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Francesco Bartolozzi & Leonardo da Vinci

Francesco Bartolozzi and Leonardo da Vinci - The Skeletal System In His Majesty's Collection

The Skeletal System, 'In His Majesty's Collection'

Francesco Bartolozzi's original etching, The Skeletal System, 'In His Majesty's Collection' is based upon a drawing by Leonardo da Vinci housed in the Royal Collection. This is printed upon late 18th century wove paper and with full margins as etched by Francesco Bartolozzi in 1795 for John Chamberlaine's, "Imitations of Original Designs by Leonardo da Vinci". It and bears the text; "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "In His Majesty's Collection" and the publication line, "Published as the Act directs, August 15th 1795 by I. Chamberlaine" under the image. "Both artist and scientist, Leonardo da Vinci was the true 'Renaissance' man. The Skeletal System represents one of many anatomical studies by this great artist. A selection of the notations Leonardo wrote to accompany his drawing are translated below.

1. Which are the parts of man, where the flesh never increases by any fatness, and which are those places where that flesh accumulates more than in any other place.
2. You will make the first demonstration of the ribs by two figurations without the shoulder blade, and then two others, with the shoulder blade.
3. First draw the front of the shoulder blade, without the pole ‘m’ of the arm, and then make the arm.
4. Make a design of such ribs, in which is shown the inside of the thorax or chest, and also a design without the chest, and show the spine of the back within...
 
Title: The Skeletal System, 'In His Majesty's Collection'
Engraver: Bartolozzi, Francesco (Florence, Italy, 1727 - Lisbon, Portugal, 1815)
Designer: Da Vinci, Leonardo (Vinci 'Tuscany', 1452 - Cloux (Amboise), 1519)
Date: 1795
Medium: Original Etching
Publisher: John Chamberlaine, London
Note: Francesco Bartolozzi: Born in Florence, Italy in 1727, Francesco Bartolozzi is undoubtedly England’s most famous stipple engraver of the late eighteenth century. He studied under the Florentine artists, Ignazio Hugford (1703 – 1775) and Giovanni Domenico Ferretti (1692 – 1778). In 1748 Bartolozzi went to Venice and worked for the engraver and print dealer Joseph Wagner (1706 – 1786) where he began his career engraving plates after the Italian masters. Then in 1764 Francesco Bartolozzi was invited by the King of England, King George III (1738 – 1820) to come to London to engrave the drawings of Guercino ‘Giovanni Francesco Barbieri’ (1591 – 1666), Pellegrino Tibaldi (1527 – 1596) and other Italian artists in the Royal Collection at Windsor Castle. Shortly after, he was appointed ‘Engraver to the King’. In 1768, Bartolozzi received the honour of being the first engraver to gain full membership into the prestigious Royal Academy. In 1802, and after nearly forty years in London, Bartolozzi was offered the prominent position as the director of the National Academy in Lisbon. He remained in Lisbon until his death in 1815.
  A new printmaking technique had recently come to the fore in England at this time and, although Francesco Bartolozzi made no claim to its invention, his name is forever linked with the 'stipple'; engraving. Briefly, a stipple engraving is created by using masses of flicks or dots rather than solid lines, making it a more tonal composition. More than any other artist, Francesco Bartolozzi mastered this subtle medium.
  Francesco Bartolozzi quickly recognized that this very demanding method of original printmaking was best suited for decorative works and portraits as well as scenes displaying flesh tones. He thus set up his famous London workshop which published renderings of either sentimental or mythological subjects, with such well known painters as Francis Wheatley (1747 - 1801), Angelica Kauffmann (1741 - 1807), Giovanni Battista Cipriani (1727 - 1785) and Lady Diana Beauclerk (1734 - 1808) specifically creating designs for him to engrave. Bartolozzi's success with the stipple was enormous. He was one of the first engravers granted a full membership to the Royal Academy, and in the last decades of the eighteenth century, a large following of English and transplanted Italian students sat in his studio to learn his techniques. His students included such fine artists as Luigi Schiavonetti (1765 - 1810), Peltro William Tomkins (1760 - 1840), and Benedetto Pastorini (1741 – 1839).(Some of his students later engraved the popular Cries of London series.) Stippling, however, was destined to live a very short life. It was extremely laborious and time consuming and soon gave way to the more convenient and mass-produced forms of printmaking in the nineteenth century.
  Besides stipples, Francesco Bartolozzi was also a master of etching in both hard and soft grounds. "The Skeletal System, 'In His Majesty's Collection'" was etched by Francesco Bartolozzi in 1795 for John Chamberlaine's, "Imitations of Original Designs by Leonardo da Vinci", and bears the text; "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "In His Majesty's Collection" and the publication line, "Published as the Act directs, August 15th 1795 by I. Chamberlaine" under the image.
  Leonardo da Vinci: Leonardo da Vinci was an artist, an engineer and a scientist. In 1472, Leonardo da Vinci enrolled as a painter in the fraternity of St. Luke in Florence. There he served his apprenticeship with Verrocchio. He moved to Milan around 1481 and remained there until 1499, working mostly at the court of Duke Ludovico Sforza.
  Leonardo da Vinci's completed paintings are relatively few. His numerous drawings, however, display aspects and ideas of one of the world's most astute and inventive minds. His legacy to the arts is immense for it was Leonardo who established the concept of the artist as a creative thinker and not merely a craftsman.
  John Chamberlaine (British, c. 1745 - 1812): In February, 1791, John Chamberlaine (London, 1745 - 1812) was appointed Keeper of Drawings and Medals to the King. As curator to his Majesty's Collection, Chamberlaine's greatest achievement was to publish engravings and etchings based upon these famous old master acquisitions. Between March, 1792 and February, 1800, John Chamberlaine published eighty-four stipple engravings based upon Holbein's portrait drawings. All but four of these engravings were created by Francesco Bartolozzi, who held the title of, 'Historical Engraver to his Majesty'.
  In 1796, John Chamberlaine initiated another important set of engravings based upon drawings in the Royal Collection, entitled, "Imitations of Original Designs by Leonardo da Vinci". The engravers for this series were Francesco Bartolozzi and his followers. The following year, John Chamberlaine began his final set under the title of, "Engravings from the Original Designs of Annibale, Agostino and Ludovico Carracci, in his Majesty's Collection". In the following years this last set was expanded to include engravings based upon the designs of other old masters, such as, Raphael 'Raffaello Santi', Michelangelo di Lodovico Buonaroti, Claude Lorrain, Nicolas Poussin, Leonardo da Vinci, Giovanni Antonio Canal 'Canaletto' and other major artist. For this opus, John Chamberlaine commissioned such leading engravers as Francesco Bartolozzi (1727 - 1815), Luigi Schiavonetti (1765 - 1810), Frederick Christian Lewis (1779 - 1856), Peltro William Tomkins (1760 - 1840) and others to worked upon this project.
  The engravings for the 1796 "Imitations of Original Designs by Leonardo da Vinci and the 1797 Engravings from the Original Designs of Annibale, Agostino and Ludovico Carracci, in his Majesty's Collection", were both completed in 1812. At this point John Chamberlaine combined the two sets under the general title of "Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools". Taking eighteen years to complete, the entire series consisted of sixty-six plates, with the exception of a few sets which contained additional plates (not listed in the index), and bearing the publication date of 1795 or 1796. In order to simulate varying drawing methods, the artists used a wide ranging array of printmaking techniques such as stippling, soft ground etching and aquatinting, often employing either separately printed color plates or hand-coloring. As a result, some of the most complex and technically accomplished etchings and engravings of the late eighteenth and early nineteenth centuries are found within this scarce and monumental collection.
 

A more complete listing of Leonardo da Vinci's notations written on his drawing are translated below.

1. Which are the parts of man, where the flesh never increases by any fatness, and which are those places where that flesh accumulates more than in any other place.
2. You will make the first demonstration of the ribs by two figurations without the shoulder blade, and then two others, with the shoulder blade.
3. First draw the front of the shoulder blade, without the pole ‘m’ of the arm, and then make the arm.
4. Make a design of such ribs, in which is shown the inside of the thorax or chest, and also a design without the chest, and show the spine of the back within.
5. Cause the two shoulder blades to be so situated, as to be viewed above, beneath, in front, behind, and before.
6. From the first rib, ‘A’, to the fourth beneath marked, 'D', is equal to the blade of the shoulder, likewise to the palm of the hand; and from the bottom of the head of the humerus to the lower point of the scapula, and each of these proportions are the length of the face.
7. Before you place the bone of the arm 'm', display the front of the shoulder, which receives it, together with the concavity of the shoulder blade, do the same thing in every joint, --- the five processes of the vertebrae of the neck.
8. The spatula receives the bone of the arm in two sides, and in the third side near the bone of the furcella of the breast.
9. First make the drawing of the shoulder without the bone marked, 'A', and afterwards add it. Note how the muscles tie the ribs together.
10. Show the inside of the humerus, how it front is cased within the cup of the spatula, and of the part marked 'A', where the muscles join with the ribs.
11. You will make a second design of the bone, and show how the muscles are attached to that bone.
12. The forcula only moves the head from the extremity of the collar bones, with great action below, upwards and downwards.
13. You will draw the ribs with their spaces pierced, where the shoulder blade ends, which is placed upon them.
Size: 13 1/4 X 9 1/4 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
  Matted with 100% Archival Materials
Condition: Printed upon late 18th century wove paper and with full margins as etched by Francesco Bartolozzi in 1795 for John Chamberlaine's, "Imitations of Original Designs by Leonardo da Vinci", and bears the text; "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "In His Majesty's Collection" and the publication line, "Published as the Act directs, August 15th 1795 by I. Chamberlaine" under the image. Containing some foxing (particularly in the outer margins) else a finely printed and in good condition throughout. "The Skeletal System, 'In His Majesty's Collection'" represents a superb, original example of the famous etched art of Francesco Bartolozzi and of the Renaissance artistry of Leonardo da Vinci.
Subject: Francesco Bartolozzi, Leonardo da Vinci, The Skeletal System, 'In His Majesty's Collection', original etching, Renaissance medicine, anatomical drawings, old masters, John Chamberlaine.
Price: Sold - The price is no longer available.
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The artist biographies, research and or information pertaining to all the original works of art posted on our pages has been written and designed by Greg & Connie Peters exclusively for our site, (www.artoftheprint.com). Please visit us regularly to view the latest artworks offered for sale. We will soon be posting an update of our most recent research and include the biographical and historical information pertaining to our next collection of original works of art created by artists throughout the centuries. We hope you found the information you were looking for and that it has been beneficial.

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Important Information:

The artist biographies, research and or information pertaining to all the original works of art posted on our pages has been written and designed by Greg & Connie Peters exclusively for our site, (www.artoftheprint.com). Please visit us regularly to view the latest artworks offered for sale. We will soon be posting an update of our most recent research and include the biographical and historical information pertaining to our next collection of original works of art created by artists throughout the centuries. We hope you found the information you were looking for and that it has been beneficial.

Our Gallery, (Art of the Print / www.artoftheprint.com) guarantees the authenticity of every work of art we sell 100%. Full documentation and certification is provided. We offer a wide selection of international fine art dating from the early Renaissance to the contemporary art period.

Original etching by Francesco Bartolozzi designed by Leonardo da Vinci.

The The Skeletal System In His Majesty's Collection Original etching by Francesco Bartolozzi designed by Leonardo da Vinci published by John Chamberlaine for Imitations of Original Designs by Leonardo da Vinci
The Skeletal System, 'In His Majesty's Collection', created for John Chamberlaine's, "Imitations of Original Designs by Leonardo da Vinci".

View other original engravings & etchings by Francesco Bartolozzi.

Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815)
# Image Title & Artists Medium Date Engraver Designer Notes -
01- Abraham Entertaining Three Angels by Francesco Bartolozzi Abraham Entertaining Three Angels by Francesco Bartolozzi designed by Ludovico Carracci Original Etching 1797 Francesco Bartolozzi Ludovico Carracci John Chamberlaine, London, inscribed; "From the Original Drawing by Lud. Carracci, "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "Abraham entertaining three Angels", "Genesis Chap. 18th V. 1st &c", In His Majesty's Collection" and the publication line, "Publish'd as the Act directs Jan.y 18. 1797 by I. Chamberlaine Brompton Row Middlesex'."  
02.- Country Girl's Head by Francesco Bartolozzi Country Girl's Head by Francesco Bartolozzi designed by Leonardo da Vinci Original Stipple Engraving in Sepia 1806 Francesco Bartolozzi Leonardo da Vinci John Chamberlaine, London, inscribed; "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi Sculpt.", "In His Majesty's Collection", and the publication line, "Published as the Act directs, Octr. 10. 1806, by I. Chamberlaine, Scotland Yard"; and numbered 'Pl. XIV'. Sold
03.- Dante Five Grotesque Heads by Francesco Bartolozzi 'Dante' Five Grotesque Heads by Francesco Bartolozzi designed by Leonardo da Vinci Original Etching 1806 Francesco Bartolozzi Leonardo da Vinci John Chamberlaine, London, inscribed; "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi Sculpt.", "Dante", "In His Majesty's Collection", and the publication line, "Published as the Act directs by I. Chamberlaine, Scotland Yard, Octr. 10, 1806.". Sold
04.- Design for a Cannon Foundry by Francesco Bartolozzi Design for a Cannon Foundry by Francesco Bartolozzi designed by Leonardo da Vinci Original Etching 1796 Francesco Bartolozzi Leonardo da Vinci John Chamberlaine, London, inscribed; "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "In His Majesty's Collection", and the publication line, "Published as the Act directs, May 13. 1796, by I. Chamberlaine". Sold
05.- Florizel and Autolicus by Francesco Bartolozzi and Benjamin Duterrow Florizel & Autolicus, exchange garments (Shakespeare: Winter's Tale, Act, IV, Scene II), by Francesco Bartolozzi and Benjamin Duterrow designed by Henry William Bunbury Original Stipple Engraving and Etching 1794 Francesco Bartolozzi Henry William Bunbury Thomas Macklin, Poets Gallery, Fleet St., London, William Bunbury's 'Shakespeare', inscribed, "Florizel & Autolicus, exchange garments", "Duterrow sculpt.", "F. Bartolozzi R. A. directed.", "H. Bunbury Esq. delt.", and the publication line, "London, Publish'd May 24th, 1794, by Thos'. Macklin, Poets Gallery, Fleet St." Sold
06.- Jacob's Vision by Francesco Bartolozzi Jacob's Vision by Francesco Bartolozzi designed by Ludovico Carracci Original Etching 1797 Francesco Bartolozzi Ludovico Carracci John Chamberlaine, London, inscribed; "From the Original Drawing by Lud. Carracci, "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "Abraham entertaining three Angels", "Genesis Chap. 18th V. 1st &c", In His Majesty's Collection", and the publication line, "Publish'd as the Act directs Jan.y 18. 1797 by I. Chamberlaine Brompton Row Middlesex'."  
07.- Large Head of a Man by Francesco Bartolozzi Large Head of a Man by Francesco Bartolozzi designed by Leonardo da Vinci Original Stipple Engraving 1796 Francesco Bartolozzi Leonardo da Vinci John Chamberlaine, London, inscribed; "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "In His Majesty's Collection", and the publication line, "Published as the Act directs, March 1.1796 by I. Chamberlaine". Sold
08.- Love and Fortune by Francesco Bartolozzi Love and Fortune by Francesco Bartolozzi designed by Giovanni Battista Cipriani Original Hand-Coloured Etching & Stipple Engraving 1800 Francesco Bartolozzi Giovanni Battista Cipriani Inscribed, lower left: "Cipriani Inv.", lower right: "Fr. Bartolozzi Sculp." & titled lower center: "Love & Fortune" within the image as published by Rudolph Ackermann Sold
09.- My Son Attend unto My Wisdom by Francesco Bartolozzi My Son Attend unto My Wisdom by Francesco Bartolozzi designed by Pellegrino Tibaldi Original Etching 1767 Francesco Bartolozzi Pellegrino Tibaldi Inscribed: Lower left: "Pellegrino Tibaldi del.", lower right: "F. Bartolozzi Londini Sculpsit". and titled, in the lower center: "Juvenis auscultans Seni de Divinis Admoneti / My Son Attend unto My Wisdom and Low Thine Ear to My Understanding. Proverbs Ch. V.," Sold
10.- Old Man's Head by Francesco Bartolozzi Old Man's Head by Francesco Bartolozzi designed by Annibale Carracci Original Soft Ground Etching in Sepia 1796 Francesco Bartolozzi Annibale Carracci John Chamberlaine, London, inscribed; "From the Original Drawing by Annibale Carracci, "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "In His Majesty's Collection", and the publication line, "Publish'd as the Act directs by I. Chamberlaine Ap.l 11 1796."  
11.- Prospero Disarming Ferdinand by Francesco Bartolozzi Prospero Disarming Ferdinand (Shakespeare: The Tempest, Act I, Scene II), by Francesco Bartolozzi designed by Henry William Bunbury Original Stipple Engraving and Etching 1793 Francesco Bartolozzi Henry William Bunbury Thomas Macklin, Poets Gallery, Fleet St., London, William Bunbury's 'Shakespeare', inscribed, "Prospero Disarming Ferdinand", "Vide Act 1, Sc. 2, Tempest", "F. Bartolozzi Esqr. Sculpt.", "H. Bunbury Esq. del."& the publication line, "London, Publish'd June 20, 1793, by Thos'. Macklin, Poets Gallery, Fleet St." Sold
12.- Self Portrait of Annibale Carracci by Francesco Bartolozzi Self-Portrait of Annibale Carracci by Francesco Bartolozzi designed by Annibale Carracci Original Soft Ground Etching 1796 Francesco Bartolozzi Annibale Carracci John Chamberlaine, London, inscribed; "From the Original Drawing by An. Carracci, "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "Portrait of An. Caracci.", "In His Majesty's Collection", and the publication line, "Publish'd as the Act directs May 13.1796 by I. Chamberlaine Brompton Middx.'."  
13.- Self Portrait of Leonardo da Vinci by Francesco Bartolozzi Self-Portrait of Leonardo da Vinci by Francesco Bartolozzi designed by Leonardo da Vinci Original Stipple Engraving in Sepia 1795 Francesco Bartolozzi Leonardo da Vinci John Chamberlaine, London, inscribed; "Leonardo - Vinci", "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "In His Majesty's Collection", and and the publication line, "Published as the Act directs, Sept. 1, 1795, by I. Chamberlaine". Sold
14.- Shrimps by Francesco Bartolozzi Shrimps! by Francesco Bartolozzi designed by William Hogarth Original Stipple Engraving 1782 Francesco Bartolozzi William Hogarth Jane Hogarth, Leicester Fields, inscribed, "W. Hogarth Pinx.", "F. Bartolozzi Sculp." & titled, "Shrimps!", "Engrav'd from an Original Scetch in Oil by Hogarth in the Possession of Mrs. Hogarth", and the publisher's details, "Pulish'd March 25th, 1782, by Jane Hogarth & R-d Livesay, Leicester Fields". Sold
15.- Sleeping Baby by Francesco Bartolozzi Sleeping Baby by Francesco Bartolozzi designed by Giovanni Francesco Barbieri (Guercino) Original Etching & Stipple Engraving 1764 Francesco Bartolozzi Giovanni Francesco Barbieri (Guercino) Inscribed, lower left: Guercino Inv.", and with the engraver's name lower right: "F. Bartolozzi Sulpt." Sold
16.- The Fair by Francesco Bartolozzi The Fair by Francesco Bartolozzi designed by Francis Wheatley Original Hand-Coloured Stipple Engraving 1789 Francesco Bartolozzi Francis Wheatley Inscribed, lower left: "F. Wheatley Painter", Lower right: "F. Bartolozzi Engraver", titled lower center: "The Fair", and containing the publisher's address below the title: "Published According to the Act of Parliament 25th Nov. 1789 ..." Sold
17.- The Muscular System by Francesco Bartolozzi The Muscular System by Francesco Bartolozzi designed by Leonardo da Vinci Original Etching 1796 Francesco Bartolozzi Leonardo da Vinci John Chamberlaine, London, inscribed; "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "In His Majesty's Collection", and the publication line, "Published as the Act directs, Apr. 27, 1796, by I. Chamberlaine"". Sold
18.- The Skeletal System by Francesco Bartolozzi The Skeletal System by Francesco Bartolozzi designed by Leonardo da Vinci Original Etching 1795 Francesco Bartolozzi Leonardo da Vinci John Chamberlaine, London, inscribed; "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "In His Majesty's Collection", and the publication line, "Published as the Act directs, August 15th 1795 by I. Chamberlaine". Sold
19.- Twelfth Night by Francesco Bartolozzi Twelfth Night. Act V, Scene I. (The Street. Duke, Viola, Antonio, Officers, Olivia, Priest & Attendants.) by Francesco Bartolozzi designed by William Hamilton Original Stipple and Line Engraving (Open Letter Proof ) 1797 Francesco Bartolozzi William Hamilton John Boydel, London, 'Shakespeare Gallery', inscribed; "Shakspeare. Twelfth Night. Act V, Scene I. The Street. Duke, Viola, Antonio, Officers, Olivia, Priest & Attendants. Publish'd Sept. 29, 1797, by J & J. Boydell, at the Shakspeare Gallery, Pall Mall; & No. 90, Cheapside. Engraved by F. Bartolozzi R. A. Painted by Wm. Hamilton R. A. "  
20.- Young Man's Head by Francesco Bartolozzi Young Man's Head by Francesco Bartolozzi designed by Annibale Carracci Original Stipple Engraving in Sepia 1807 Francesco Bartolozzi Annibale Carracci John Chamberlaine, London, inscribed; "From the Original Drawing by Annibal Carracci, "Eng. by F. Bartolozzi R.A. Historical Engraver to his Majesty", and the publication line, "Publish'd as the Act directs April. 15. 1807 by J. Chamberlaine Scotland Yard"; and numbered 'Pl. IX'.  

View other original engravings published by John Chamberlaine.

British Publisher: John Chamberlaine
# Image Title & Artist Engraver Info Medium Date -
01.- Annibale Carracci's Head of a Man by George Sigmund Facius Annibale Carracci's (Head of a Man) by Georg Sigmund Facius Georg Sigmund Facius (Ratisbon, c. 1750 - London, 1814) Original Soft Ground Etching & Stipple Engraving 1807  
02.- Old Man's Head by Francesco Bartolozzi Annibale Carracci's (Old Man's Head) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Soft Ground Etching in Sepia 1796  
03.- King David by P. W. Tomkins after Annibale Carracci Annibale Carracci's (King David) by Peltro William Tomkins Peltro William Tomkins (London, 1760 - 1840) Original Etching and Aquatint 1807  
04.- Self Portrait of Annibale Carracci by Francesco Bartolozzi Annibale Carracci's (Self-Portrait) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Soft Ground Etching 1796  
05.- Young Man's Head by Francesco Bartolozzi Annibale Carracci's (Young Man's Head) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Stipple Engraving in Sepia 1807  
06.- Annibale Carracci's Virgin and Child and St. Anne by Luigi Schiavonetti Annibale Carracci's (Virgin and Child and St. Anne) by Luigi Schiavonetti Luigi Schiavonetti (Bassano, Italy, 1765 - London, 1810) Original Color Aquatint Engraving & Etching 1807  
07.- Annibale Carracci's Virgin and Dead Christ by Luigi Schiavonetti Annibale Carracci's (Virgin and Dead Christ) by Luigi Schiavonetti Luigi Schiavonetti (Bassano, Italy, 1765 - London, 1810) Original Aquatint Engraving & Etching 1807  
08.- Arches by F. C. Lewis after Canaletto Canaletto's 'Canaletti' (Arches) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Aquatint and Etching 1811  
09.- Canaletto's Ruins of a Temple and Arches by George Hawkins Canaletto's 'Canaletti' (Ruins of a Temple and Arches) by George Hawkins George Hawkins (London, active, 1800 -1825) Original Aquatint and Etching 1811  
10.- Canaletto's Sea View with Buildings by George Hawkins Canaletto's 'Canaletti' (Sea View with Buildings) by George Hawkins George Hawkins (London, active, 1800 -1825) Original Aquatint and Etching 1811  
11.- Forest Scene by P. W. Tomkins after Claude Lorrain Claude Lorrain's (Forest Scene) by Peltro William Tomkins Peltro William Tomkins (London, 1760 - 1840) Original Etching and Aquatint 1807  
12.- Grand Study of Trees by F. C. Lewis after Claude Lorrain Claude Lorrain's (Grand Study of Trees) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Etching and Aquatint 1807  
13.- Landscape with a River View by P. W. Tomkins after Claude Lorrain Claude Lorrain's (Landscape with a River View) by Peltro William Tomkins Peltro William Tomkins (London, 1760 - 1840) Original Etching and Aquatint 1807  
14.- Pharaoh by F. C. Lewis after Claude Lorrain Claude Lorrain's 'Pharaoh' (Moses and the Israelites) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Etching & Aquatint with Hand Coloring 1809  
15.- Polyphemus by the brothers F. C. Lewis and G. R. Lewis after Claude Lorrain Claude Lorrain's 'Polyphemus' (A One-Eyed Giant 'A Cyclops by the brothers, George Robert Lewis and Frederick Christian Lewis George Robert Lewis (London, 1782 - 1871) and Lewis, Frederick Christian (London, 1779 - Enfield, Middlesex,1856) Original Etching & Aquatint 1807  
16.- Temple of Apollo by F. C. Lewis after Claude Lorrain Claude Lorrain's (Temple of Apollo) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Etching with Hand Coloring 1809 Sold
17.- The Landing of Aeneas The hero of Virgil's Aeneid by F. C. Lewis and G. R. Lewis after Claude Lorrain Claude Lorrain's (The Landing of Aeneas) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856), and George Robert Lewis, (London, 1782 - 1871) Original Etching and Aquatint 1807  
18.- A Lawyer Original Stipple Engraving by Robert Shipster designed by Leonardo da Vinci Leonardo da Vinci's (A Lawyer) by Robert Shipster Robert Shipster 'Robert Shepster' (British, 1775 - 1823) Original Stipple Engraving 1806 Sold
19.- An Allegorical Composition by P. W. Tomkins after Leonardo da Vinci Leonardo da Vinci's (An Allegorical Composition) by Peltro William Tomkins Peltro William Tomkins (London, 1760 - 1840) Original Stipple Engraving in Sepia 1811 Sold
20.- Country Girl's Head by Francesco Bartolozzi Leonardo da Vinci's (Country Girl's Head) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Stipple Engraving in Sepia 1806 Sold
21.- Dante Five Grotesque Heads by Francesco Bartolozzi Leonardo da Vinci's ('Dante' Five Grotesque Heads) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Etching 1806 Sold
22.- Design for a Cannon Foundry by Francesco Bartolozzi Leonardo da Vinci's (Design for a Cannon Foundry by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Etching 1796 Sold
23.- Four Profiles Grotesque Heads by Benedetto Pastorini designed by Leonardo da Vinci Leonardo da Vinci's (Four Profiles) by Benedetto Pastorini Benedetto Pastorini (Italy, c. 1746 - 1838) Original Stipple Engraving 1806  
24.- Large Head of a Man by Francesco Bartolozzi Leonardo da Vinci's (Large Head of a Man) Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Stipple Engraving 1796 Sold
25.- Self Portrait of Leonardo da Vinci by Francesco Bartolozzi Leonardo da Vinci's (Self Portrait of Leonardo) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Stipple Engraving in Sepia 1795 Sold
26.- Study of an Old Woman Grotesque Head by Benedetto Pastorini designed by Leonardo da Vinci Leonardo da Vinci's (Study of an Old Woman) by Benedetto Pastorini Benedetto Pastorini (Italy, c. 1746 - 1838) Original Stipple Engraving 1806  
27.- The Muscular System by Francesco Bartolozzi Leonardo da Vinci's (The Muscular System) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Etching 1796 Sold
28.- The Skeletal System by Francesco Bartolozzi Leonardo da Vinci's (The Skeletal System) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Etching 1795 Sold
29.- Woman's Head by P. W. Tomkins after Leonardo da Vinci Leonardo da Vinci's (Woman's Head) by Peltro William Tomkins Peltro William Tomkins (London, 1760 - 1840) Original Stipple Engraving 1803 Sold
30.- Abraham Entertaining Three Angels by Francesco Bartolozzi Ludovico Carracci's (Abraham Entertaining Three Angels) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Etching 1797  
31.- Apotheosis of St. Francis by P. W. Tomkins after Ludovico Carracci Ludovico Carracci's (Apotheosis of St. Francis by Peltro William Tomkins) Peltro William Tomkins (London, 1760 - 1840) Original Aquatint Engraving in Sepia 1806 Sold
32.- Jacob's Vision by Francesco Bartolozzi Ludovico Carracci's (Jacob's Vision) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Etching 1797  
33.- Virgin and Child and St. John by F. C. Lewis after Michelangelo Michelangelo's (Virgin and Child and St. John) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Soft Ground Etching 1811 Sold
34.- Bacchanalia A Dance before a Herm of Pan or Priapus by F. C. Lewis after Nocolas Poussin Nicolas Poussin's (Bacchanalia, 'A Dance before a Herm of Pan, or Priapus') by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Aquatint Engraving c. 1809  
35.- Treading the Wine Bags by F. C. Lewis after Nicolas Poussin Nicolas Poussin's (Treading the Wine Bags) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Aquatint Engraving 1809  
36.- Holy Family the Virgin with the Christ child St. Elizabeth and the infant St. John the Baptist by F. C. Lewis after Raffaelo Raphael's (Holy Family, the Virgin with the Christ child, St. Elizabeth, & the infant St. John the Baptist) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Soft Ground Etching 1809  
37.- Leda and the Swan by F. C. Lewis after Raphael Raphael's (Leda and the Swan) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Etching 1809 Sold
38.- Sibyl by F. C. Lewis after Raphael Raphael's (Sibyl) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Soft Ground Etching 1809 Sold

Selected Directories in our Gallery (Art of The Print / www.artoftheprint.com), with a focus on the area of interest for this original work of art.
Art of the Print / www.artoftheprint.com sells international fine art. Our collection consists of original paintings, watercolors, drawings, and original prints, such as etchings, engravings, lithographs, woodcuts, silk-screens, aquatints, mezzotints, linocuts, monoprints, and other mediums of original art. All of these works of art have been created by prominent and established painters, illustrators, watercolour artists and printmakers from around the world. The art in our gallery ranges from the early Renaissance period to the modern and contemporary art period. You can view other original artworks similar to the subject under discussion on this page listed in the following art directories.
Century:
Old Master Artist Index The 'Old Master' artist directory contains a selection of original works of art created by international painters, illustrators and graphic artists. These original works date from the Renaissance period to the end of the 1700's.
Fine 19th Century Artist Index The 'Fine 19th Century Art' directory contains a selection original works of art created by international painters, illustrators and graphic artists. These original works date from 1800 to 1899.
Country:
British Artists Index The 'British Art' directory contains a listing of original works of art created by artists from England, Ireland, Scotland and Wales, and or art with a British theme. The artworks date from the 17th century to the 20th century.
Italian Artist Index The 'Italian Art' directory contains a listing of original works of art created by artists from Italy and or art with an Italian theme. The artworks date from the 15th century to the 20th century.
Subject:
Professions Portrayed in Art Index The 'Professions Portrayed in Art' directory contains a selection of original art with depictions of people in various professional occupations, such as the medical field with portrayals of doctors, dentists, nurses and quacks. The legal group contains depictions of judges, lawyers and the judicial system. The political profession includes politicians and statesmen who have represented us in government in the past or issues relating to politics. And the fourth category is businessmen. These works of art have been created by artists from around the world and date from the 16th century to the 20th century.

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