s, the Carracci brothers founded the Accademia degli Incamminati (Academy of the Progressives) in Bologna. They laid special emphasis upon drawing from life and clear draughtsmanship which became associated with the artists of the Bolognese School.
  Around 1600, Annibale Carracci was invited to Rome by Cardinal Odoardo Farnese to decorate the Farnese Palace. During the next four years some of his most famous frescoes were created there. Regarded as a master of both figure and landscape painting, Annibale Carracci directly influenced such artists as Domenichino, Claude Lorrain and Poussin.
  John Chamberlaine (British, c. 1745 - 1812): In February, 1791, John Chamberlaine (London, 1745 - 1812) was appointed Keeper of Drawings and Medals to the King. As curator to his Majesty's Collection, Chamberlaine's greatest achievement was to publish engravings and etchings based upon these famous old master acquisitions. Between March, 1792 and February, 1800, John Chamberlaine published eighty-four stipple engravings based upon Holbein's portrait drawings. All but four of these engravings were created by Francesco Bartolozzi, who held the title of, 'Historical Engraver to his Majesty'.
  In 1796, John Chamberlaine initiated another important set of engravings based upon drawings in the Royal Collection, entitled, "Imitations of Original Designs by Leonardo da Vinci". The engravers for this series were Francesco Bartolozzi and his followers. The following year, John Chamberlaine began his final set under the title of, "Engravings from the Original Designs of Annibale, Agostino and Ludovico Carracci, in his Majesty's Collection". In the following years this last set was expanded to include engravings based upon the designs of other old masters, such as, Raphael 'Raffaello Santi', Michelangelo di Lodovico Buonaroti, Claude Lorrain, Nicolas Poussin, Leonardo da Vinci, Giovanni Antonio Canal 'Canaletto' and other major artist. For this opus, John Chamberlaine commissioned such leading engravers as Francesco Bartolozzi (1727 - 1815), Luigi Schiavonetti (1765 - 1810), Frederick Christian Lewis (1779 - 1856), Peltro William Tomkins (1760 - 1840) and others to worked upon this project.
  The engravings for the 1796 "Imitations of Original Designs by Leonardo da Vinci" and the 1797 "Engravings from the Original Designs of Annibale, Agostino and Ludovico Carracci, in his Majesty's Collection", were both completed in 1812. At this point John Chamberlaine combined the two sets under the general title of "Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools". Taking eighteen years to complete, the entire series consisted of sixty-six plates, with the exception of a few sets which contained additional plates (not listed in the index), and bearing the publication date of 1795 or 1796. In order to simulate varying drawing methods, the artists used a wide ranging array of printmaking techniques such as stippling, soft ground etching and aquatinting, often employing either separately printed color plates or hand-coloring. As a result, some of the most complex and technically accomplished etchings and engravings of the late eighteenth and early nineteenth centuries are found within this scarce and monumental collection.
Size: 18 X 13 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
  Matted with 100% Archival Materials
Buy Now Price: $1,200.00 US
Condition: Printed upon late 18th century wove paper and with full margins as etched in 1796 for John Chamberlaine's "Engravings from the Original Designs of Annibale, Agostino and Ludovico Carracci, in his Majesty's Collection", and bearing the text; "From the Original Drawing by An. Carracci, "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "Portrait of An. Caracci.", "In His Majesty's Collection" and the publication line, "Publish'd as the Act directs May 13.1796 by I. Chamberlaine Brompton Middx.'." under the image. A strongly printed and in very good condition throughout. "Self-Portrait of Annibale Carracci" represents a superb, original example of the famous etched art of Francesco Bartolozzi.
Subject: Francesco Bartolozzi, Annibale Carracci, Self-Portrait of Annibale Carracci, 'In His Majesty's Collection', original soft ground etching, 16th century Italian painting, Royal Collection at Windsor Castle.
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Original Soft Ground Etching by Francesco Bartolozzi designed by Annibale Carracci.

Self-Portrait of Annibale Carracci Original Soft Ground Etching by Francesco Bartolozzi designed by Annibale Carracci published by John Chamberlaine for Engravings from the Original Designs of Annibale Agostino and Ludovico Carracci in his Majesty's Collection
Self-Portrait of Annibale Carracci, 'In His Majesty's Collection', created for John Chamberlaine's, "Engravings from the Original Designs of Annibale, Agostino and Ludovico Carracci, in his Majesty’s Collection".

View other original engravings & etchings by Francesco Bartolozzi.

Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815)
# Image Title & Artists Medium Date Engraver Designer Notes -
01- Abraham Entertaining Three Angels by Francesco Bartolozzi Abraham Entertaining Three Angels by Francesco Bartolozzi designed by Ludovico Carracci Original Etching 1797 Francesco Bartolozzi Ludovico Carracci John Chamberlaine, London, inscribed; "From the Original Drawing by Lud. Carracci, "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "Abraham entertaining three Angels", "Genesis Chap. 18th V. 1st &c", In His Majesty's Collection" and the publication line, "Publish'd as the Act directs Jan.y 18. 1797 by I. Chamberlaine Brompton Row Middlesex'."  
02.- Country Girl's Head by Francesco Bartolozzi Country Girl's Head by Francesco Bartolozzi designed by Leonardo da Vinci Original Stipple Engraving in Sepia 1806 Francesco Bartolozzi Leonardo da Vinci John Chamberlaine, London, inscribed; "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi Sculpt.", "In His Majesty's Collection", and the publication line, "Published as the Act directs, Octr. 10. 1806, by I. Chamberlaine, Scotland Yard"; and numbered 'Pl. XIV'. Sold
03.- Dante Five Grotesque Heads by Francesco Bartolozzi 'Dante' Five Grotesque Heads by Francesco Bartolozzi designed by Leonardo da Vinci Original Etching 1806 Francesco Bartolozzi Leonardo da Vinci John Chamberlaine, London, inscribed; "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi Sculpt.", "Dante", "In His Majesty's Collection", and the publication line, "Published as the Act directs by I. Chamberlaine, Scotland Yard, Octr. 10, 1806.". Sold
04.- Design for a Cannon Foundry by Francesco Bartolozzi Design for a Cannon Foundry by Francesco Bartolozzi designed by Leonardo da Vinci Original Etching 1796 Francesco Bartolozzi Leonardo da Vinci John Chamberlaine, London, inscribed; "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "In His Majesty's Collection", and the publication line, "Published as the Act directs, May 13. 1796, by I. Chamberlaine". Sold
05.- Florizel and Autolicus by Francesco Bartolozzi and Benjamin Duterrow Florizel & Autolicus, exchange garments (Shakespeare: Winter's Tale, Act, IV, Scene II), by Francesco Bartolozzi and Benjamin Duterrow designed by Henry William Bunbury Original Stipple Engraving and Etching 1794 Francesco Bartolozzi Henry William Bunbury Thomas Macklin, Poets Gallery, Fleet St., London, William Bunbury's 'Shakespeare', inscribed, "Florizel & Autolicus, exchange garments", "Duterrow sculpt.", "F. Bartolozzi R. A. directed.", "H. Bunbury Esq. delt.", and the publication line, "London, Publish'd May 24th, 1794, by Thos'. Macklin, Poets Gallery, Fleet St." Sold
06.- Jacob's Vision by Francesco Bartolozzi Jacob's Vision by Francesco Bartolozzi designed by Ludovico Carracci Original Etching 1797 Francesco Bartolozzi Ludovico Carracci John Chamberlaine, London, inscribed; "From the Original Drawing by Lud. Carracci, "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "Abraham entertaining three Angels", "Genesis Chap. 18th V. 1st &c", In His Majesty's Collection", and the publication line, "Publish'd as the Act directs Jan.y 18. 1797 by I. Chamberlaine Brompton Row Middlesex'."  
07.- Large Head of a Man by Francesco Bartolozzi Large Head of a Man by Francesco Bartolozzi designed by Leonardo da Vinci Original Stipple Engraving 1796 Francesco Bartolozzi Leonardo da Vinci John Chamberlaine, London, inscribed; "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "In His Majesty's Collection", and the publication line, "Published as the Act directs, March 1.1796 by I. Chamberlaine". Sold
08.- Love and Fortune by Francesco Bartolozzi Love and Fortune by Francesco Bartolozzi designed by Giovanni Battista Cipriani Original Hand-Coloured Etching & Stipple Engraving 1800 Francesco Bartolozzi Giovanni Battista Cipriani Inscribed, lower left: "Cipriani Inv.", lower right: "Fr. Bartolozzi Sculp." & titled lower center: "Love & Fortune" within the image as published by Rudolph Ackermann Sold
09.- My Son Attend unto My Wisdom by Francesco Bartolozzi My Son Attend unto My Wisdom by Francesco Bartolozzi designed by Pellegrino Tibaldi Original Etching 1767 Francesco Bartolozzi Pellegrino Tibaldi Inscribed: Lower left: "Pellegrino Tibaldi del.", lower right: "F. Bartolozzi Londini Sculpsit". and titled, in the lower center: "Juvenis auscultans Seni de Divinis Admoneti / My Son Attend unto My Wisdom and Low Thine Ear to My Understanding. Proverbs Ch. V.," Sold
10.- Old Man's Head by Francesco Bartolozzi Old Man's Head by Francesco Bartolozzi designed by Annibale Carracci Original Soft Ground Etching in Sepia 1796 Francesco Bartolozzi Annibale Carracci John Chamberlaine, London, inscribed; "From the Original Drawing by Annibale Carracci, "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "In His Majesty's Collection", and the publication line, "Publish'd as the Act directs by I. Chamberlaine Ap.l 11 1796."  
11.- Prospero Disarming Ferdinand by Francesco Bartolozzi Prospero Disarming Ferdinand (Shakespeare: The Tempest, Act I, Scene II), by Francesco Bartolozzi designed by Henry William Bunbury Original Stipple Engraving and Etching 1793 Francesco Bartolozzi Henry William Bunbury Thomas Macklin, Poets Gallery, Fleet St., London, William Bunbury's 'Shakespeare', inscribed, "Prospero Disarming Ferdinand", "Vide Act 1, Sc. 2, Tempest", "F. Bartolozzi Esqr. Sculpt.", "H. Bunbury Esq. del."& the publication line, "London, Publish'd June 20, 1793, by Thos'. Macklin, Poets Gallery, Fleet St." Sold
12.- Self Portrait of Annibale Carracci by Francesco Bartolozzi Self-Portrait of Annibale Carracci by Francesco Bartolozzi designed by Annibale Carracci Original Soft Ground Etching 1796 Francesco Bartolozzi Annibale Carracci John Chamberlaine, London, inscribed; "From the Original Drawing by An. Carracci, "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "Portrait of An. Caracci.", "In His Majesty's Collection", and the publication line, "Publish'd as the Act directs May 13.1796 by I. Chamberlaine Brompton Middx.'."  
13.- Self Portrait of Leonardo da Vinci by Francesco Bartolozzi Self-Portrait of Leonardo da Vinci by Francesco Bartolozzi designed by Leonardo da Vinci Original Stipple Engraving in Sepia 1795 Francesco Bartolozzi Leonardo da Vinci John Chamberlaine, London, inscribed; "Leonardo - Vinci", "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "In His Majesty's Collection", and and the publication line, "Published as the Act directs, Sept. 1, 1795, by I. Chamberlaine". Sold
14.- Shrimps by Francesco Bartolozzi Shrimps! by Francesco Bartolozzi designed by William Hogarth Original Stipple Engraving 1782 Francesco Bartolozzi William Hogarth Jane Hogarth, Leicester Fields, inscribed, "W. Hogarth Pinx.", "F. Bartolozzi Sculp." & titled, "Shrimps!", "Engrav'd from an Original Scetch in Oil by Hogarth in the Possession of Mrs. Hogarth", and the publisher's details, "Pulish'd March 25th, 1782, by Jane Hogarth & R-d Livesay, Leicester Fields". Sold
15.- Sleeping Baby by Francesco Bartolozzi Sleeping Baby by Francesco Bartolozzi designed by Giovanni Francesco Barbieri (Guercino) Original Etching & Stipple Engraving 1764 Francesco Bartolozzi Giovanni Francesco Barbieri (Guercino) Inscribed, lower left: Guercino Inv.", and with the engraver's name lower right: "F. Bartolozzi Sulpt." Sold
16.- The Fair by Francesco Bartolozzi The Fair by Francesco Bartolozzi designed by Francis Wheatley Original Hand-Coloured Stipple Engraving 1789 Francesco Bartolozzi Francis Wheatley Inscribed, lower left: "F. Wheatley Painter", Lower right: "F. Bartolozzi Engraver", titled lower center: "The Fair", and containing the publisher's address below the title: "Published According to the Act of Parliament 25th Nov. 1789 ..." Sold
17.- The Muscular System by Francesco Bartolozzi The Muscular System by Francesco Bartolozzi designed by Leonardo da Vinci Original Etching 1796 Francesco Bartolozzi Leonardo da Vinci John Chamberlaine, London, inscribed; "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "In His Majesty's Collection", and the publication line, "Published as the Act directs, Apr. 27, 1796, by I. Chamberlaine"". Sold
18.- The Skeletal System by Francesco Bartolozzi The Skeletal System by Francesco Bartolozzi designed by Leonardo da Vinci Original Etching 1795 Francesco Bartolozzi Leonardo da Vinci John Chamberlaine, London, inscribed; "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "In His Majesty's Collection", and the publication line, "Published as the Act directs, August 15th 1795 by I. Chamberlaine". Sold
19.- Twelfth Night by Francesco Bartolozzi Twelfth Night. Act V, Scene I. (The Street. Duke, Viola, Antonio, Officers, Olivia, Priest & Attendants.) by Francesco Bartolozzi designed by William Hamilton Original Stipple and Line Engraving (Open Letter Proof ) 1797 Francesco Bartolozzi William Hamilton John Boydel, London, 'Shakespeare Gallery', inscribed; "Shakspeare. Twelfth Night. Act V, Scene I. The Street. Duke, Viola, Antonio, Officers, Olivia, Priest & Attendants. Publish'd Sept. 29, 1797, by J & J. Boydell, at the Shakspeare Gallery, Pall Mall; & No. 90, Cheapside. Engraved by F. Bartolozzi R. A. Painted by Wm. Hamilton R. A. "  
20.- Young Man's Head by Francesco Bartolozzi Young Man's Head by Francesco Bartolozzi designed by Annibale Carracci Original Stipple Engraving in Sepia 1807 Francesco Bartolozzi Annibale Carracci John Chamberlaine, London, inscribed; "From the Original Drawing by Annibal Carracci, "Eng. by F. Bartolozzi R.A. Historical Engraver to his Majesty", and the publication line, "Publish'd as the Act directs April. 15. 1807 by J. Chamberlaine Scotland Yard"; and numbered 'Pl. IX'.  

View other original engravings published by John Chamberlaine.

British Publisher: John Chamberlaine
# Image Title & Artist Engraver Info Medium Date -
01.- Annibale Carracci's Head of a Man by George Sigmund Facius Annibale Carracci's (Head of a Man) by Georg Sigmund Facius Georg Sigmund Facius (Ratisbon, c. 1750 - London, 1814) Original Soft Ground Etching & Stipple Engraving 1807  
02.- Old Man's Head by Francesco Bartolozzi Annibale Carracci's (Old Man's Head) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Soft Ground Etching in Sepia 1796  
03.- King David by P. W. Tomkins after Annibale Carracci Annibale Carracci's (King David) by Peltro William Tomkins Peltro William Tomkins (London, 1760 - 1840) Original Etching and Aquatint 1807  
04.- Self Portrait of Annibale Carracci by Francesco Bartolozzi Annibale Carracci's (Self-Portrait) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Soft Ground Etching 1796  
05.- Young Man's Head by Francesco Bartolozzi Annibale Carracci's (Young Man's Head) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Stipple Engraving in Sepia 1807  
06.- Annibale Carracci's Virgin and Child and St. Anne by Luigi Schiavonetti Annibale Carracci's (Virgin and Child and St. Anne) by Luigi Schiavonetti Luigi Schiavonetti (Bassano, Italy, 1765 - London, 1810) Original Color Aquatint Engraving & Etching 1807  
07.- Annibale Carracci's Virgin and Dead Christ by Luigi Schiavonetti Annibale Carracci's (Virgin and Dead Christ) by Luigi Schiavonetti Luigi Schiavonetti (Bassano, Italy, 1765 - London, 1810) Original Aquatint Engraving & Etching 1807  
08.- Arches by F. C. Lewis after Canaletto Canaletto's 'Canaletti' (Arches) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Aquatint and Etching 1811  
09.- Canaletto's Ruins of a Temple and Arches by George Hawkins Canaletto's 'Canaletti' (Ruins of a Temple and Arches) by George Hawkins George Hawkins (London, active, 1800 -1825) Original Aquatint and Etching 1811  
10.- Canaletto's Sea View with Buildings by George Hawkins Canaletto's 'Canaletti' (Sea View with Buildings) by George Hawkins George Hawkins (London, active, 1800 -1825) Original Aquatint and Etching 1811  
11.- Forest Scene by P. W. Tomkins after Claude Lorrain Claude Lorrain's (Forest Scene) by Peltro William Tomkins Peltro William Tomkins (London, 1760 - 1840) Original Etching and Aquatint 1807  
12.- Grand Study of Trees by F. C. Lewis after Claude Lorrain Claude Lorrain's (Grand Study of Trees) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Etching and Aquatint 1807  
13.- Landscape with a River View by P. W. Tomkins after Claude Lorrain Claude Lorrain's (Landscape with a River View) by Peltro William Tomkins Peltro William Tomkins (London, 1760 - 1840) Original Etching and Aquatint 1807  
14.- Pharaoh by F. C. Lewis after Claude Lorrain Claude Lorrain's 'Pharaoh' (Moses and the Israelites) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Etching & Aquatint with Hand Coloring 1809  
15.- Polyphemus by the brothers F. C. Lewis and G. R. Lewis after Claude Lorrain Claude Lorrain's 'Polyphemus' (A One-Eyed Giant 'A Cyclops by the brothers, George Robert Lewis and Frederick Christian Lewis George Robert Lewis (London, 1782 - 1871) and Lewis, Frederick Christian (London, 1779 - Enfield, Middlesex,1856) Original Etching & Aquatint 1807  
16.- Temple of Apollo by F. C. Lewis after Claude Lorrain Claude Lorrain's (Temple of Apollo) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Etching with Hand Coloring 1809 Sold
17.- The Landing of Aeneas The hero of Virgil's Aeneid by F. C. Lewis and G. R. Lewis after Claude Lorrain Claude Lorrain's (The Landing of Aeneas) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856), and George Robert Lewis, (London, 1782 - 1871) Original Etching and Aquatint 1807  
18.- A Lawyer Original Stipple Engraving by Robert Shipster designed by Leonardo da Vinci Leonardo da Vinci's (A Lawyer) by Robert Shipster Robert Shipster 'Robert Shepster' (British, 1775 - 1823) Original Stipple Engraving 1806 Sold
19.- An Allegorical Composition by P. W. Tomkins after Leonardo da Vinci Leonardo da Vinci's (An Allegorical Composition) by Peltro William Tomkins Peltro William Tomkins (London, 1760 - 1840) Original Stipple Engraving in Sepia 1811 Sold
20.- Country Girl's Head by Francesco Bartolozzi Leonardo da Vinci's (Country Girl's Head) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Stipple Engraving in Sepia 1806 Sold
21.- Dante Five Grotesque Heads by Francesco Bartolozzi Leonardo da Vinci's ('Dante' Five Grotesque Heads) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Etching 1806 Sold
22.- Design for a Cannon Foundry by Francesco Bartolozzi Leonardo da Vinci's (Design for a Cannon Foundry by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Etching 1796 Sold
23.- Four Profiles Grotesque Heads by Benedetto Pastorini designed by Leonardo da Vinci Leonardo da Vinci's (Four Profiles) by Benedetto Pastorini Benedetto Pastorini (Italy, c. 1746 - 1838) Original Stipple Engraving 1806  
24.- Large Head of a Man by Francesco Bartolozzi Leonardo da Vinci's (Large Head of a Man) Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Stipple Engraving 1796 Sold
25.- Self Portrait of Leonardo da Vinci by Francesco Bartolozzi Leonardo da Vinci's (Self Portrait of Leonardo) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Stipple Engraving in Sepia 1795 Sold
26.- Study of an Old Woman Grotesque Head by Benedetto Pastorini designed by Leonardo da Vinci Leonardo da Vinci's (Study of an Old Woman) by Benedetto Pastorini Benedetto Pastorini (Italy, c. 1746 - 1838) Original Stipple Engraving 1806  
27.- The Muscular System by Francesco Bartolozzi Leonardo da Vinci's (The Muscular System) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Etching 1796 Sold
28.- The Skeletal System by Francesco Bartolozzi Leonardo da Vinci's (The Skeletal System) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Etching 1795 Sold
29.- Woman's Head by P. W. Tomkins after Leonardo da Vinci Leonardo da Vinci's (Woman's Head) by Peltro William Tomkins Peltro William Tomkins (London, 1760 - 1840) Original Stipple Engraving 1803 Sold
30.- Abraham Entertaining Three Angels by Francesco Bartolozzi Ludovico Carracci's (Abraham Entertaining Three Angels) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Etching 1797  
31.- Apotheosis of St. Francis by P. W. Tomkins after Ludovico Carracci Ludovico Carracci's (Apotheosis of St. Francis by Peltro William Tomkins) Peltro William Tomkins (London, 1760 - 1840) Original Aquatint Engraving in Sepia 1806 Sold
32.- Jacob's Vision by Francesco Bartolozzi Ludovico Carracci's (Jacob's Vision) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Etching 1797  
33.- Virgin and Child and St. John by F. C. Lewis after Michelangelo Michelangelo's (Virgin and Child and St. John) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Soft Ground Etching 1811 Sold
34.- Bacchanalia A Dance before a Herm of Pan or Priapus by F. C. Lewis after Nocolas Poussin Nicolas Poussin's (Bacchanalia, 'A Dance before a Herm of Pan, or Priapus') by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Aquatint Engraving c. 1809  
35.- Treading the Wine Bags by F. C. Lewis after Nicolas Poussin Nicolas Poussin's (Treading the Wine Bags) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Aquatint Engraving 1809  
36.- Holy Family the Virgin with the Christ child St. Elizabeth and the infant St. John the Baptist by F. C. Lewis after Raffaelo Raphael's (Holy Family, the Virgin with the Christ child, St. Elizabeth, & the infant St. John the Baptist) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Soft Ground Etching 1809  
37.- Leda and the Swan by F. C. Lewis after Raphael Raphael's (Leda and the Swan) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Etching 1809 Sold
38.- Sibyl by F. C. Lewis after Raphael Raphael's (Sibyl) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Soft Ground Etching 1809 Sold

Selected Directories in our Gallery (Art of The Print / www.artoftheprint.com), with a focus on the area of interest for this original work of art.
Art of the Print / www.artoftheprint.com sells international fine art. Our collection consists of original paintings, watercolors, drawings, and original prints, such as etchings, engravings, lithographs, woodcuts, silk-screens, aquatints, mezzotints, linocuts, monoprints, and other mediums of original art. All of these works of art have been created by prominent and established painters, illustrators, watercolour artists and printmakers from around the world. The art in our gallery ranges from the early Renaissance period to the modern and contemporary art period. You can view other original artworks similar to the subject under discussion on this page listed in the following art directories.
Century:
Old Master Artist Index The 'Old Master' artist directory contains a selection of original works of art created by international painters, illustrators and graphic artists. These original works date from the Renaissance period to the end of the 1700's.
Fine 19th Century Artist Index The 'Fine 19th Century Art' directory contains a selection original works of art created by international painters, illustrators and graphic artists. These original works date from 1800 to 1899.
Country:
British Artists Index The 'British Art' directory contains a listing of original works of art created by artists from England, Ireland, Scotland and Wales, and or art with a British theme. The artworks date from the 17th century to the 20th century.
Italian Artist Index The 'Italian Art' directory contains a listing of original works of art created by artists from Italy and or art with an Italian theme. The artworks date from the 15th century to the 20th century.
Subject:
Authors & Artists Portrayed in Art Index The 'Authors & Artists Portrayed in Art' directory contains a listing of original works of art by international artists with a focus on artworks depicting studies and portraits of novelists, poets, biographers, historians, dramatists, painters & graphic artists and depictions with an artistic or literary theme.
Portraits & Figure Studies Index The 'Portrait Studies' directory contains a listing of original works of art concentrating upon the theme of portraits, self-portraits and studies. Created by International artists throughout the centuries, these fine examples of portraiture have left a permanent and vivid record of their sitters.

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