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An original drawing by Sigmund Abeles, Seated Lady with folded Fingers dates from 2015. This figure study is signed, and dated along the lower margin and titled on the verso. As is distinctive of all his art, Sigmund Abeles focuses upon the humanity to be found in each of his subjects with both realism and compassion. In this original drawing, the artist depicts a full figure study of a seated woman with her with hands wrapped around her knees. Abeles states about this work of art, "What I said about drawing from life as touching at a distance works" for what I had to say about ‘Curled Up’. Every figure study is also an exploration of another human being, as L. Freud calls them, naked portraits. Degas implored himself to "stay at the ground plane, observe the feet, legs of dancers, people, horses and I sincerely work to do just that". * Seated Lady with folded Fingers stands as a fine, original example of the art from one of America’s finest figurative artists, Sigmund Abeles. |
Title: | Seated Lady with folded Fingers (Figure Study) |
Artist: | Abeles, Sigmund (New York, born, 1934) |
Date: | October, 1, 2015 |
Medium: | Original Pencil Drawing |
Note: | Sigmund Abeles: One of the most honoured figurative artists of our time, Sigmund Abeles began his formal art education in 1952 at the Pratt Institute, New York. Two years later he enrolled at the Art Students League of New York and studied under Reginald Marsh, Harry Sternberg and Morris Kantor. As well, in 1955, Abeles received a scholarship to study at the Showhegan School in Maine, working under Isabel Bishop and Edwin Dickenson. A second scholarship in 1956 sent him to the Brooklyn Museum School to explore printmaking techniques. He also received his BA in painting from the University of South Carolina and a Master of Fine Arts degree from Columbia University. |
The U.S. Army drafted Sigmund Abeles in 1957. After refusing to answer personal questions concerning some of the more liberal artists with which he had associated Abeles found himself classified as a security risk. (This was, after all, the incomprehensible, potential Communist under every bed, decade of McCarthyism.) Nevertheless, the Army employed Abeles as a technical illustrator and even assigned him top secret clearance. The artist worked for the Army in France, Czechoslovakia and Germany and describes his time there as "living Dr. Strangelove." ** | |
During his career, Abeles has been active as an original printmaker, painter, sculptor and as a teaching professor. In this latter category he has taught at the Swain School of Design, New Bedford (1961-64), Wellesley College (1964-67) and at Boston University School of Fine Arts, Boston (1969). Sigmund Abeles began teaching at the University of New Hampshire in 1970. He became a full professor there in 1979 and retired in 1987. | |
As a sculptor, Sigmund Abeles has also achieved international acclaim, and like his paintings, drawings, and graphic art, a large body of his work in this medium consists of figure studies and portraits. Such works include, Gazing Upward (c. 1963), Expectant Sleeper (1965), Reclining Reader (1967), Caryatid Figure (1975), and many others. In 2007, the Franklin G. Burroughs-Simeon B. Chapin Art Museum held the exhibition, From Whence I’ve Come featuring paintings, prints drawings, pastels and sculptures created by the artist from 1951 to 2007. Abele's pensive sculpture of a young girl in bronze, Kaethe, Age Nine, (1968), can be viewed at Brookgreen Gardens, South Carolina. | |
Sigmund Abeles’s engravings, lithographs, pastel drawings and paintings are currently found in such major collections as the Victoria and Albert Museum, London, the Museum of Modern Art, New York, the Art Institute of Chicago, the Philadelphia Museum of Art, the National Academy of Design, the San Diego Museum of Art, Yale University, the Worcester Art Museum and the Honolulu Academy of Art. | |
During his artistic career, Sigmund Abeles has held countless successful solo, dual, group and traveling art exhibitions throughout the United States, England, and Holland. Major institutions that have featured the artist's work include, the University of Nebraska, the DeCordova Museum, Lincoln, Massachusetts, Rijksacademie, Amsterdam, the Institute of Contemporary Art, London, the University of New Hampshire, Bates College Museum of Art, Lewiston, the Visual Arts Gallery at the State University of New York and at the Culture Center, New York City, Hebrew Union College, NYC, and many others. A selection of the artist's most recent exhibitions include, Drawn to the Figure, Kalamazoo Institute of Arts, Kalamazoo, MI (2011), The Art of Influence, Asian Propaganda, British Museum, London (2013), The Way of Flesh Part II, Mt. San Antonio College Art Gallery, (2014), Sigmund Abeles Pastels, Greenville County Museum of Art, Greenville, SC (2014), In 2011, An Artist's Eye: A Journey through Modern and Contemporary Art with Sigmund Abeles, and Figuratively Speaking, The Art of Sigmund Abeles were held consecutively at the Columbia Museum of Art, South Carolina. The latter two exhibits will soon be moved to Sigmund Abeles’ home town, Myrtle Beach, South Carolina, and featured at the Franklin G. Burroughs-Simeon B. Chapin Art Museum, (2016). | |
Many scholars have tried to find a definition for the compelling art of Sigmund Abeles. Perhaps the most appropriate words come from the artist himself: "I'm a figurative artist - but not in a straight representational way. My work has an expressionist quality with psychological overtones; it might be called '‘expressive realism' or 'psychological realism'. When I look at a figure, I don’t see just form - I see who the person is and what the person is feeling." He has also stated, "People often quote me on something I wrote about Degas. 'He kept looking when most people look away.' When I look, I constantly seek for a corner to start peeling back the surface layers." *** | |
Seated Lady with folded Fingers (Figure Study): An original drawing by Sigmund Abeles, Seated Lady with folded Fingers dates from 2016. This figure study is signed, and dated along the lower margin and titled on the verso. As is distinctive of all his art, Sigmund Abeles focuses upon the humanity to be found in each subject with both realism and compassion. Here, he depicts a full figure study of a seated woman with her with hands wrapped around her knees. The artist states about this work of art, "What I said about drawing from life as touching at a distance works" for what I had to say about ‘Curled Up’. Every figure study is also an exploration of another human being, as L. Freud calls them, naked portraits. Degas implored himself to "stay at the ground plane, observe the feet, legs of dancers, people, horses and I sincerely work to do just that". Seated Lady with folded Fingers stands as a fine, original example of the art from one of America’s finest figurative artists, Sigmund Abeles. | |
* Comments by Sigmund Abeles to Art of the Print, August. 2016. | |
** David S Andrew, Sigmund Abeles: A Retrospective, Durham, University of New Hampshire, 1988. | |
*** Sigmund Abeles: Expressive Realist Painter & Printmaker, Biddington’s, New York, http://www. biddingtons. com. | |
Size: | 15 1/8 x 11 1/8 (Sizes in inches are approximate, height preceding width of plate-mark or image.) |
UnMatted | |
Buy Now | Price: $700.00 US |
Condition: | Drawn upon pure rag paper and with full, deckled margins. Signed, "Abeles", and dated "1.10.2015" under the image. Also Inscribed, "Seated Lady with folded Fingers" & "Pencil" on reverse side. This original graphite drawing is in excellent condition throughout. Seated Lady with folded Fingers stands as a prime example of the fine art from one of America’s finest figurative artists, Sigmund Abeles. |
Subject | Sigmund Abeles, Seated Lady with folded Fingers (Figure Study), study of a woman, original drawing, Degas, stay at the ground plane, National Academy of Design. |
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Original Pencil Drawing by the American artist, Sigmund Abeles.
Seated Lady with folded Fingers (Figure Study) |
View other original works of art by Sigmund Abeles.
Abeles, Sigmund (New York, born, 1934) | ||||||
# | Image | Title & Artist | Medium | Date | Notes | - |
01.- | Afternoon Light (Figure Study of the Sculptor and Photographer, Anne Merck) by Sigmund Abeles | Original Lithograph | 1978 | Signed, "Abeles", & inscribed, "A. P." (Artist Proof) in pencil by Sigmund Abeles in lower right margin. Printed by Paul Macguire, Lakeside Studio, Lakeside Michigan. | ||
02.- | B. G. Seated (Assistant at the Ahmherst Workshop) by Sigmund Abeles | Original Engraving with Plate Tone | 1981 | Signed & titled, "Abeles", "B. G. Seated", & inscribed "artist proof" in pencil by Sigmund Abeles in lower right margin. And, bearing the text, "Nude Seated on Floor" on the back of the print. Printed by Robert Townsend, Amherst, Massachusetts. | ||
03.- | Carl's Angus Cow (A Prize Winning Angus) by Sigmund Abeles | Original Lithograph (Rare) | 1979 | Signed, "Abeles", & inscribed "artist proof" in pencil by Sigmund Abeles in lower right margin. And,bearing the text, "Carl's low" on back of print. Printed by Paul Macguire, Lakeside Studio, Lakeside Michigan. | ||
04.- | Cock of The Roost by Sigmund Abeles | Original Drypoint Engraving | 1981 | Signed and numbered "Abeles", "168/250"' by Sigmund Abeles in pencil, and signed within the plate, 'Abeles 01'. Published by the Associated American Artists, New York. | Sold | |
05.- | Curled Up (Figure Study of a Woman) by Sigmund Abeles | Original Etching with Plate Tone | 1981 | Signed, "Abeles", & inscribed "proof" in pencil by Sigmund Abeles in lower right margin. Printed by Robert Townsend, Amherst, Massachusetts. | ||
06.- | Deadly Dancers (Commissioned for ‘The Permanent Revolution’ by the filmmaker, Manfried Kirchheimer) by Sigmund Abeles | Aquatint, Etching, Soft Ground, & Drypoint (Intaglio) | 2008 | Signed, titled, & numbered, "S. Abeles", "Deadly Dancers", "16/25" in pencil by Sigmund Abeles in lower right margin. Printed by Kathy Caraccio, NYC | ||
07.- | Female Figure Standing with Fist at Back by Sigmund Abeles | Original Charcoal Pencil Drawing | 2016 | Signed, "Abeles", and dated "2016" in lower margin. Inscribed, "Female Figure Standing with Fist at Back", "2016" in pencil by the artist in lower right margin. | ||
08.- | Janus Headed Man (Two Seated Figures Facing in Opposite Directions), with a 2nd Figure Study of Woman (on Back of Paper), both drawings by Sigmund Abeles |
Original Charcoal Drawing with a 2nd Original Pencil Drawing (Back of Paper) |
2014 | Signed, "Abeles", titled, "2. Janus headed Man, and dated "2014" lower right corner. Also Inscribed, "Janus Headed man " "2014", & "charcoal" to the right of a second drawing, a figure study of a sleeping woman on the back of the paper. | ||
09.- | Max / Shabbat (The Artist's Son, Maxwell Merck Abeles and his mother, Anne Merck-Abeles on Sabbath) by Sigmund Abeles | Original Drypoint on Chine Colle | 1993 | Signed and numbered "Abeles", "4/30" in pencil by Sigmund Abeles in the lower margin, and published by the artist. | ||
10.- | Max, ‘Max's Laugh, Max-Gelding's Laugh, Gelding's Laugh’ (My Horse, Max's Laugh) by Sigmund Abeles | Original Engraving & Etching | 1971 | Signed, titled, & numbered, "Abeles", "Max", "5/20" in pencil by Sigmund Abeles below the image. Also titled in pencil by him "Max's Laugh, Max-Gelding's Laugh, Gelding's Laugh" in lower right margin, and bearing the text, "Gelding" on the back of the print. Published by the artist. | ||
11.- | My Rolling Mare, ‘Sayida’ (Study of the Artist's Horse) by Sigmund Abeles | Original Drypoint in Mauve Ink | 1981 | Signed, "S. Abeles", & inscribed "artist proof" in pencil by Sigmund Abeles in lower right margin. Printed by Robert Townsend, s Workshop Boston, Ma.. | ||
12.- | Pietrasanta Carver (Portrait of the Sculptor & Photographer, Anne Merck) by Sigmund Abeles | Original Lithograph | 1977 | Signed, "S. Abeles", titled, "Pietrasanta Carver", & inscribed, "artist proof" in pencil by Sigmund Abeles in lower right margin. Printed by Paul Macguire, Lakeside Studio, Lakeside Michigan. | ||
13.- | Portrait of a Young Woman (Margo Lillian Jefferson) by Sigmund Abeles | Original Drypoint Engraving | 1969 | Signed and numbered, "S. Abeles", "20/250" by Sigmund Abeles in pencil. Published by the Associated American Artists, New York | Sold | |
14.- | Red Haired (Seated Figure Study) by Sigmund Abeles | Original Graphite Drawing | April, 25, 2014 | Signed, "S Abeles", "CA NYC" (Century Association, New York City), and dated "4.25.2014" in lower margin. Titled, "Red-Haired" in upper left corner. Also Inscribed, "Red-Haired" "4.25.2014", & "Pencil" on back of paper. | ||
15.- | Seated Lady with folded Fingers (Figure Study) by Sigmund Abeles | Original Pencil Drawing | October, 1, 2015 | Signed, "Abeles", and dated "1.10.2015" under the image. Also Inscribed, "Seated Lady with folded Fingers" in pencil on back of paper. | ||
16.- | Self Portrait Shaved (Portrait of the Artist, Sigmund Abeles) by Sigmund Abeles | Original Lithograph | 1978 | Signed, "Abeles", & numbered, "1/10" in pencil by Sigmund Abeles in lower right margin. And, bearing the title, "Self Portrait" on the back of the print. Printed by Paul Macguire, Lakeside Studio, Lakeside Michigan. | ||
17.- | The Artist's Mother The Artist's Mother (Henrietta Banner Abeles) by Sigmund Abeles | Original Etching and Aquatint | 1966 | Signed, titled, & numbered, "Abeles", "The Artist's Mother", "10/30" in pencil by Sigmund Abeles in lower right margin. And bearing the text, "The Artist's Mother" on the back of the print. Published by Ferdinand Rodent, Maryland. | ||
18.- | Widowed Eve by Sigmund Abeles | Original Etching and Aquatint | 1964 | Signed, titled, & inscribed, "Abeles", "Widowed Eve", "artist proof" in pencil by the artist in lower right margin. Published and printed by Sigmund Abeles. |
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