Sigmund Abeles - B. G. Seated Assistant at the Ahmherst Workshop

B. G. Seated (Assistant at the Ahmherst Workshop)

Sigmund Abeles's original engraving, B. G. Seated (Assistant at the Ahmherst Workshop) dates from 1981 and is also known under the title, Nude Seated on the Floor. Of this beautiful figure study Abeles comments, “B. G Seated on Floor, in 1981, a very productive year for my print production. I was invited as one of ten American printmakers to spend two weeks creating new prints at U Mass, Amherst. Each of us was in turn invited to bring two star students as our assistants. In this case, one of my assistants was kind enough to pose for me. So this is all from life and with an audience hanging over me.” * This beautiful figure study portrays the painter and printmaker, Betsey Garand, Assistant at the Ahmherst Workshop that year. B. G. Seated is an artist proof created by Sigmund Abeles, and printed by Robert Townsend in Amherst, Massachusetts in 1981. It is signed, titled and annotated, ‘Artist Proof’ by the artist in pencil along the lower margin. B. G. Seated is a striking, original example of the etched art created by the influential and distinguished American artist, Sigmund Abeles.

B. G. Seated (Betsy Garand, Assistant at the Ahmherst Workshop)

View other original works of art by Sigmund Abeles.

Abeles, Sigmund (New York, born, 1934)
#	Image	Title & Artist	Medium	Date	Notes	-
01.-		Afternoon Light (Figure Study of the Sculptor and Photographer, Anne Merck) by Sigmund Abeles	Original Lithograph	1978	Signed, "Abeles", & inscribed, "A. P." (Artist Proof) in pencil by Sigmund Abeles in lower right margin. Printed by Paul Macguire, Lakeside Studio, Lakeside Michigan.
02.-		B. G. Seated (Assistant at the Ahmherst Workshop) by Sigmund Abeles	Original Engraving with Plate Tone	1981	Signed & titled, "Abeles", "B. G. Seated", & inscribed "artist proof" in pencil by Sigmund Abeles in lower right margin. And, bearing the text, "Nude Seated on Floor" on the back of the print. Printed by Robert Townsend, Amherst, Massachusetts.
03.-		Carl's Angus Cow (A Prize Winning Angus) by Sigmund Abeles	Original Lithograph (Rare)	1979	Signed, "Abeles", & inscribed "artist proof" in pencil by Sigmund Abeles in lower right margin. And,bearing the text, "Carl's low" on back of print. Printed by Paul Macguire, Lakeside Studio, Lakeside Michigan.
04.-		Cock of The Roost by Sigmund Abeles	Original Drypoint Engraving	1981	Signed and numbered "Abeles", "168/250"' by Sigmund Abeles in pencil, and signed within the plate, 'Abeles 01'. Published by the Associated American Artists, New York.	Sold
05.-		Curled Up (Figure Study of a Woman) by Sigmund Abeles	Original Etching with Plate Tone	1981	Signed, "Abeles", & inscribed "proof" in pencil by Sigmund Abeles in lower right margin. Printed by Robert Townsend, Amherst, Massachusetts.
06.-		Deadly Dancers (Commissioned for ‘The Permanent Revolution’ by the filmmaker, Manfried Kirchheimer) by Sigmund Abeles	Aquatint, Etching, Soft Ground, & Drypoint (Intaglio)	2008	Signed, titled, & numbered, "S. Abeles", "Deadly Dancers", "16/25" in pencil by Sigmund Abeles in lower right margin. Printed by Kathy Caraccio, NYC
07.-		Female Figure Standing with Fist at Back by Sigmund Abeles	Original Charcoal Pencil Drawing	2016	Signed, "Abeles", and dated "2016" in lower margin. Inscribed, "Female Figure Standing with Fist at Back", "2016" in pencil by the artist in lower right margin.
08.-		Janus Headed Man (Two Seated Figures Facing in Opposite Directions), with a 2nd Figure Study of Woman (on Back of Paper), both drawings by Sigmund Abeles	Original Charcoal Drawing with a 2nd Original Pencil Drawing (Back of Paper)	2014	Signed, "Abeles", titled, "2. Janus headed Man, and dated "2014" lower right corner. Also Inscribed, "Janus Headed man " "2014", & "charcoal" to the right of a second drawing, a figure study of a sleeping woman on the back of the paper.
09.-		Max / Shabbat (The Artist's Son, Maxwell Merck Abeles and his mother, Anne Merck-Abeles on Sabbath) by Sigmund Abeles	Original Drypoint on Chine Colle	1993	Signed and numbered "Abeles", "4/30" in pencil by Sigmund Abeles in the lower margin, and published by the artist.
10.-		Max, ‘Max's Laugh, Max-Gelding's Laugh, Gelding's Laugh’ (My Horse, Max's Laugh) by Sigmund Abeles	Original Engraving & Etching	1971	Signed, titled, & numbered, "Abeles", "Max", "5/20" in pencil by Sigmund Abeles below the image. Also titled in pencil by him "Max's Laugh, Max-Gelding's Laugh, Gelding's Laugh" in lower right margin, and bearing the text, "Gelding" on the back of the print. Published by the artist.
11.-		My Rolling Mare, ‘Sayida’ (Study of the Artist's Horse) by Sigmund Abeles	Original Drypoint in Mauve Ink	1981	Signed, "S. Abeles", & inscribed "artist proof" in pencil by Sigmund Abeles in lower right margin. Printed by Robert Townsend, s Workshop Boston, Ma..
12.-		Pietrasanta Carver (Portrait of the Sculptor & Photographer, Anne Merck) by Sigmund Abeles	Original Lithograph	1977	Signed, "S. Abeles", titled, "Pietrasanta Carver", & inscribed, "artist proof" in pencil by Sigmund Abeles in lower right margin. Printed by Paul Macguire, Lakeside Studio, Lakeside Michigan.
13.-		Portrait of a Young Woman (Margo Lillian Jefferson) by Sigmund Abeles	Original Drypoint Engraving	1969	Signed and numbered, "S. Abeles", "20/250" by Sigmund Abeles in pencil. Published by the Associated American Artists, New York	Sold
14.-		Red Haired (Seated Figure Study) by Sigmund Abeles	Original Graphite Drawing	April, 25, 2014	Signed, "S Abeles", "CA NYC" (Century Association, New York City), and dated "4.25.2014" in lower margin. Titled, "Red-Haired" in upper left corner. Also Inscribed, "Red-Haired" "4.25.2014", & "Pencil" on back of paper.
15.-		Seated Lady with folded Fingers (Figure Study) by Sigmund Abeles	Original Pencil Drawing	October, 1, 2015	Signed, "Abeles", and dated "1.10.2015" under the image. Also Inscribed, "Seated Lady with folded Fingers" in pencil on back of paper.
16.-		Self Portrait Shaved (Portrait of the Artist, Sigmund Abeles) by Sigmund Abeles	Original Lithograph	1978	Signed, "Abeles", & numbered, "1/10" in pencil by Sigmund Abeles in lower right margin. And, bearing the title, "Self Portrait" on the back of the print. Printed by Paul Macguire, Lakeside Studio, Lakeside Michigan.
17.-		The Artist's Mother The Artist's Mother (Henrietta Banner Abeles) by Sigmund Abeles	Original Etching and Aquatint	1966	Signed, titled, & numbered, "Abeles", "The Artist's Mother", "10/30" in pencil by Sigmund Abeles in lower right margin. And bearing the text, "The Artist's Mother" on the back of the print. Published by Ferdinand Rodent, Maryland.
18.-		Widowed Eve by Sigmund Abeles	Original Etching and Aquatint	1964	Signed, titled, & inscribed, "Abeles", "Widowed Eve", "artist proof" in pencil by the artist in lower right margin. Published and printed by Sigmund Abeles.

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Title:	B. G. Seated (Assistant at the Ahmherst Workshop) by Sigmund Abeles
Artist:	Abeles, Sigmund (New York, born, 1934)
Date:	1981
Medium:	Original Engraving with Plate Tone
Printer:	Robert Townsend, Amherst, Massachusetts
Edition:	Limited Edition of 35 (Artist Proof )
Note:	Sigmund Abeles: One of the most honoured figurative artists of our time, Sigmund Abeles began his formal art education in 1952 at the Pratt Institute, New York. Two years later he enrolled at the Art Students League of New York and studied under Reginald Marsh, Harry Sternberg and Morris Kantor. As well, in 1955, Abeles received a scholarship to study at the Showhegan School in Maine, working under Isabel Bishop and Edwin Dickenson. A second scholarship in 1956 sent him to the Brooklyn Museum School to explore printmaking techniques. He also received his BA in painting from the University of South Carolina and a Master of Fine Arts degree from Columbia University.
	The U.S. Army drafted Sigmund Abeles in 1957. After refusing to answer personal questions concerning some of the more liberal artists with which he had associated Abeles found himself classified as a security risk. (This was, after all, the incomprehensible, potential Communist under every bed, decade of McCarthyism.) Nevertheless, the Army employed Abeles as a technical illustrator and even assigned him top secret clearance. The artist worked for the Army in France, Czechoslovakia and Germany and describes his time there as "living Dr. Strangelove." **
	During his career, Abeles has been active as an original printmaker, painter, sculptor and as a teaching professor. In this latter category he has taught at the Swain School of Design, New Bedford (1961-64), Wellesley College (1964-67) and at Boston University School of Fine Arts, Boston (1969). Sigmund Abeles began teaching at the University of New Hampshire in 1970. He became a full professor there in 1979 and retired in 1987.
	As a sculptor, Sigmund Abeles has also achieved international acclaim, and like his paintings, drawings, and graphic art, a large body of his work in this medium consists of figure studies and portraits. Such works include, Gazing Upward (c. 1963), Expectant Sleeper (1965), Reclining Reader (1967), Caryatid Figure (1975), and many others. In 2007, the Franklin G. Burroughs-Simeon B. Chapin Art Museum held the exhibition, From Whence I’ve Come featuring paintings, prints drawings, pastels and sculptures created by the artist from 1951 to 2007. Abele's pensive sculpture of a young girl in bronze, Kaethe, Age Nine, (1968), can be viewed at Brookgreen Gardens, South Carolina.
	Sigmund Abeles’s engravings, lithographs, pastel drawings and paintings are currently found in such major collections as the Victoria and Albert Museum, London, the Museum of Modern Art, New York, the Art Institute of Chicago, the Philadelphia Museum of Art, the National Academy of Design, the San Diego Museum of Art, Yale University, the Worcester Art Museum and the Honolulu Academy of Art.
	Solo exhibitions of Sigmund Abeles's art have been held at Bowdoin College, Sheldon Memorial Art Gallery at the University of Nebraska, the Columbia Museum of Art, South Carolina, the DeCordova Museum, Lincoln, Massachusetts, the University of New Hampshire, the Visual Arts Gallery at the State University of New York and at the Culture Center, New York City. Among the many professional honours received, Abeles was elected a National Academician of the National Academy of Design in 1990.
	Many scholars have tried to find a definition for the compelling art of Sigmund Abeles. Perhaps the most appropriate words come from the artist himself: "I'm a figurative artist - but not in a straight representational way. My work has an expressionist quality with psychological overtones; it might be called ‘expressive realism’ or ‘psychological realism’. When I look at a figure, I don’t see just form - I see who the person is and what the person is feeling.” He has also stated, “ People often quote me on something I wrote about Degas. ‘He kept looking when most people look away.’ When I look, I constantly seek for a corner to start peeling back the surface layers." ***
	B. G. Seated (Assistant at the Ahmherst Workshop): An original engraving by Sigmund Abeles, B. G Seated is also known under the title, Nude Seated on the Floor. B. G Seated is an artist proof created by Sigmund Abeles and printed by Robert Townsend, Amherst, Massachusetts in 1981, and is signed & titled, "Abeles", "B. G. Seated", & inscribed "artist proof" in pencil by Sigmund Abeles in lower right margin. It also bears the alternate title in the artist’s hand, “Nude Seated on the Floor”, on the verso. This superb figure study portrays the painter and printmaker, Betsey Garand, Assistant at the Ahmherst Workshop in 1981. Her work can be found in the collections of the Santa Barbara Museum of Art, CA, Spencer Museum of Art University of Kansas and other important private and public collections. Of this beautiful figure study Abeles comments, “B. G Seated on Floor, in 1981, a very productive year for my print production. I was invited as one of ten American printmakers to spend two weeks creating new prints at U Mass, Amherst. Each of us was in turn invited to bring two star students as our assistants. In this case, one of my assistants was kind enough to pose for me. So this is all from life and with an audience hanging over me.” * In this figure study, for example Abeles draws our eyes foremost to the emotional state of his model. While this is a study of a nude it is more a portrait of a person. Only the hand of a great master such as Sigmund Abeles could combine these elements with such artistry. B. G. Seated is clearly a striking, original example of the figurative art by the distinguished American artist, Sigmund Abeles.
	* Comments by Sigmund Abeles to Art of the Print, August. 2016.
	** David S Andrew, Sigmund Abeles: A Retrospective, Durham, University of New Hampshire, 1988.
	*** Sigmund Abeles: Expressive Realist Painter & Printmaker, Biddington’s, New York, http://www. biddingtons. com.
Size:	9 x 8 1/2 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	UnMatted
Buy Now	Price: $700.00 US
Condition:	Printed upon pure hand-made, laid paper and with full, deckled margins as printed by Robert Townsend, Amherst, Massachusetts in 1981. Signed, titled and annotated, ‘Artist Proof’ by the artist in pencil along the lower margin. Also bearing the alternate title in the artist’s hand, “Nude Seated on the Floor”, on the verso. This is a sharply printed, beautiful and is in superb condition throughout. B. G. Seated represents a premier, original example of the figurative art of Sigmund Abeles.
Subject	Sigmund Abeles, B. G. Seated, (Assistant at the Ahmherst Workshop), “Nude Seated on the Floor”, portrayal of the painter and printmaker, Betsey Garand, Assistant at the Ahmherst Workshop, original Engraving with Plate Tone, figurative art, Robert Townsend, Amherst, Massachusetts, U Mass, Amherst, University of New Hampshire.
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