Day & Son London J. Sliegh - Ornamental Cover of a Colour Box designed for Ackermann and Co. Industrial Arts of the Nineteenth Century at the Great Exhibition

Ornamental Cover of a Colour Box designed by J. Sliegh for Ackermann Original Lithograph published by the British firm of Day & Son for Industrial Arts of the Nineteenth Century at the Great Exhibition

Ornamental Cover of a Colour Box Designed by Sliegh for Ackermann & Co. (Industrial Arts of the Nineteenth Century at the Great Exhibition)

View other original Lithographs published for the 'Arts of the Nineteenth Century at the Great Exhibition'

Industrial Arts of the Nineteenth Century at the Great Exhibition
#	Image	Title & Artist	Medium	Date	Source	-
01.-		Altar and Reredos Designed By The Late A. W. Pugin, Carved In Stone By Myers Of London, And Fitted-Up By Hardman Of Birmingham lithography by Francis Bedford	Original Lithograph	1853	Industrial Arts of the Nineteenth Century at the Great Exhibition
02.-		Fountain in Iron, Andre of Paris by Francis Bedford	Original Lithograph	1852	Industrial Arts of the Nineteenth Century at the Great Exhibition
03.-		Ornamental Cover of a Colour Box designed by Sliegh for Ackermann & Company	Original Lithograph	1852	Industrial Arts of the Nineteenth Century at the Great Exhibition	Sold
04.-		Portion of a Shield in Silver by Vechte, for Hunt and Roskell of London by John Alfred Vinter	Original Lithograph	1852	Industrial Arts of the Nineteenth Century at the Great Exhibition

View other original works of art by Day & Son 'Royal Lithographers the Queen'.

Day & Son 'Royal Lithographers to Queen Victoria'
#	Image	Title & Artist	Artist Info	Medium	Date	Source	-
Ackermann, London
01.-		Moon Rise in The Valley of Cairn Gorm by Michel Bouquet	Michel Bouquet (Lorient, 1807 - Paris, 1890)	Original Lithograph	1849	Ackermann, London	Sold
Art Treasures of the United Kingdom
01.-		A Limoges Enamel Plaque, Early Sixteenth Century by Francis Bedford	Francis Bedford (London, 1816 - 1894)	Original Lithograph	1858	Art Treasures of the United Kingdom
02.-		Early Limoges Enamel, 12th or 13th Century by Francis Bedford	Francis Bedford (London, 1816 - 1894)	Original Lithograph	1858	Art Treasures of the United Kingdom
03.-		Faenza Ware Plate by Francis Bedford	Francis Bedford (London, 1816 - 1894)	Original Lithograph	1858	Art Treasures of the United Kingdom
04.-		Flemish Ewer, Jug and Stoneware, 16th Century by Francis Bedford	Francis Bedford (London, 1816 - 1894)	Original Lithograph	1858	Art Treasures of the United Kingdom	Sold
05.-		Portrait of Princess Elizabeth, in Enamel by Limousin by Francis Bedford	Francis Bedford (London, 1816 - 1894)	Original Lithograph	1858	Art Treasures of the United Kingdom	Sold
Passages from Modern English Poets
01.-		Sea Beach - Norfolk Fisherman on the Look Out (The Fisherman) by Frederick Bacon Barwell	Frederick Bacon Barwell (London, c. 1831 - 1922)	Original Etching	1861-62	Passages from Modern English Poets
02.-		Hagar and Ishmael by Joseph Clark	Joseph Clark (Cerne Abbas (Dorset), 1834 - Ramsgate, 1926)	Original Etching	1861-62	Passages from Modern English Poets
03.-		The May Wreath by William Gale	William Gale (London, 1823 - 1909)	Original Etching	1861	Passages from Modern English Poets
04.-		Scene of the Plague in London, 1665 by Charles Samuel Keene	Charles Samuel Keene (Hornsea, 1823 - London, 1891	Original Etching	1861-62	Passages from Modern English Poets
05.-		Sisters of Mercy by Matthew James Lawless	Matthew James Lawless (Dublin, 1837 - Bayswater, 1864)	Original Etching	1859	Passages from Modern English Poets
06.-		The Little Shipwrights by Matthew James Lawless	Matthew James Lawless (Dublin, 1837 - Bayswater, 1864)	Original Etching	1859-62	Passages from Modern English Poets
07.-		The Cornfield by Arthur James Lewis	Arthur James Lewis 'Arthur Lewis' (London, 1824 - 1901)	Original Etching	1861-62	Passages from Modern English Poets
08.-		Summer Indolence by John Everett Millais	John Everett Millais (Southampton, 1829 - London, 1896)	Original Etching	1861-62	Passages from Modern English Poets
09.-		Moonlight by Henry Moore	Henry Moore (York, 1831 - Margate, 1895)	Original Etching	1861-62	Passages from Modern English Poets
10.-		The Last Gleam of Day by John Wright Oakes	John Wright Oakes (Middlewich (Cheshire), 1820 - London, 1887)	Original Drypoint & Etching	1859-62	Passages from Modern English Poets
11.-		The Rainbow by Sir Francis Powell	Sir Francis Powell (Pendleton, 1833 - Dunoon, Scotland, 1914)	Original Etching	1861-62	Passages from Modern English Poets
12.-		St. Valentine's Day by Charles Rossiter	Charles Rossiter (London, 1827 - 1897)	Original Etching	1861-62	Passages from Modern English Poets
13.-		Nearing Home by Walter Severn	Walter Severn (Frascati (near Rome), 1830 - London, 1904)	Original Etching	1861-62	Passages from Modern English Poets
14.-		Supping on Horrors by Frederick Smallfield	Frederick Smallfield (London, 1829 - 1915)	Original Etching	1861-62	Passages from Modern English Poets
15.-		The Shoe-Black by Frederick Smallfield	Frederick Smallfield (London, 1829 - 1915)	Original Etching	1861-62	Passages from Modern English Poets
16.-		Winter Revels by Frederick Smallfield	Frederick Smallfield (London, 1829 - 1915)	Original Etching	1861-62	Passages from Modern English Poets
17.-		War and Glory by Sir John Tenniel	Sir John Tenniel (London, 1820 - 1914)	Original Etching	1861-62	Passages from Modern English Poets
18.-		Study of a Head by Henry Clarence Whaite	Henry Clarence Whaite (Manchester, 1828 - Conwy Valley, Wales, 1912)	Original Etching	1861-62	Passages from Modern English Poets
19.-		Sketching by James McNeill Whistler	James Abbott McNeill Whistler (Lowell, MA, 1834 - London, 1903)	Original Etching	1861-62	Passages from Modern English Poets
20.-		The Punt by James McNeill Whistler	James Abbott McNeill Whistler (Lowell, MA, 1834 - London, 1903)	Original Etching	1861-62	Passages from Modern English Poets
Vanity Fair
01.-		Vice - Admiral Caillard by Jean Baptiste Guth	Jean Baptiste Guth (Bayonne, London, died, 1921)	Original Lithograph	1905	Vanity Fair
02.-		Various Vanity Fair Prints (Collection of 40 Original Lithographs)	Miscellaneous Vanity Fair Portraits (Collection of Forty)	Original Lithographs	1875 to 1903	Vanity Fair
03.-		Madam Sarah Bernhardt by a Vanity Fair artist, Monogramme: 'K'	Monogramme: 'K'	Original Lithograph	1912	Vanity Fair	Sold
04.-		The Lord Chief Justice of England (Lord Alverstone) by a Vanity Fair artist, Monogramme: 'W. H.'	Monogramme: 'W. H.'	Original Lithograph	1913	Vanity Fair
05.-		Albert Seymour by Carlo Pellegrini Known as 'Ape'	Carlo Pellegrini 'Ape' (Capua, Italy, 1839 - London, 1889)	Original Lithograph	1877	Vanity Fair
06.-		The Lord Chief Baron (The Right Honourable Sir Fitz Roy Edward Kelly) by a Vanity Fair artist	Vanity Fair artist	Original Lithograph	1871	Vanity Fair
07.-		A Professor (Mr. James Edwin Thorold Rogers) by Sir Leslie Ward 'Spy'	Sir Leslie Ward, 'Spy' (London, 1851 - 1922)	Original Lithograph	1884	Vanity Fair	Sold
08.-		H. A. C. (The Earl of Denbigh) by Sir Leslie Ward 'Spy'	Sir Leslie Ward, 'Spy' (London, 1851 - 1922)	Original Lithograph	1894	Vanity Fair
09.-		The Admiral (Sir James Dairymple Horn Elphinstone, M. P.) by Sir Leslie Ward 'Spy'	Sir Leslie Ward, 'Spy' (London, 1851 - 1922)	Original Lithograph	1878	Vanity Fair
10.-		Turf Devotee - The Right Honourable Lord Hothfield by Sir Leslie Ward 'Spy'	Sir Leslie Ward, 'Spy' (London, 1851 - 1922)	Original Lithograph	1889	Vanity Fair

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Title:	Ornamental Cover of a Colour Box Designed by J. Sliegh for Ackermann & Co.
Artist:	Sliegh, J. (British, active, 19th century)
Date:	1852
Medium:	Original Lithograph Printed in Colour
Publisher:	Day & Son, London
Source:	Industrial Arts of the Nineteenth Century at the Great Exhibition
Note:	Day & Son, London: The most famous early Victorian firm of lithographic printing was by created William Day (1797 - 1845) and Louis Haghe (1806 - 1895) in London in 1829. Throughout their initial years, Day and Haghe printed lithographs dealing with a wide range of subjects, such as hunting scenes, topographical views and genre depictions. Their lithographs were so meticulously conceived and technically advanced that in 1838, Day and Haghe were appointed 'Lithographers to the Queen'. After William's death in 1845, the firm became known as 'Day & Son' and in the mid-Victorian era it led the way as a pioneer of the recently developed medium of the lithograph printed in colours.
	"Ornamental Cover of a Colour Box designed by J. Sliegh for Ackermann & Co." was printed and published in 1852 as part of a series, entitled, Industrial Arts of the Nineteenth Century at the Great Exhibition. This was the famous 'Crystal Palace' Exhibition where the arts and technical accomplishments of the nineteenth century were showcased as never before. The Day & Son Portfolio concentrated on many of these innovations publishing 158 full colour lithographs on subjects such as sculpture in bronze and terra cotta, stained glass, ornamental work and many other areas.
	For many years, these large, full-colour lithographs have been in constant demand both for their historic and artistic value. It's amazing to consider that this original work of lithographic art, with its perfect clarity, detail and range of the colouration (including gold) was made at this early date.
	Rudolph Ackermann: (Germany, 1764 - London, 1834): London's most famous early nineteenth century publisher of original prints and illustrated books, Rudolph Ackermann founded his publishing empire in 1796. By 1815 he was internationally praised for his detailed miniature engravings, which appeared in his Forget Me Not annuals, his superb architectural studies and his landscapes and topographical views. His larger prints were most often issued in sets or portfolios and for these he commissioned some of the finest artists of the day, such as Samuel Prout and Thomas Rowlandson. Ackermann's larger views were usually created in the mediums of lithography, aquatint or soft ground etching. Some of his best known sets of subjects and views are The Microcosm of London (1808), History of the Abbey Church of St. Peter's, Westminster (1812), The History of the University of Oxford (1814), The English Dance of Death (1815) and The History of the Royal Residences (1829).
Size:	11 X 15 3/4 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Matted with 100% Archival Materials
Condition:	Printed on mid-nineteenth century wove paper and with full margins as published by Day & Son in 1852. A beautiful and in excellent condition throughout. Altogether, Cover of a Colour Box Designed by Sliegh for Ackermann & Co. represents an early and important example of the colour lithograph.
Price:	Sold - The price is no longer available.
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Day & Son, London (J. Sliegh)

Ornamental Cover of a Colour Box designed for Ackermann and Co. (Industrial Arts of the Nineteenth Century at the Great Exhibition)