Mario Avati - Maniere Noire aux Noix

Maniere Noire aux Noix

The Paris gallery of Paul Proute et ses Fils launched an extensive exhibition of Mario Avati's art in 1965. Mario Avati prepared a special invitation brochure for the exhibition, which included this, original mezzotint entitled, Maniere Noire Aux Noix. The words, "Gravure Originale de Mario Avati" are printed under the mezzotint and beside the title. Mario Avati's Maniere Noire Aux Noix hails from the estate of Maurice Bloch.

View information on other original works of art by Mario Avati.

Mario Avati (Monaco, 1921 - Paris)
#	Title & Artist	Date	Medium	Notes	-
01.-	Bol et Pain (Bowl and Bread) by Mario Avati	1969	Original Mezzotint	Signed in pencil by Mario Avati.	Sold
02.-	Deux Hiboux by Mario Avati	1972	Original Mezzotint	Signed in pencil by Mario Avati.	Sold
03.-	Dove of Peace by Mario Avati	1963	Original Mezzotint	Signed in pencil by Mario Avati.	Sold
04.-	Effraie Precoce by Mario Avati	1970	Original Mezzotint	Signed in pencil by Mario Avati.	Sold
05.-	Fruit by Mario Avati	1966	Original Mezzotint	Signed in pencil by Mario Avati.	Sold
06.-	Fruits by Mario Avati	1973	Original Mezzotint	Signed in pencil by Mario Avati.	Sold
07.-	Maniere Noire aux Noix by Mario Avati	1964	Original Mezzotint	Printed title as well as " Gravure Originale de Mario Avati"	Sold
08.-	The Violin by Mario Avati	1964	Original Mezzotint	Signed in pencil by Mario Avati.	Sold

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Title:	Maniere Noire aux Noix
Artist:	Avati, Mario (Monaco, 1921 - Paris)
Date:	1964
Medium:	Original Mezzotint
Publisher:	Paul Proute et ses Fils, Paris
Printer:	Mario Avati
Note:	Mario Avati: Not many masters of modern art have dedicated most of their artistic talents to the hazardous medium of the mezzotint. From the rocking of the plate to the scraping and burnishing to bring light out of the darkness, the mezzotint has rightly been called the most delicate and complex of all art methods. Yet no other art can give birth to such magnificent areas of light and shade as this purely tonal medium. The leading twentieth century artists of the mezzotint are D. E. Galinis, Yozo Hamaguchi, Kiyoshi Hasagawa and Mario Avati.
	From an Italian background, Mario Avati was born in Monaco and studied art in Paris. His first one man exhibitions were in Paris, where he has resided for most of his career. By 1955, Mario Avati had achieved an international reputation with major exhibitions of his art in New York, Tokyo, London and Los Angeles. Avati's American connections are well known: he has worked with the prestigious Tamarind Workshop and the Museum of Modern Art in New York owns one of the most extensive collections of his prints.
	Scholars have often written of Surrealist elements within Avati's art. Jean Adhemar, in fact, wrote that Mario Avati's mezzotints express, "a strange and devastated universe." * Avati is famous for combining seemingly incongruous forms to achieve strongly evocative imagery, and from this standpoint his art is related to Surrealism. Even in his more realistic animal studies and still lifes, the imagery is permeated by mystical elements derived from the unique spacial relationships of the mezzotint medium.
	As well, Mario Avati is an extremely meticulous artist. He rocks his own mezzotint plates -- sometimes up to twenty-four hours -- in order to achieve the most satisfactory, velvety tones. He is most particular about papers (favouring a pure rag paper with light sizing) and takes complete charge of the artistic process by printing his own plates. In a 1976 essay upon the mezzotint, Avati even had words of warning to collectors: "The fragility of the mezzotint is its only weak point. Collectors must be warned to handle these prints even more carefully than any others, for the slightest scratch damages the print beyond repair. Unfortunately, the deep velvety surface easily attracts exploring fingers which inevitably leave a shiny streak across the velvet." **
	In 1965, the Paris gallery of Paul Proute et ses Fils launched an extensive exhibition of Avati's art. For a small group of preferred friends and clients Avati prepared a special invitation brochure to the exhibition, which included this large, original mezzotint. Under the mezzotint and beside the title is printed these words, "Gravure Originale de Mario Avati". The edition size for Maniere Noire Aux Noix is not known but it is believed to exist in a number of one hundred or less.
Provenance:	This original mezzotint entitled, Maniere Noire aux Noix hails from the estate of Maurice Bloch. Bloch was a major New York City art dealer and a personal friend of Mario Avati. Avati's first New York exhibition was held at Bloch's gallery.
Reference:	* Jean Adhemar, Twentieth Century Graphics, London, Elek Books Limited, 1971, p. 240.
	** Fritz Eichenberg, The Art of the Print, New York, Harry N. Abrams. 1976, pp. 358 - 360.
Size:	5 3/4 X 8 1/2 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Matted with 100% Archival Materials
Condition:	Printed upon hand-made, rag paper and with full margins as created by Avati on the above date. Containing the Paris Gallery announcement on the folding paper, verso. A beautifully printed, velvety and in excellent condition throughout. With the printed title as well as " Gravure Originale de Mario Avati" under the plate-mark. This original mezzotint entitled, Maniere Noire aux Noix, represents a superb example of the famous modern art of Mario Avati.
Price:	Sold - The price is no longer available.
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