Title: |
Abstract Forms in Movement |
Artist: |
Balla, Giacomo (Turin, 1871 - Rome, 1957) |
Date: |
1955 |
Medium: |
Original Silk-Screen |
Note: |
Giacomo Balla: stands at the centre of twentieth century
Italian art and of the influential movement known as Futurism. He studied
art at the Albertina Academy in Turin and then worked briefly as an apprentice
in the studio of Bernardi. Giacomo Balla moved to Rome in 1893 and at the turn
of the century went to Paris. He returned to Rome in 1901 and began exhibiting
his art there in the following year. |
|
During this time, Giacomo Balla's art aroused much controversy throughout
Italy. Many avant-guarde artists, however, sought his instruction and
two of his most famous students from this decade included Gino Severini
and Umberto Boccioni. Their association, along with that of Carra and
Russolo, led to the famous 1910 creation of the Futurist Manifesto. |
|
Although relatively short lived, the influence of Italian
Futurism upon the development of modern art was huge. Briefly, Futurism
extolled the dynamism of the machine age. The art of Giacomo Balla and other Futurists
delineated the poetry of speed, power and (most importantly) movement.
These elements are clearly seen in Balla's later art, such as, Abstract
Forms in Movement. |
|
Michel Seuphor writes, "Balla is beyond a doubt the most resolutely abstract of all the
Futurist painters. He is moreover the only one who has remained faithful to abstract art." *
Abstract Forms in Movement is a brilliant examination of both abstraction and Futurism from the
hand of this most famous modern master. |
|
This original silk-screen was commissioned for a 1955 artist's
portfolio entitled, "Arte Astratta Italiana". Altogether twelve Italian
artists contributed a silk-screen. These included Giacomo Balla and Gino
Severini, as well as younger artists such as Mario Radice, Achille Perilli,
Bruno Munari and Michelangelo Conte. Each silk-screen was printed on thick
wove paper and limited to a sole edition of one hundred s. This
particular was imported to Paris and bears the customs seal,
'Douanes Francaises', on the verso. |
Reference: |
* Michel Seuphor, Dictionary of Abstract Painting,
New York, Tudor Publishing, 1957, pp. 125 & 126. |
Edition: |
Limited edition of one hundred s, numbered 34/100. |
Source: |
Portfolio Arte Astratta Italiana |
Size: |
16 X 13 (Sizes in inches are approximate,
height preceding width of plate-mark or image.) |
|
Matted with 100% Archival Materials |
Condition: |
Printed upon thick wove paper and with wide, full margins
as published in Rome for "Arte Astratta Italiana". Numbered '34/100' and
stamped 'Balla' in the lower margin. It is a finely printed
and in excellent condition throughout. This original silk-screen represents
a prime example of the art of Giacomo Balla, one of the great masters
of the twentieth century. |
Price: |
Sold - The price is no longer available. |
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